Showing posts with label Pink Floyd. Show all posts
Showing posts with label Pink Floyd. Show all posts

Friday, January 15, 2016

ACE TRACKS: November 2012

We’re nearly at the end of these back-tracking ACE TRACKS Playlists. It’s weird realizing that the music I was playing and reviews I was writing was done over three years ago now, enough time that I’m actually having faded recollection of the month. Like, as though it was a distant part of my past, not unlike my TranceCritic writing days. The music I was covering seems so innocent too, still going through my old collection of trusty favorites and stand-bys, having no clue of the splurging I’d undertake that’d bloat out my library to the four digit realm. About a dozen CDs have since been added within this block alone, and that’s just narrowly missing out that Pete Namlook tribute box set. Back then I had no idea labels like Silent Season, Altar, or Psychonavigation even existed! That November also marked the point I realized I could keep writing at a near-daily clip, though with a signficant chunk being some of my all-time favorite albums, it’s not surprising I was feeling the mojo then. It’s also a big ol’ ACE TRACKS Playlist, so let’s get to ‘er.


Full track list here.

MISSING ALBUMS:
Pete Namlook - The Definitive Ambient Collection: Volume 2
Deep Forest - Deep Forest
Dillinja - Cybotron
Djen Ajakan Shean - Crows Heading For Point Break
Roc Raida - Crossfaderz: A Turntablist’s Throwdown!!
Quadrophonia - Cozmic Jam

Percentage Of Hip-Hop: 12%
Percentage Of Rock: 19%
Most “WTF?” Track: Fear Factory - Pisschrist (that title, tho’!)

Full albums from Future Sound Of London, Pink Floyd, and Spicelab are a must. A bunch of Fear Factory, a pile of progressive trance, a little techno, psy, and world beat thrown in for good measure. Oh, and that last little bit of Bone Thugs working its way in too. Man, did I ever look like the Bone Thugs fanboy in those early months. Little did anyone know my hip-hop allegiance lay with the Wu-Tang Clan (plus whatever Del was up to). All in all, this is a fun, varied month’s worth of music, another reason why I likely sped through those CDs so fast. Couldn’t wait to hear the next one again!

Wednesday, October 23, 2013

Pink Floyd - Is There Anybody Out There? (The Wall Live 1980-81)

Columbia: 2000

The only rock opera you're supposed to have, even if you're not much of a rock opera fan. What about The Who's Tommy, you ask? Pft, that one never had tunes as wickedly catchy as Another Brick In The Wall, Pt. 2 or Young Lust, nor as emotionally evocative as Hey You and Comfortably Numb. That's four classic rock staples, not to mention a whole bunch more should the station get more adventurous (though you’ll never, ever hear Bring The Boys Back Home, I guarantee ...unless it’s a The Wall tribute).

Oh, you’ve noticed this isn’t The Wall, but a live recording of the same album. Heh, it’s a good album, but I can’t see anyone other than completists needing both. It’s essentially the same thing, only this one comes with crowd noises (pretty cool hearing a cheer when Waters asks whether “they’ll like this song” in Mother), extended versions of some songs (including the awesome What Shall We Do?, cut due to vinyl constraints; not sure why CD versions haven’t added it back in though), and the usual extra energy good live recordings always have. So one or the other, it probably doesn’t matter which you get, but here’s my case for getting the live version.

The whole concept Roger Waters had in mind for the piece was one of audience interaction; or rather, losing contact with the very audience that’d come to see Pink Floyd in concert. What better way to depict such an event than by building a literal wall between the band and crowd? Along the way, a whole narrative came about, mostly based on Waters’ life growing up and alienation with the rock lifestyle. While the specifics may differ, the idea of building emotional barriers in our life is easily identifiable, and it’s no surprise The Wall was as successful as it was as a body of music alone. Taking it to the spectacle of the stage, where Waters could engage in all sorts of call-and-response moments with the crowd, only enhances the concept. A song like Is There Anybody Out There? is a haunting piece on its own, but imagine standing in a darkened stadium with nothing but a faceless wall looming in front of you, the band all but gone from sight. Or being urged on by Waters to tear down the wall at the end, a cathartic release for anyone that suffered from such insular depression. Damn, wish I could have seen that back in the day, but I’d only taken one trip around the sun by that point.

Anyhow, when it came time to pick up The Wall (because it’s a rock opera album- never mind), I went with this live version – it seemed appropriate, given the emotional punch of many songs being intensified with audience interaction. Not as good as being there in person but it’ll do until Waters carts out another tour for it over here. He’s still spry enough to do it at, what, one hundred and three?

Thursday, November 15, 2012

Pink Floyd - The Dark Side Of The Moon

Capitol Records: 1973

One of two Pink Floyd albums you're supposed to have even if you're not much of a Pink Floyd fan. Hell, it's one of about a dozen rock albums you're supposed to have even if you're not much of a rock music fan. I do likes me some rockin' and some rollin', but the Floyds never hooked me, which is odd considering how much of a Banco de Gaia fanboy I am. Maybe I'll fall sway to their mopey, trippy charms some day.

You don't need to digest their discography to enjoy Dark Side Of The Moon though. This is a very good record, great, classic even. Don't take my word for it, just ask every single rock publication that has ever existed ever. Or if you don't believe me, throw on your local classic rock station to hear it for yourself. Chances are you'll hear almost all of it throughout the course of a day, maybe even the whole thing if you happen across a Pink Floyd tribute hour.

Still, this is an electronic music blog (most of the time), so I suppose I should mention some of the electronic things on this album. There's On The Run, the bloopy synth-effects second track that every young raver hears for the first time and thinks, “Holy shit, Pink Floyd could do that!? Maybe there's a remix of it!” And then they find said remix, which is nothing more than a 909 kick added or something equally lame, coming away disappointed by the wasted potential. Not that I was such a young raver, mind, but I did come across a few who thought they'd stumbled upon something revolutionary when discovering some white label bootleg of On The Run (Added Kick Mix).

Fortunately, there’re better remix efforts of Dark Side Of The Moon over the years, including Dub Side Of The Moon by the Easy Star All-Stars that got a lot of positive press at the time. I don't have that one, nor am I inclined to hear it if I'm honest. I like dub and I like Dark Side, but not at the same time, which is funny considering the studio trickery occurring in this album could be considered dub music as well.

Y’know, if I’m being honest about that, I’ll be honest about this: I wasn’t in the mood to hear Dark Side right now. It’s music that lets you savour a strong mope, best enjoyed on gray, wet, miserable, morning-after days that folks claim perfectly captures England’s stiff upper lip. I was in a good mood, dammit. The sky was blue and full of sun. I got new music in the mail. A lab mark I thought would bomb came back a near perfect. My back didn’t hurt. I had ice in my glass. Cheers, Mr. Pink & His Floyds, for ruining my day. Why do I have this again? Oh yeah, because I’m supposed to have it.

Alright, the music’s good too, great, classic even.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. 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