Showing posts with label 1965. Show all posts
Showing posts with label 1965. Show all posts

Saturday, November 11, 2017

The Oak Ridge Boys - A Higher Power

Nashville: 1965/1970

Hey-yo, Past Peoples, it's you know who, from a future far from now, where things are weird and wild compared to your primitive eyes. Why, even I, in the year 2073, have a hard time realizing how much things have changed. Apple pie costing seven bones and a femur. Self-driving vehicles tailgating self-driving vehicles in fits of road rage. Cherry blossoms fluttering across my holo-eyes in the long winter days. Sure ain't nothing like that in your times... my vintage times... the days of yore... so much a bore...

Anywhen, A Higher Power sums up the ever-lasting foreverness that is The Oak Ridge Boys quite nicely, methinks. The title, I mean, though those vocal harmonies stretch across the ages just as well. Now obviously when these songs were recorded back in the Nauty-Sixties, that 'higher power' the boys were referring to was in parlance to the Christian God, but the Atomic Brotherhood decoded their words, understanding it's just as much referring to the mighty energies stored in atoms. It cannot be under or overstated how much influence those early shows at secret nuclear research facilities had on the original gospel quartet, men of God being exposed to therein untold secrets of God's power, stored in the very make-up of our beings. Science and religion, joining forces to create a vocal group who's legacy lasted longer than your Beat Boys or Beachles. And I was a fan of those groups too, way back in my youth!

Why else do you think this particular album was renamed A Higher Power? It's original 1965 title was The Sensational Oak Ridge Boys From Nashville Tennessee. How boring, how uninformative - except for the facts that these 'boys' are from Nashville Tennessee, and that they're sensational. Parent label Starday Records reissued it with this new title, maybe as a means to market old material, but the Atomic Brotherhood knows better.

Mangles, this is reaching about as far back into The Oak Ridge Boys' history with any globally familiar members, William Gordon the spry turkey-chicken of the group (Duane Allen wouldn't join for another year). These recordings always feel more homely and, well, churchy, with Willie Wynn's tenor almost reaching choir-boy levels of pitch (I remember first thinking it was a 'church lady' singing – oh, silly naive young me). On the other hand, there's a fair bit of tasty slide-guitar action on here. Whether sombre standards like There's A Light Guiding Me, Land Of Beulah, and Angel Band, or chipper offerings like Shine Down On Me, I Am A Pilgrim, and There's A Higher Power, the ol' glissando twang is in full effect. I wonder who was playing it in these sessions. Like, The Oak Ridge Boys were more than just vocalists, they had those famous Nashville musicians handy too.

And wait, are those doo-wop tunes with I Am A Pilgrim and Just A Clear Walk With Thee? Well, Elvis was a thing, I do recall. He had himself gospel backers even while stealing rockabilly.

Saturday, April 23, 2016

Bob Dylan - Bringing It All Back Home

Columbia: 1965/2003

A much better introduction to Bob Dylan long-players. Hell, it just might be among his most iconic albums for a number of reasons. For one, there’s the big hullabaloo over his ventures into the realms of electric music. Hey, that means Bringing It All Back Home is actually relevant to this blog! Nah, not really, the ‘going electric’ part merely his embrace of rock music after an early career as a traditional acoustic folkie. This was seen as a Very Big Deal though, like a betrayal of sorts; musicians just didn’t cross genre and scene boundaries, yo’. You started as an acoustic folk singer, you stayed in your lane. You started as a country crooner, damn straight you weren’t offering those pipes to Motown soul. A rock band was a rock band, though maybe you might get in on that blues action too.

Point being Bobby Dylian proved one wasn’t so chained to their genre as record labels so often claimed. The Beatles could make more than simple ‘love me do’ jangles. Brian Wilson could pen tunes about things other than surfing. And most importantly, you could even meld genres together! Rock music was traditionally lyrically simple stuff, catchy little numbers intended for dancefloors and malt shops, with no time for anecdotes and storytelling. Dylan said nuts to that, retaining his wordsmith abilities without sacrificing the energetic rockabilly jaunts.

And while Subterranean Homesick Blues, Maggie’s Farm, Outlaw Blues, On The Road Again, and Bob Dylan’s 115th Dream enthusiastically rock with the best of that era’s tunes, Mr. Zimmerman doesn’t just dwell on a single genre either. There’s a touch of the country in She Belongs To Me and Love Minus Zero, plus a flurry of folk songs to finish the album out. These include some of his most endearing pieces like Mr. Tambourine Man, famously covered by The Byrds that same year, and maybe-sorta’ about LSD (and if so, a much better allegory than the ham-fisted weed puns of Rainy Day Women #12 & 35). Somber Gates Of Eden is also here, foretelling the inevitable hippie burnout of the ‘70s before there was even much of a hippie movement to begin with. And if you ever need a more perfect example of Dylan’s seemingly stream-of-conscious lyricism, have a gander at It’s Alright, Ma (I’m Only Bleeding).

I bitched some about Dylan’s singing on Blonde On Blonde, but he sounds perfectly fine here. It’s like the brisk rock tempos prevent him from oohver enuunsiating. 115th Dream hilariously starts with an aborted recording session, lending the whole album a playful vibe, and that ol’ Bob isn't always so serious about himself. Finally, Subterranean Homesick Blues is probably most famous for offering the closest thing to the first music video. True, the scene of Dylan holding up cue cards in an alleyway as the song plays was taken from a tour documentary, but it’s been so smoothly extracted from the film, it may as well be a music video made for MTV. Dudes!

Saturday, May 2, 2015

The Beatles - Rubber Soul

Capitol Records: 1965/2009

The only Beatles album you're supposed to have, even if you're not much of a Beatles fan. Because let's be honest: who really likes all the studio experimenting they did after Rubber Soul? There were plenty of good songs, but so much of it fell victim to weirdness like tape manipulations, overdubbing, orchestras, and Indian tonal scales. Whatever happened to the good ol' rock 'n' roll that made the lads from Liverpool super-huge megastars? Yeah, it's here and there, but almost in lip-service rather than their defining musical style. No, best stay away from latter-era Beatles, where they even let Ringo write songs.

That isn't to say Rubber Soul doesn't have its share of new ideas either. If anything, this album marked a major step away from the happy do-lucky mop top rock that created all sorts of screaming girl havoc. They’d just completed a second North American tour, and in that time had taken in plenty of local flavours that were gaining popularity in the USA alongside their own music. This included the impeccable vocal harmonization of The Beach Boys and authentic Motown soul, but most importantly the folk rock styling of Bob Dylan and The Byrds.

In the case of Dylan, their lyrics took a big step for Beatlekind, distancing themselves from easy couplets and simple phrases screaming girls could sing along to when they weren’t screaming for Paul or John or that emo George. Now their songs contained mature content for an aging audience and lovely imagery. Okay, it’s almost all still dealing with love and relationships, but there’s plenty of wiggle-room for exploration in these topics too, areas their early teeny-bop tunes couldn’t deal with. Like such intimacy with Norwegian Wood, or a melancholic Christian parable in Girl, or times long past in In My Life, or the nasty post-breakup threats of Run For Your Life. Whoa, where’d that come from? Meanwhile, the dour Harrison had about enough of love songs by that point, and wrote Think For Yourself, something of a governmental screed. He also co-wrote the reflective Nowhere Man, though that was mostly John’s song, apparently inspired by a bought of writer’s block. Damn marijuana.

Speaking of Harrison and drugs, another thing he learned from David Crosby of The Byrds was a kooky string instrument called a sitar. He learned to play the darned thing and even incorporated it into Norwegian Wood, though in keeping to a Western scale, it don’t sound as ethnic as his later uses of it – a perfect bit of spice to the tune’s charming folksiness. A few more new additions to The Beatles’ repertoire was fuzz box for McCartney in Think For Yourself, French lyrics in Michelle, and a sped-up piano intended to mimic a harpsichord for In My Life.

The biggest contribution Rubber Soul provided the rock world, however, was the notion an album could have end-to-end great songs rather than consisting of filler servicing the singles. Yep, the entire pseudo-genre of Album Orientated Rock was birthed here!

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. The Prince Of Rap B°TONG B12 Babygrande Balance Balanced Records Balearic ballad Bålsam Banco de Gaia Bandulu Barker & Baumecker Battle Axe Records battle-rap Bauri Beastie Boys Beat Buzz Records Beat Pharmacy Beatbox Machinery Beats & Pieces bebop Beck Bedouin Soundclash Bedrock Records Beechwood Music Benny Benassi Bent Benz Street US Berlin-School Beto Narme Beyond bhangra Bicep big beat Big Boi Big Dada Recordings Big L Big Life Bill Hamel Bill Laswell Bill Leeb BIlly Idol BineMusic BioMetal Biophon Records Biosphere Bipolar Music BKS Black Hole Recordings black metal black rebel motorcycle club Black Swan Sounds Blanco Y Negro Blasterjaxx Bleep Blend Blood Music Blow Up Blue Amazon Blue Hour Blue Öyster Cult blues blues rock Bluescreen Bluetech BMG Boards Of Canada Bob Dylan Bob Marley Bobina Bogdan Raczynzki Bombay Records Bone Thugs-N-Harmony Boney M Bong Load Records Bonobo Bonzai Boogie Down Productions Booka Shade Botchit & Scarper Bows Boxed Boys Noize Boysnoize Records BPitch Control braindance Brandt Brauer Frick Brasil & The Gallowbrothers Band breakbeats breakcore breaks Brian Eno Brian Wilson Brick Records Britpop Brodinski broken beat Brooklyn Music Ltd Bryan Adams BT Bubble Buffalo Springfield Bulk Recordings Burial Burned CDs Bursak Records Bush Busta Rhymes Buttertones bvdub C.I.A. Calibre calypso Canibus Canned Resistor Capitol Records Capsula Captain Hollywood Project Captured Digital Carbon Based Lifeforms Caribou Carl B Carl Craig Carlos Ferreira Carol C Caroline Records Carpe Sonum Novum Carpe Sonum Records Castroe Casual Cat Sun CD-Maximum Ceephax Acid Crew Celestial Dragon Records Cell Celtic Centaspike Cevin Fisher Cheb i Sabbah Cheeky Records chemical breaks Chihei Hatakeyama Children Of The Bong chill out chill-out chiptune Chris Duckenfield Chris Fortier Chris Korda Chris Liebing Chris Sheppard Chris Witoski Christmas Christopher Lawrence Chromeo Chronos Chrysalis Ciaran Byrne cinematic soundscapes Circle of Pines Circular Ciro Berenguer Cirrus Cities Last Broadcast City Of Angels CJ Stone Claptone classic house classic rock classical Claude Young Clear Label Records Clementz Cleopatra Cloud 9 Club Culture Club Cutz Club Tools Cocoon Recordings Cold Spring Coldcut Coldplay coldwave Colette collagist Columbia Com.Pact Records Coma Eye comedy Compilation Comrie Smith Congo Natty Conjure One Connect.Ohm conscious Control Music Convextion Cooking Vinyl Cor Fijneman Corderoy Cosmic Gate Cosmic Replicant Cosmo Cocktail Cosmos Studios Cottonbelly Council Estate Electronics Council Of Nine Counter Records country country rock Covert Operations Recordings Craig Padilla Craig Richards Crazy Horse Cream Creamfields Creedence Clearwater Revival Crockett's Theme Crosby Stills And Nash Crossing Mind Crosstown Rebels crunk Cryo Chamber Cryobiosis Cryogenic Weekend Cryostasis Crystal Moon Cube Guys Culture Beat Curb Records Current Curve cut'n'paste CYAN Cyan Music Cyber Productions CyberOctave Cyclic Law Cygna Cypher 7 Cypress Hill Cyril Secq Czarface D-Bridge D-Fuse D-Topia Entertainment Daar Dacru Records Daddy G Daft Punk Dag Rosenqvist Damian Lazarus Damon Albarn Damon Wild Dan Terminus Dan The Automator Dance 2 Trance Dance Pool Dance With The Dead dancehall Daniel Heatcliff Daniel Lentz Daniel Pemberton Daniel Wanrooy Danny Howells Danny Tenaglia Dao Da Noize Daphni dark ambient dark disco dark psy darkcore darkside darkstep darksynth darkwave Darla Records Darren Emerson Darren McClure Darren Nye DAT Records Databloem dataObscura David Alvarado David Bickley David Bridie David Cordero David Guetta David Morley DDR De-tuned Dead Coast Dead Melodies Deadmau5 Death Grips death metal Death Row Records Decimal Deconstruction Dedicated Deejay Goldfinger Deep Dish Deep Forest deep house Deeply Rooted House Deepwater Black Deetron Def Jam Recordings Del Tha Funkee Homosapien Delerium Delsin Deltron 3030 Denshi Danshi Depeche Mode Der Dritte Raum Derek Carr Detroit Deviant Records Devin Underwood Devroka Deysn Masiello DFA DGC diametric. 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Records Iboga Records Icarus Music Ice Cube Ice H2o Records ICE MC IDM Iempamo Ignis Fatum Igorrr Ikjoyce illbient ILUITEQ Imogen Heap Imperial Dancefloor Imploded View In Charge In Trance We Trust Incoming Incubus Indica Records indie rock Indisc Industrial Infastructure New York Infected Mushroom Infinite Guitar influence records Infonet Inhmost Ink Midget Inner Ocean Records Innovative Leisure Records Insane Clown Posse Inspectah Deck Instinct Ambient Instra-Mental Intellitronic Bubble Inter-Modo Interchill Records Internal International Deejays Gigolo Interscope Records Intimate Productions Intuition Recordings ISBA Music Entertainment Ishkur Ishq Island Def Jam Music Group Island Records Islands Of Light Italians Do It Better italo disco italo house Item Caligo J-pop Jack Moss Jackpot Jacob Newman Jafu Jake Stephenson Jam and Spoon Jam El Mar James Blake James Holden James Horner James Lavelle James Murray James Zabiela Jamie Jones Jamie Myerson Jamie Principle Jamiroquai Javelin Ltd. 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