Showing posts with label Jive Electro. Show all posts
Showing posts with label Jive Electro. Show all posts

Saturday, September 8, 2018

Groove Armada - Lovebox

Jive Electro: 2002

This may be Groove Armada's fourth album, but I always think it's their second. Once again, I blame my Canadian exposure to the band Andy Cato and Tom Findlay built. Their first album, Northern Star, was a non-entity in my hemisphere of the globe, such that we all figured Vertigo was their debut (only the Brits knew better anyway). And while Goodbye Country (Hello Nightclub) was the hotly anticipated follow-up to Vertigo, I can't say it made much of an impression in these here parts, for two reasons. One, the cover-art was kinda' drab, a homely thing that looked more like any dozen of chill-out compilations floating about at the time (reminds me of something off Late Night Tales), thus easily lost on store shelves. Two, the album had the unfortunate timing to be released on September 10, 2001. Uh, yeah, North American folks were gonna' be a tad more preoccupied than scoping out a new Groove Armada record.

Lovebox though, there was no missing that, what with it's big neon artwork against a stark black backdrop, released a year after most nations had regathered their wits. The quick turnaround into another LP caught many off guard, figuring the Armada lads would have wanted their Goodbye Country material to gestate a little longer. On the other hand, with I See You Baby and At The River still getting more airplay than anything in their current discography, it wouldn't surprise me if Misters Cato and Findlay were hit with a surge of inspiration to make music as far removed from those tunes as quickly as possible. Even they had to be tired of hearing about sandy dunes and salty air.

Aside from hot neon colours, you know what else was creeping into clubland around this time? Good ol' fashion 'rawk', the sort of drunken, rowdy business new wavers so often indulged in Back In The Day. Disco punk was peeking its head outside of New York City enclaves, and there was something irresistibly trashy about this new-fangled 'electro-house' biz'. Groove Armada must have noticed these underground developments, as Lovebox features some of the rockiest dance music I've heard from the year 2002 (very small sample size).

Like, there's no denying where their heads are at opening an album with a song called Purple Haze. It's a suitably heavy, thumping groover that doesn't sully the Hendrix song at all, while Groove Is On gets more on that funk action for your all-night festivities. And if those weren't enough to let your hair down, Madder is a fun head-banger tune. Then there's some obligatory house jams (Final Shakedown going a little garage, Easy going a little disco, Lovebox going a little deep, and But I Feel Good going a little ...reggae?), and some soulful downtempo cuts too. Oh, and Remember reminds us that, yes, if Groove Armada wanted to keep rehashing At The River forever after, they could easily do so with skill and finesse. They just, like, don't want to, that's all.

Friday, May 26, 2017

Groove Armada - Vertigo

Jive Electro: 1999/2000

I already mentioned Vertigo is the only Groove Armada album you’ll likely have, even if you’re not a Groove Armada fan, back when I reviewed The Remixes. That’s only true of American interests though, the duo enjoying plenty of sales numbers for follow-up LPs Goodbye Country (Hello Nightclub) and Lovebox. And despite a half-decade gap, Soundboy Rock did reasonably well in the UK, but it was clear their fame abroad was diminishing. A new wave rebranding for 2010’s Black Light generated a little sustained buzz, and perhaps they could have kept that going if trends weren’t so darn fickle in the world of club music. Instead, they’ve recently opted for that safest of fallbacks all producers succumb to, deeeeeeep house. Ah well, at least there’s precedent in their discography for it.

Vertigo always strikes me as the sort of album that shouldn’t have had much of a hope at gaining Platinum sales status, yet was destined for it regardless. The big singles off here were so ubiquitous in turn-of-the-century advertising, Groove Armada couldn’t help but generate bank from it, though I only heard Fatboy Slim’s rub of I See You Baby on this side of the pond. Still, the summery feel-good vibes of If Everybody Looked The Same and chilled bliss of At The River (mmm, sandy dunes and salty air) make for swell soundtracks accompanying visuals of beautiful people driving beautiful cars in beautiful locales. Instead, we got Moby.

The rest of Vertigo though, how does that hold up? Like, this is mostly an acid jazz record, right? It’s got those funky, groovy rhythms that isn’t quite house music (Chicago, Pre 63, Serve Chilled), ample amounts of jazzy instruments played as laid-back loops or in studio (orchestral swells in Whatever, Whenever, trumpet in Dusk You And Me, turntable scratches and Balearic guitar action in A Private Interlude), and hard-stomp soul (Your Song). There’s also some straight-up house action with In My Bones, plus the original I See You Baby cut, even if it is kind of a plodder. And for a closer, Groove Armada dabble in an eight-minute long trip-hop excursion titled Inside My Mind (Blue Skies) …at least, if you got the UK version of Vertigo. Fatboy Slim’s rub of I See You Baby was so popular though, it got tagged onto the end of American copies, which suits me fine. Ends the album on quite the peppy note, it does.

But these are all loose demarcations. At this point in their career, Groove Armada’s appeal lay in their blending of familiar genres into tasty morsels that played nicely on the radio. Whatever edgy, underground influences Misters Cato and Findlay held, they’re smoothed right the fuck out here - small wonder their recent, straight-forward attempts at new wave and d-e-e-e-ep house haven’t caught on in the same way. Still, if all you’re after is some light dabbling in chilled-out funk and soul while lounging on your patio, then you probably already have Vertigo in your folders anyway.

Saturday, March 7, 2015

Groove Armada - The Remixes

Jive Electro: 1999/2000

I'm sure taking my sweet time in tackling a proper Groove Armada album, aren't I? First it was that DJ mix provided by Muzik Magazine as a freebie CD, and now it's a remix collection. Bro, do I not even like Groove Armada, bro? I ask myself that often, always coming to the same answer of a bewildered “I don't know.” I think I like Groove Armada, pretty sure they've never led me astray in the odd times I've dabbled their discography. Hell, I have The Remixes, the sort of release only hardcore fans ever bother with. I don't remember why I got this – I assume because I liked what I heard, enough that it survived the Great CD Pawning Of 2002. And yet, I lack so many of their LPs, only grabbing Vertigo because it was the only Groove Armada album you're supposed to have, even if you're not a Groove Armada fan. Something just don't add up in this equation. Ah well, musing for whenever I reach the 'V's.

Vertigo itself was hugely successful, gaining even more commercial clout when Fatboy Slim offered up a big-beaty remix of the hit single I See You Baby (shaking that ass, shaking that ass). That remix isn’t on here though. Cue Dark Helmet .gif if you bought The Remixes thinking it was. Surprisingly, in its original UK format, there weren’t any rubs of that tune, while the American version gets a standard tribal house go from Futureshock slotted at the very end as an afterthought. What does The Remixes think it is, some sort of original LP experience? Absolutely it does, guy.

Truth is, despite earning all the pounds and shillings, Vertigo only spawned two singles (At The River was released a couple years prior), so it’s not like they had a huge abundance of options for a full-length remix package. Rather, Groove Armada outsourced rubs for seven of the original album’s tunes, plus added an alternative remix of B-side Rap. The first few cuts are fine for what they are, Akasha (jazzy d’n’b), DJ Icey (breaks, d’uh), and DJ Dan (thump house) bringing their distinct styles to Pre 63, If Everybody Looked The Same and Chicago, respectively. It’s also quite the genre hopping out the gate, lending The Remixes to the sort of collection you’d expect out of such a title – a pile of tracks useful for DJs or hardcore fans, but not worth a casual home listen.

However, rather subtly, the CD becomes something more. A little deep house from Attaboy, some groovy jazz-soul care of Time “Love” Lee, a spice of funky downtempo breaks business provided by Kinobe, and a trip-hop outing from Natural Born Grooves (using an alias of Elephant, for some reason). You’re likely seeing a pattern here, and it’s a good one, a vibey flow on a compilation where there shouldn’t be, one you don’t mind returning to sometime down the line. And that, my friends, is why The Remixes is still with me.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. 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