Showing posts with label ZerO One. Show all posts
Showing posts with label ZerO One. Show all posts

Friday, March 23, 2018

ZerO One - zerO One

Waveform Records: 1998

I never realized this before, though it makes perfect sense with nearly twenty years (!) of hindsight available. Through the high times and the lows, it seems the two acts that have consistently kept the lights on at Waveform Records HQ is ZerO One and Sounds From The Ground, and now that I've taken in plenty of their offerings, I understand why. Kevin Dooley, he has a similar songcraft sensibility to Misters Elliot Jones and Nick Woolfson, striking that perfect middle-ground of competently made, easy-going, dubby downtempo vibes. Never have I heard anything from them that was bad, boring, or bunk, but seldom do they reach the upper echelons of their genre either. Very, very good, absolutely, some tunes doing that heart melting thing many downtempo acts have subjected the ol' blood pumper to. I can't say I'd ever recommend ZerO One or Sounds From The Ground as an introductory act to this scene though, their roles more like a hearty side-dish complimenting the main course. Buttery mashed potatoes to the beef-steak of Kruder & Dorfmeister and Higher Intelligence Agency. Yet, for as long as they've floated around each other's circles, it's surprising they haven't collaborated at some point. Strange, that.

Anyhow, it all starts somewhere, and for Mr. Dooley, that's with a two-decade old (!!) self-titled debut album. Amazing that the ZerO One brand has kept on keepin' to this day, as listening to this CD in the context of the year 1998, I'm surprised anyone gave it much notice. Ambient techno such as this hadn't been in vogue for at least a half-decade, vanguards of the sound like HIA and Autechre having moved on with their respective careers to other pastures. If you were making super-chill electro-dub, chances were you were adopting contemporary production tricks like glitch effects or retro synths into your arsenal. Not ZerO One though, his stuff simple and refined – no need for fussy gimmicks when your musicianship if perfectly fine as is. And Waveform Records, they like themselves some MOR ambient dub more than anything else. Keeps the label's followers sated while they indulge in leftfield shoegaze rock, or whatever it was that Liquid Zen dude was on about.

Now that I've reached the third paragraph, it's time for the obligatory particulars among the eight tracks that make up zerO One. Waken and Trust have nifty little acid lines playing throughout. Nothing To Fight About and Hell is Cooling Off playfully bounce along, while On The Threshold gets as close to ambient techno as I've ever heard Mr. Dooley go. If you want something straight out of HIA's cookbook, super-chill Mind Over Mind has you covered. And I can't complete this review without tying it back to Sounds From The Grounds somehow, so Seek Not Outside Yourself and I Like That reminds me of that duo, if they'd been brought up in electro's realm instead. Seriously, why haven't these two camps collaborated yet? I'm sure Waveform wouldn't mind in the slightest.

Sunday, December 4, 2016

ZerO One - protOtype2

Waveform Records: 2000

I suppose the prime reason I put off gathering more albums from ZerO One is familiarity. Not so much that I knew exactly what music I’d be getting from Kevin Dooley’s project, but given the rather scientific aesthetic to the name and various titles, making an educated guess of ‘bleepy downtempo’ wasn’t hard. And that’s a sound I was comfortable knowing would always be there, waiting for me should I finally indulge in it. In the meanwhile, what else is Waveform Records offering for my interest? Ooh, names like Phutureprimitive, Omnimotion, Eastern Dub Tactik… those are all strange, new, and different from what I’m familiar with – let’s check those out first! And what the hey, Waveform sure seems to like that Sounds From The Ground a lot, I should hear what they’re all about too. I had to eventually finish exploring all the other Waveform material though, and thus it has come to pass, few releases left but those trusty ZerO One albums I always knew were waiting. What, am I some player working the Waveform meat market, finally settling for the unrequited love? Perhaps so.

protOtype2 was ZerO One’s second album, released two years after his debut on Waveform. Considering third record on the label, ozOne, wouldn’t come for another seven, and the follow-up to that, sOnar, yet another half-decade from that one, protOtype2 was definitely a comparatively quick release. Mr. Dooley isn’t the most prolific producer, is what I’m saying, so either this is an album of leftovers from his self-titled debut, or he was just feeling a super-surge of creative energy as the 20th Century drew to a close. Hey, maybe he was worried about a Year 2000 Apocalypse. At least a quarter of the country was!

No, wait, there’s a bit of saxophone in here, on track two memOry. Did ZerO One want in on all that jazzy vibe Waveform was so eager in pushing around this time? After all, this is the same year they put out Kozo and Sounds From The Ground’s also kinda’ jazzy Terra Firma. Come to think of it, protOtype2 has me thinking more Sounds From The Ground than Higher Intelligence Agency, totally at odds of what I assumed this album would be.

For sure we get vintage, bleepy ambient techno scattered throughout, with occasional space pad flourishes, but this is one darn groovy dub record considering all the egg-headed décor. seArch opens with simple bleep goodness, then adds some ethnic chants and woodwind samples to the proceedings, promptly plucking the track from the ranks of ambient techno into the domain of world beat. blueShift has one sluggish, chuggish beat going for it, the sort illbient folks would approve of. thiNk could have appeared on any ol’ downtempo dub compilation of the time, and bOt has a nice tribal rhythm going for it.

And though unexpected, it’s still a nice surprise that protOtype2 dashed my admittedly narrow expectations. Better get checking those other ZerO One records, then.

Saturday, November 1, 2014

ZerO One - ozOne

Waveform Records: 2007

I feel like Kevin Dooley's ZerO One project is one I should have far more material of. He's a Waveform Records regular, makes a brand of ambient techno-dub that has ties to The Higher Intelligence Agency's approach to the craft, and I even got a ZerO One t-shirt purchased during one of my hauls from the Waveform online shop. A t-shirt! I don’t even have a Banco de Gaia shirt. And yet, ozOne remains his only album that I have, plucked from a used shop no less. Soon, I must gather more CDs of this man's work, but there are just so many other musics I must have. So many more, not enough time, not enough time. Curse this limited lifespan. Like, how could anyone complain about being an immortal? Can you think of a better way of finally hearing all the music there is?

Anyhow, ozOne is the fourth album from Dooley’s binary alias, third for Waveform, and first in my collection. It’s also another one of those albums I’m kind of at a loss to say much about. It doesn’t help I haven’t heard anything else in the ZerO One discography, so points of comparison are useless. Are the slightly psy-dub leanings in many of these tracks (Nano, Affirmative, Lifeforce, and Glitch) a new wrinkle explored on this album, or have they always been a part of the ZerO One stylee? I’m almost certain the down-low acid-jazz funk of Flashback and OK are unique offerings from Dooley, tunes made on a lark of genre exploration, yet I’m not firm in that assumption either. And heck, this is all supposing you folks are familiar enough with HIA that you’d understand the inevitable multi-comparisons I’ll make (seriously, if you aren’t yet, get on that). Maybe early Biosphere’s an easier point of reference?

Anyhow-anyhow, here’s a few wicked-cool-awesome things about ozOne you should seek out if my useless rambling hasn’t already turned you away. Future (Autozone Mix) has a weirdly funky... mellotron hook? It’s something I’ve yet to ever hear in an acid-dub bleep-tronica cut, and is great, is what it is! If you’re more about cut-up sample-glitch though, maybe give Malfunction or Brainwave a run. Then there’s the world dub-beat stabs found in Dreams and OK again – man, there’s a fair bit of genre blending on ozOne now that I think about it. Rather surprising, that, considering how much the album comes off as a traditional ambient-bleep collection.

And as I continue thinking about that, why have I overlook ZerO One this much? For all the moaning and bemoaning I used to do over the lack of worthy successors to Bobby Bird’s output, I sure didn’t do much to actively look for any. And here was one (a ZerO One!), literally sitting on my shoulders this whole time. It’s a good reminder that, for as knowledgeable about electronic music as I’ve become over the years, there’s still plenty more to uncover. All I need is that immortality serum.

Things I've Talked About

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