Showing posts with label SiJ. Show all posts
Showing posts with label SiJ. Show all posts

Wednesday, September 18, 2019

SiJ - Vale Of Forgotten Sounds

Ancient Language Records/Reverse Alignment: 2013/2015

Why raid a label for just one SiJ album when you can get two? Probably because you've gotten all the remaining hard copies of his albums, digital version the only option left for older ones. And because you've some bizarre hate-boner against ever buying digital when physical versions exist, you skip the other albums, forever denying yourself music you know you'll enjoy irrespective of format its played from. Boy, it sure is a good thing I'm not like that! Such a person sounds a right bellend to be around. (*cough*)

Thus, in my last round of Reverse Alignment purchases, I figured it was as good as any time to round out my my collection of albums SiJ released through the label. Vale Of Forgotten Sounds was the first that did, and among the earliest of the dark ambient print's releases. So small wonder its initial, uncertain fifty copies run sold out, despite not being that far into the past. Nice of Reverse Alignment to up their limited runs to at least triple-digits worth now, thus avoiding selling out all too soon with future releases. You can never be too certain of which artists or albums may turn into must-have dark ambient classics, fetching ungodly mark-ups on the collector's market.

Vale Of Forgotten Sounds may have been SiJ's debut with Reverse Alignment, but the album actually came out a couple years prior, digitally released on Ancient Language Records. Not one to let an album languish solely in the domain of ones and zeroes, Mr. Sikach self-released a CDr option, which included a few more tracks not on the original one. Huh, a CD having more tunes than the digital version. As it should be. Anyhow, that was reason enough, out of all his prior works, for Reverse Alignment to choose this particular album for a proper CD re-issue. And now here I am resorting to the digital version of this re-issue, because the CD all sold out. Something seems askew.

As for what sort of inspiration SiJ was drawing from in creating Vale Of Forgotten Sounds, apparently these pieces were made for the 2014 Ambient Music Festival held in Sevastopol. That would why the first few tracks are of a more calming, relaxing nature for a supposed dark ambient release. Yeah, SiJ has often flitted with the melancholy side of the genre, but tracks like Serenity and Forgotten Skramell are very pleasant pieces of gentle pads and timbre – could easily fit within Databloem's catalogue. Even the more mysterious, melancholy compositions like Hysjer and Springtide don't come off so suffocating as other examples of this style go.

But then Path Through The Swamp comes in with all manner of choking, abrasive field recordings and tones, Le Temps des Cathedrales lays the oppressive tones thick, and you're abruptly reminded that, yeah, this is still a dark ambient release. Still, Vale Of Forgotten Sounds offers a nice variety of the various forms it can take, even the softer variants.

Monday, June 17, 2019

SiJ - The Lost World

Reverse Alignment: 2015

See? See!? I knew there was SiJ in this endless backlog bundle (I've been at since March and I'm only in the 'L's, OMG!). It wasn't some flight of fanciful delusion that I somehow skipped out on the specific artist I raided Reverse Alignment for. Okay, no one doubted my proclamation of innocence in that Ajna review, because few would even care. I cared though, if for no other reason than to confirm my own fraying memories. I had to have scoured for SiJ, because I recall doing so. It couldn't be a figment of my imagination, could it? Like, one of those realistically mundane dreams you're so certain happened it becomes a permanent memory? The cruellest of such dreams I've had are the ones I've unearthed a trove of unreleased Calvin & Hobbes comics. Yes, it's been a recurrent one.

Thing about SiJ is one can be a tad flummoxed over where to start on his discography. Dude's nearly up to fifty releases this past decade, and while I'm sure a good deal of it is just drone experiments, there's bound to be plenty more that's not. Like, did you know he did a cover of Terra? As in, the theme music for Final Fantasy VI Terra? I sure didn't until I did a little poking around his Bandcamp page, and lo', there it was, his interpretation of one of the most lush compositions ever cranked out of the old SNES. Who'd have ever thought a guy appearing on Cryo Chamber would have a Nobuo Uematsu cover in his catalogue. Actually, come to think of it, that 'World Of Ruin' music would work quite nicely in a dark ambient context too.

Speaking of worlds, here is The Lost World. And yes, this is a specific tribute to the Conan Doyle novel, wherein a plateau within the Amazon jungle holds prehistoric creatures. Not to be confused with The Land That Time Forgot, the Edgar Rice Burroughs novel released almost concurrently about an Antarctica realm that holds prehistoric creatures. It was a popular sci-fi idea in the early 20th Century, usually featuring someone getting eaten by a Pleisiosaur, running from cavemen, and a volcano erupting. Heck, even Mickey Mouse had an adventure like that, which was weird considering the cavemen were actual pre-humans in a world of anthropomorphic animals. I've gotten way off track.

What caught me most off guard about SiJ's The Lost World is his inclusion of actual tribal rhythms in the titular cut, Night Near The Shores Of Gladys Lake, and A Fright Sight I Shall Never Forget. It's the most rhythm I've ever heard out of a SiJ album, and makes for welcome thematic variety with the other atmospheric drone pieces he crafts here (always with that distinct fuzzy melancholy). Then it all ends on a total whiplash of an under-produced tropical ditty called At The Falls. Well, under-produced compared to the deep atmospherics of what came before - almost comes off 16-bit in contrast. Say...

Sunday, January 28, 2018

SiJ - The Time Machine

Cryo Chamber: 2017

Did you know SiJ does solo albums too? Of course you do, because I've said as much in the past, though even these aren't technically always solo either. When Vlad Sikach initially launched the project, he had help from a couple associates, including Anna Vorobyeva on synths and Alena Perepadya on field recordings and photography. Hey, the design aesthetic was just as integral to the SiJ manifesto as the sound aesthetic, so it counts! Anna and Alena have remained a consistent presence, but many others have joined Vlad for collaborative work under the SiJ banner.

For instance, the Way To Dream album is loaded with 'em. Alena's there! Anna's there! Textere Oris is there! Robert Rich is there! Creation IV is there! Leon Milo is there! Owl is there! Zebraphone Collective is there! Toiletrolltube is there! AMK, jmggs, & Sala are there! Even Endless Meloncholy is there – the producer, not the mood, though given this is a dark ambient project, probably that too. Point is, whether it's Vlad on his own or with a bunch of help from his friends, the SiJ name can represent a lot of people if need be.

And so it goes with The Time Machine, which looks like a solo album from SiJ, but definitely is not once you dig into the credit notes, many tracks having an extra hand in the production. Anna's back for some synth action on two pieces, as is Textere Oris on one. Keosz pops up to add some flute tones to Vision Of Hell (credited as a sample, so maybe not him specifically), plus a bunch more I'm not immediately familiar with. However, Vadim Grin (Dream Twice), Stanislav ToSo (Particula), Tanya Lieben, and Anna Sikach have all worked on prior SiJ releases, so Vlad's at least in familiar company with this outing.

The Time Machine is about taking a trip through time, obviously, letting the listener in on some sights and sounds of past and future. And since this is a dark ambient release, you bet it's gonna' be all grim and desolate and self-reflective. Can't wait to hear how SiJ sucks you in with some creepy, ominous foreshadow with opener Forwards In Time. Uh, wait a second... this, isn't creepy or ominous at all. In fact, it's downright calm and lovely, like ambient-proper. Yeah, there's a tiny amount of twitchy field recordings in the background, but man, I'm feeling right blissed out by this opener. Are we sure this is a Cryo Chamber release?

Nah, guy, the rest of the album playing out as expected with the players involved. Minimalist, barren, melancholic ambient music with plenty of field recordings to spare. It's all absorbing stuff, though I almost have to skip the first track to vibe on it, Forwards In Time putting me in such a conflicting headspace compared to what follows. Interesting that the peaceful closer Shrine Of Dark serves as a nice contrast though, as if SiJ has sandwiched his bleak soundscapes in hope.

Tuesday, December 19, 2017

SiJ & Item Caligo - Queer Reminiscence

Reverse Alignment: 2017

Having taken in more of SiJ's music since my first dabbling last year, I'm surprised he's ended up with a couple albums on Cryo Chamber. For sure his style of dark ambient and sonic experiments works within the label's overall manifesto (cinematic drone, and all that), but his sense of sombre melancholy feels more benign than this genre typically goes. He's less about the bleak outlook and crippling depression, and more about quiet contemplation, reflective of inner struggles rather than chaotic turmoil. Or perhaps it's music capturing the moments following the strife, of accepting complacency, the calm of clarity that comes when all hope is finally lost. Not a cheering thought.

Still, that leaves Mr. Sikach in good company with his latest pairing, Item Caligo. More of a modern classical composer, with distant pianos and crackly strings his most striking features, he's released numerous albums with such reflective titles like The Night Of Escapism, Self-Deception As Rescue, and Go Away, I Want To Sleep. Even more intriguing is a one-time collaboration with a chap named 'i want to be dead' called Lifelong Suicidal Thoughts. According to Lord Discogs, that individual also goes by, Waqs, Serializer, Amen Weed, amphetamine hysteria, Freak Bwoy, 'born to be buried in the grave', I Cry When I Think Of Past, 'my family members were awful so i killed them in a particularly brutal form', and DJ Sailor Moon, among numerous others. I'm not joking.

Sorry for the side-track. Let's get to Queer Reminiscence, an album with song titles like So Terrible To Contemplate, Her Soul Involuntarily Yearned For Rest, It Was Good To Destroy Once Again, Life Loves Your Pain, and a final, fourteen-minute minimalist drone closer called Oblivion Is The Reward Of The Former. Yeah, it's one of those kinds of albums. All aboard the mope-mobile!

Heh, no, not really. Queer Reminiscence does have its brooding tones, but as mentioned, SiJ's craft with this music is often the sort of melancholy that feels strangely warm and comforting, like the embrace of an old, familiar blanket, even as you stare out a frigid window pane into a grey winter landscape. Add in Item Caligo's modern classical touches, and you have yourself an album perfectly suited for those with acute cases of SADS (*cough*). The titular track features forlorn pad work gently ebbing with layers of timbre, Her Soul Involuntarily Yearned For Rest is a soothing piece of traditional ambient, while If Our Hope Not Fades lets Item Caligo indulge the ol' ivories some - I'm assuming, since it's his thing.

Really, Queer Reminiscence mostly sounds like an Item Caligo album, with SiJ providing sonic treatments and field recordings. There's little of the dark ambient that typically keeps him in those folds, the music here more of a modern classical outing with drone tendencies. Good mood music, all said.

(PS: Vincent Villuis gets a 'samples credit' here, which can only mean, eventually, Ultimae's gonna' go dark ambient too!)

Thursday, June 9, 2016

SiJ & Textere Oris - Reflections Under The Sky

Cryo Chamber: 2016

Many of these Cryo Chamber CDs I’m reviewing were procured thanks to the label’s spiffy bulk deals, but not this one. With Reflections Under The Sky, I snatched that up the moment it was announced, getting my hardcopy right off the factory line. Was it because I was a die-hard fan of one SiJ or Textere Oris? Had I been so completely won over by Cryo Chamber’s dark oeuvre that I simply had to shell out for every new release? Ah, not quite the case.

Way back when I started the splurge, a couple of items that interested me were already sold out: Ugasanie’s Call Of The North, and Sabled Sun’s Signals IV-V-VI. With everything under Simon Heath’s sci-fi saga deemed ‘must hear’ for yours truly, I was gutted that I’d be left without a hardcopy of the continuing Signals series. It also got me thinking that, as with most labels now, their CDs were still a limited run offer, and that I shouldn’t dwell on anything Cryo Chamber puts out if it looks promising. And besides, even if it doesn’t turn out all that I’d hoped for, they’d at least become quick collector’s items like so many Ultimae or Silent Season CDs, right? Well, maybe not.

So my impetus in getting Reflections Under The Sky had a smidge of Collector Investment impurity to it. Once I actually played the CD though, I realized I could never part with it, this album such a swirl of dubby sounds and reflective sentiments, I couldn’t believe it wasn’t something from Silent Season instead. Still, Cryo Chamber’s generated their share of moody melancholic material before, with SiJ and Textere Oris sparing no expense in presenting a unique brand of picturesque societal decay. There’s plenty of droning ambient, but it’s not always as bleak as the dark proponents go. Its equal parts calm and soothing, as though we’re being gently laid to rest for an eternal slumber. And through it all are ample minimalist field recordings that Andrew Heath would swoon over: falling rain, chirping birds, insects, creaking buildings, wind chimes, and… a tea kettle reaching boiling?

Apparently this is the sort of music SiJ (Vladislav Sikach to the Ukrainian Musician’s Guild) dabbles in, making use of any and all instruments at his disposal. This includes guitars, drums, toy pianos, and even homemade machines, much of which was used to explore noisier abstractions and experiments. He’s definitely had plenty opportunity, some forty LPs released across several netlabels this past half decade. Lord Discogs has less info on Textere Oris, one Ilya Fursov of Moscow, but he provides additional field recordings, synths, and the final mixdown. Aw, Simon Heath left out in the cold on this one.

Yeah, that’s what it feels like listening to Reflections Under The Sky: wrapped up in a parka while surveying an old European winter village, just barely hanging on as a testament to civilizations past. It’s at once lovely and immersive, yet a chilling reminder that nothing lasts.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. 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