Monday, March 30, 2020

Various - Bedrock: Jimmy Van M

Pioneer: 2001

It was a few years after their releases that I gathered the subsequent entries of the Bedrock series, though not for a lack of interest. Jimmy Van M? Chris Fortier? Holy cow, those are, like, my two favouritist prog DJs that hardly anyone knows about! Absolutely I want to hear new mixes from them, especially with that bullet-proof Bedrock brand behind them, but why can't I find these CDs on the store shelves? Digweed's set was all over the place, so why not these?

Oh, Ultra Records was no longer distributing Bedrock Records material, that's why. Instead, Pioneer picked up the rights, which is bizarre because this label started out as a LaserDisc distributor, and was mostly known for Japanese releases and imports at this stage of its lifespan (so many anime soundtracks ...just so many). Its story grows more convoluted after, but I'm here to review two-decade old prog mixes, not recap tumultuous label histories. Just bizarre that it would pick up Bedrock distribution though.

Anyhow, difficulty in attaining these mixes became a moot point when I took my first dips into the Amazon, and upon firing up that Jimmy Van M mix, it was like heavenly mana falling into my ears, the sort of prog that did me no wrong. Okay, that wasn't my initial impression, as it didn't quite win me over so instantly as his Trance Nation: America outing. But man, once this one clicked after a couple plays, it became my favourite of the Bedrock series (uh, spoiler for Chris Fortier's entry?).

CD 1 is all dark prog. Oooh, that oh-so tasty deep, dubby, chugging sound that had such a brief but glorious run in the early '00s. Moshic is here! Floppy Sounds is here! Creamer & K are here! Bill Hamel is here (with Andy Moor!). Steve Porter is here (with the rub on Trancentral Station's Mothership). And... Minimalistix' Struggle For Pleasure (Filterheadz Remix) is here? Ah, it's the last track of this disc, a nice little melodic number to end the CD on after all that sweaty, primal business that preceded it. About the only criticism I might throw to this disc is it's only ten tracks long, but eh, prog, amirite?

CD 2 also is but ten tracks long, and two of those are different versions of Solid Sessions' Janiero played together for a fifteen-minute outing (yes, Jimmy was a disciple of Sasha & Digweed, why do you ask?). What always confounds me about this set is how, despite a rather Balearic opening to the disc, Mr. Van M somehow steers things towards Nuclear Ramjet's Deep Blue by track nine, a tune that treads as close to the realms of psy-trance as prog DJs ever dared to go. Such a dope tune too (that breakbeat breakdown!).

Listening to these sets reminds me how unfortunate it was that Jimmy made so few commercial mixes. I've heard them all now. What, he also did a collaborative one with Oliver Lieb in 2012? Uh...

Sunday, March 22, 2020

Various - Bedrock: John Digweed

Ultra Records: 1999

Many folks consider this Digweed's proper debut solo DJ mix, which is funny considering how long he'd been spinning records up to that point. Heck, he'd just done a set for Global Underground the year prior, and a solo follow-up to his and Sasha's seminal Renaissance set half a decade earlier. Not to mention various odds and ends that slipped through the radar for various reasons. Most of those were in service of other brands though, but by the end of the '90s, Digweed was a brand unto himself. And what better time to expand that brand than by propping up his newer brand, the freshly minted label Bedrock.

Bedrock became a short-lived series itself, but this inaugural outing clearly overshadowed the follow-ups. When people think Bedrock, they think Digweed, and all the artists featured on his label were there because of his blessing keen sense of club weapons for the progressive elite. This was his opening statement for a new phase in his career, dictating where progressive house would go. Also, a shameless way to plug his new big single Heaven Scent to help launch the Bedrock brand proper-like. All the way at the end of the double-disc set. As if it didn't really fit with the new manifesto. Hmmm...

Forget Heaven Scent. What matters is all the music before it on that tasty CD2. Prog has plenty of criticisms, some of which rear their heads in this set (only ten tracks, what?), but I cannot deny the tunes included here do the business proper-like for my earholes. The opening track alone (Ba Ba (Human Movement Remix) from Pob & Taylor) gets on that hard, techy brand of prog that Steve Porter would launch a career from. The Bedrock rub on Heller & Farley's The Rising Sun practically defines the dark, chugging style that prog would build its reputation around (“deep, deep, dub”). And while it's no Breeder, Sandra Collins' Flutterby pulls closely enough from the the same tech-trance lane such that the sound gets its just representation in this set. Oh, and Markus Schulz is here too, his early Dakota track Swirl offering one of the few melodic moments. Guess Digweed needed something to make the anthemic melodies of Heaven Scent not seem as out of place.

All this gushing over CD2, but what about CD1? Yeah, about that. Two decades later, and with multiple attempts, including most recently, this one just doesn't stick in my head that well. It's the dreaded other critique against prog, its more vapourous tendencies for long stretches, and believe you me, this problem would persist in the following editions of Bedrock.

Maybe CD1 is just too sluggish compared to CD2, and thus always forgotten whenever I play them back-to-back. Oddly, the vocal stuff leaves the only impression, like in Moody from BPT, the Fluke-ish True from Morel, and the quaint robotic Hawkins-speak in We Are Connected from Jodi & Spesh. Who'd have thought vocals would be the best part?

Wednesday, March 11, 2020

Underworld - Beaucoup Fish

V2: 1999

Working at my little music shop gave me access to all the hot, new 'electronica' CDs before they were to hit the streets (back when such things as internet leaks were hushed whispers). So when Underworld announced Beaucoup Fish, I was eager to get that within my hands for bragging rights. I was already rather late to the bandwagon, having only given their earlier works a passing interest (yay Hackers overplay!). Born Slippy changed plenty of opinions though, including mine, so with only their prior big singles being my main point of exposure, you can imagine my surprise at how chill this album went. Oh, it's got its bangers too, but overall this was quite the knowledge drop on how diverse the Underworld discography could be.

And I liked it! Yet, as I recall, general impressions weren't quite so keen. Folks didn't hate it or anything, just weren't talking it up to the same degree as Dubnobass or Second Toughest (after Born Slippy was added to it). I quite appreciated hearing something more classy and soulful though, especially when most popular crossover stuff was big boshy beats or trance-pants 'tastic. Yeah yeah, if I dug around, I'd find the goods, but you gotta' remember where I was stuck at the time. For a 'mainstream' 'electronica' 'record', there wasn't much like Beaucoup Fish on the market that year. Like, what else, Leftfield's Rhythm & Stealth? Moby's Play??

What's odd about this album, however, is despite liking it, there's always been this strange mental gap for a chunk of it. The opening clutch of tracks are easily burned into my brain, because half of the live album Everything, Everything uses the same tunes. Yet after King Of Snake, I couldn't recall much of anything until Kittens, and I only instantly recognize that tune thanks to its inclusion on the Wipeout 3 soundtrack. It would always come up on that game's supposed 'random' playlist; that and The Chemical Brothers' Under The Influence. C'mon, Wipeout 3, give me more of the Sasha originals, why don't ya'?

*ahem* The clever chill-out counterpoint to Push Upstairs, Push Downstairs follows, with the frantic, manic, Moaner making for a strong closer. That middle of Beaucoup Fish is a real blank though. It's not that big a deal, mind you, the three songs here the shortest of the bunch. Unfortunately, Winjer's soft pitter-patter rhythms and muted vocoder vocals is quite the comedown following King Of Snake, while Skym is little more than a chance for Karl to get his lonesome croon on. And I'd completely forgotten about Bruce Lee, which sounds like Underworld trying to do a heavy, rocky trip-hop thing? Not the best fit for a band best known for the thumping techno and cool groove.

Ultimately, Beaucoup Fish is a fine capper on The Emerson Years, providing the sort of tunes you'd expect of Underworld of this era while showing hints of future genre explorations from Hyde and Smith. Huh, what a limp way to end a review.

Monday, March 9, 2020

Metamatics - Beatsamatic

XTT Recordings: 2014

Yay! I'm finally reviewing a Metamatics album! Only, this isn't really an album. It's certainly an LP length collection of tracks, released under Lee Norris' oldest of aliases. In fact, the tracks included on Beatsamatic are among the oldest under the Metamatics banner, appearing on vinyl way back in the mid-'90s, via UK based label Clear. You might know of that print as one that nurtured acts like Mixmaster Morris, Jedi Knights, and Doctor Rockit for a time. Technically the first Metamatics album too, A Metamatics Production, though somehow I suspect the follow-up on Hydrogen Dukebox, Neo Ouija, was more substantial in the Metamatics narrative.

I bring all this up because Beatsamatic doesn't seem to exist within Lord Discogs' archives, at least this version of it. And believe me, if there's a body of fellas that would make sure such things are uploaded, it's followers of Lee Norris. There is a Beatsamatic there, the aforementioned '96 twelve-inch, and thus far the earliest Metasamatic item listed. And since I have no way of hearing the original, I can only assume these are the same tracks – sharing some of the original names certainly confirms it.

Okay, so Lee dusted off some oldie works for a digital re-issue. Nothing strange with that, except these aren't even really tracks, at least in the typical since. Rather, Beatsamatic is little more than a collection of electro rhythm loops and tools, seventeen in all and most in the one-to-two minute range. A few reach out to the three minute mark, which makes me wonder if these were on the original Beatsamatic release (not all the track names were printed, apparently). So not an album at all, then, but a sample pack for budding producers and crafty DJs to make use of. And I have this because...?

Honestly, this was part of that MP3 giveaway Mr. Norris did a couple years back via mailing list, and knowing nothing about any of his wider discography, downloaded it sight-unheard. I figured everything among those would be like all the other ambient side-projects he'd offered, hence why I have it now. There's honestly no reason for me to review this though. Well, maybe if you stumble upon it yourself in your Bandcamp wanderings, and wonder what it is before getting it. Just as easy to listen to the samples and read the text blurb to find that out yourself though.

As for why I've kept this, I dunno, maybe I thought I might get some PWoG Psychick Rhythms Vol. 1 enjoyment out of it. Tracks needed to be more than 'tool' length for that though, and only a few get that far.

Or maybe... Maybe I just might use these loops for my own aspiring musical concepts. Snag myself that L.S.G. sample pack off Bandcamp too! Then, mix and mash them together, while throwing in some weird, distorted abstractions of Oak Ridge Boys gospel as backing. Stranger things have been unearthed from Soundcloud, I'm sure.

Sunday, March 8, 2020

Kevin Yost & Peter Funk - BeatKilla: 2

i! Records: 2008/2015

I'm feeling a little stupid right now, but... Kevin Yost is also Peter Funk? Like, I know for certain Kevin Yost exists, as I've done a retrospective on that chap's work. Somehow I got it in my mind that Peter Funk was a separate entity, perhaps a collaborator who'd bring in some proper jazz solos to supplement Kevin's deep, deep, smooth house grooves. It never once occurred to me that I should, y'know, click on that 'Peter Funk' link within Lord Discogs' archives, just to see what his story is. Couldn't escape it with this BeatKilla series though, getting equal billing with Kevin on the cover and all. So follow the 'Peter Funk' link I did, and there's a healthy assortment of singles, plus also has an alias of... Kevin Yost? Wait a minute..! Peter is Kevin? Kevin is Peter? Finkle is Einhorn? That... actually explains a lot!

Okay, it doesn't explain much of anything, this revelation not really some great industry secret. I just assumed a thing, the Lord That Knows All showed me I was incorrect, and now I know better. *a shining light from heavens glows down, angelic music is heard* It's not unheard of producers to create multiple aliases, and to 'collaborate' with their aliases. I guess since Kevin's most successful pairing is with Funk (hah!), he essentially merged the two into a proper, singular alias of Kevin Yost & Peter Funk. At least for the purposes of these BeatKillas.

And whatever is BeatKilla? A series of singles Kevin Funk released throughout the '00s, is what. Lot's of them, in fact, so much so that he consolidated them into not one, not two, not three, not four ...okay, three compilations. I picked the second volume of these for the sole reason of there being a cute pooch on the cover art. Aww, just look at him, ain't he a darlin'? Who's the pweshus beatkilla'? You are, you are!

Unfortunately, while these tunes may be dubbed 'beatkilla's, they kinda' lack much in the way of thrilla's. Not that I should have expected it, Peter Yost forever (and a day) a deep house guy through and through. Even if few of the techier tracks in this collection leaped out at me as highlights within his larger discography, they still served their purpose in providing that unmistakable smooth, ridin' groove with occasional flourishes of jazzy solos. Also, a fair bit of tribal drumming too, popping up at weird points throughout this mix.

Yeah, as a DJ set, BeatKilla 2 is only functional at best, keeping the vibe moving while showcasing tunes, but not so concerned with rising tension and all that rot. Yet they fit far better together than as separate entities, the Bandcamp version of this only supplying the unmixed tracks, with all the lengthy DJ-friendly intros and outros you can handle. Why the digital release didn't also include a the mix CD too, I haven't a clue. It was done for his best of Fundamentals, after all.

Friday, March 6, 2020

Lamb - Lamb

Fontana: 1996

(a Patreon Request from Omskbird)

Like everyone else, I just automatically assumed Lamb to be part of the trip-hop lexicon. Look, when the first track you come across from them is paired up with a Portishead cut, you'd make the association too. I'd see the group's music on numerous downtempo/lounge/chill-out compilations over the years since, though Lord Discogs tells me I only have one of their songs, on the Canadian 'electronica' CD RU Receiving (Górecki, naturally).

My lack of overexposure led me to believe Lamb was a group that got a little lost in the great trip-hop wave of the mid-'90s, one that folks would recognize by name (because how could you not? 'Lamb', it just rolls off the tongue!), but could never reach the commercial highs as the big Bristol acts. And that was true for the most part, their subsequent albums after this doing only modest chart action in the U.K. to say nothing of their global impact. Except Portugal. For some reason, Lamb were huge there, possibly bigger than even in Britain. Hey, sometimes one's sound just clicks with a specific culture.

What I never realized – and probably should have given how Górecki sounds, but eh, context – is Lamb really aren't trip-hop. Elements of it, sure, with a few tracks definitely fitting the mould (Trans Fatty Acid, absolutely). As I listen through their debut album though, I hear closer lineage with jazzstep than anything downtempo. But the vibe doesn't quite gel with the d'n'b scene either, songs definitely more laid-back than the frenetic pace of your Goldies and Roni Sizes. Yet, even when those producers were doing more chill, jazz-soul outings, there was always a sense of urgency and bite in their tunes. Not quite so with Lamb, the busy rhythm-work making better sense in smokey lounges than a warehouse filled with junglists. Less rinse-out tools, more songs that you should sit down and soak in with.

It probably helps that singer-songwriter Louise Rhodes is a permanent fixture of Lamb, thus her lyricism an involved component of their songs than whatever some guest vocalist can whip up for a track or two. And she certainly shows her range here, bellowing when sampled orchestras swell, or bringing things down to a whispery, husky coo when the album goes soft and quiet.

Meanwhile, Andrew Barlow does a fair bit of chop-n-slice production with numerous jazz and orchestral samples, sometimes breaking beats down to near IDM levels of stuttering (so much backspin in Cotton Wool, just so much). As mentioned, it gives many tunes off here a level of kinetic energy you didn't really find in most trip-hop releases, which undoubtedly gave Lamb an extra edge over their contemporaries. The genre was in need of some evolution by '96 as it was, and Lamb certainly provided that. Small wonder they found plenty of success on the compilation market after. Okay, a record deal with Mercury didn't hurt either, the label anxious for their own Portishead after that group won their Music Prize.

Tuesday, March 3, 2020

Oasis - Be Here Now

Epic: 1997

The history of how Be Here Now deep-sixed the Manchester band's good graces has been well documented. I'm not adding anything by reiterating what others have detailed before. For my money, Todd In The Shadows' video essay on the subject does it best, and I'm not just saying that because I'm a Patreon supporter of his. Okay, I kinda' am – that's literally the point of Patreon – but it is quite in-depth in all the things you'd want to learn about this 'trainrecord'. My pride wouldn't be wounded in the slightest if you close this tab right now and wander out in search for it. I'd provide the link but, eh, you know how flakey YouTube links get over time.

So expectations are already low for yours truly going in – no one would point to this album as the one you're supposed to have, even if you're not an Oasis fan (the first album, definitely maybe?) - but there's a sense of freedom in that. I don't have to worry about forming a consensus opinion or forcing myself to hear a true genius all the haters refuse to acknowledge, or some such. If I happen to like something, that's cool, but I'm not obligated to either. And that chorus for D'You Know What I Mean?, I like that chorus, enough that it's still sloshing about my brain long after I want it to. And as an opener to an album known for its studio excess, it's certainly quite the omen for what's to come. If you're already feeling fatigued by the end of this track's seven-plus minute run-time it doesn't bode well for the rest of Be Here Now.

Much has been said about this album's lo-o-o-o-ong songs, and as this CD plays out, I find it isn't so much their run-time that's the issue, but just how aurally exhausting it all is. By cramming in so many instruments and so many sounds trying to outdo Morning Glory's wall-of-noise production, you can barely make heads or tails of anything in play: guitars and drums and vocals and keyboards orchestras and sound effects all fighting to get in front of one another for your attention. You're mentally tapped out of each tune by the three minute mark, but then they keep going for two, three, sometimes six minutes longer! And the songs aren't all that dissimilar from each other either – felt like they kept trying to redo Champagne Supernova over and over – so you've basically heard all that you need to after a couple tracks.

Then there's All Around The World, as blatant an attempt at a Hey Jude moment in the the band's discography as you'll ever hear. Fair play, as the Beatles nods were always part of Oasis' hook. If I was to imagine a parody of over-the-top Brit rock bombast however (complete with an outro reprise!), this is about how it would come off. No surprise the Brothers Gallagher got there all on their own.

Sunday, March 1, 2020

ACE TRACKS: February 2020

So, a little better this past month, but man, still quite a slog. The Real World work, she don't slow down, even when I think it's gonna' slow down, it just ramps up again. Nothing like a little global viral pandemic to get folks all panicky and buying up things and stuff that seldom sell otherwise. And it's funny, because changes are coming up in a few months again, wherein my status will be in flux, and the amount of responsibility saddled upon me will be significantly reduced in whatever capacity my new role will be.

And that's fine, that's totally fine. I get paid the same one way or the other, and if it means I instead focus on singular tasks instead of doing all the things, I'm all the more for it. I always knew I had some mild ADHD (really, in our modern, technologically advanced society, who doesn't?), but never realized just how much it can affect your casual day-to-day activities when you have all the things from work following you home. All you want to do is unplug and let things set fallow but, oof, still got some Balance mixes to listen to and analyze. And them Balance sets, they don't make things easy, nosiree. Well, except that Lee Burridge one. Could tell that was tapioca bland right from the outset. Fortunately, it's not part of February's assortment of ACE TRACKS!



Full play list here.


MISSING ALBUMS:
Attoya - Based On True Events
Various - Base Ibiza 2003

Percentage Of Hip-Hop: 0%
Percentage Of Rock: 0%
Most “WTF?” Track: Oh, either of Attoya's, for sure.

Technically, the older Balance mixes are missing too, but most of the tracks are still available on Spotify, so didn't see any reason to list them as 'missing'. Like, that seems to be how the newer Balance options have been supplying their tracklists on Spotify: full unmixed version, and a separate playlist of all the unmixed tracks. It's a very good idea for DJ mixes, methinks, though obviously quite difficult to do with sets dating a decade older.

And not much else in this playlist, Balance once again eating up most of my spare listening time, though I squeaked in a couple extra items towards the end of the month. And what great, unifying wellspring of wisdom have a gleaned from my journey through Balance? There sure was a lot more space disco than I would have imagined, that's for sure.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia Aes Dana Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Aphasia Records Aphex Twin Apócrýphos Apollo Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence arena rock Arista Armada Armin van Buuren Arpatle Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Projection Astral Waves Astralwerks AstroPilot Asura Asylum Records ATCO Records Atlantic Atlantis atmospheric jungle Atomic Hooligan Atrium Carceri Attic Attoya Audion AuroraX Autechre Autistici Autumn Of Communion Avantgarde Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. The Prince Of Rap B°TONG B12 Babygrande Balance Balanced Records Balearic ballad Banco de Gaia Bandulu Battle Axe Records battle-rap Bauri Beastie Boys Beat Buzz Records Beatbox Machinery Beats & Pieces bebop Beck Bedouin Soundclash Bedrock Records Beechwood Music Benny Benassi Bent Benz Street US Berlin-School Beto Narme Beyond bhangra Bicep big beat Big Boi Big L Big Life Bill Hamel Bill Laswell BIlly Idol BineMusic BioMetal Biophon Records Biosphere Bipolar Music BKS Black Hole Recordings black rebel motorcycle club Black Swan Sounds Blanco Y Negro Blasterjaxx Blend Blood Music Blow Up Blue Amazon Blue Öyster Cult blues Bluescreen Bluetech BMG Boards Of Canada Bob Dylan Bob Marley Bobina Bogdan Raczynzki Bone Thugs-N-Harmony Boney M Bong Load Records Bonzai Boogie Down Productions Booka Shade Botchit & Scarper Bows Boxed Boys Noize Boysnoize Records BPitch Control braindance Brandt Brauer Frick Brasil & The Gallowbrothers Band breakbeats breakcore breaks Brian Eno Brian Wilson Brick Records Britpop Brodinski broken beat Brooklyn Music Ltd Bryan Adams BT Bubble Buffalo Springfield Bulk Recordings Burial Burned CDs Bursak Records Bush Busta Rhymes C.I.A. Calibre calypso Canibus Canned Resistor Capitol Records Capsula Captured Digital Carbon Based Lifeforms Carl B Carl Craig Carol C Caroline Records Carpe Sonum Records Castroe Cat Sun CD-Maximum Ceephax Acid Crew Celestial Dragon Records Cell Celtic Cevin Fisher Cheb i Sabbah Cheeky Records chemical breaks Chihei Hatakeyama chill out chill-out chiptune Chris Duckenfield Chris Fortier Chris Korda Chris Sheppard Chris Witoski Christmas Christopher Lawrence Chromeo Chronos Chrysalis Ciaran Byrne cinematic soundscapes Circular Cirrus Cities Last Broadcast City Of Angels CJ Stone Claptone classic house classic rock classical Claude Young Clear Label Records Cleopatra Cloud 9 Club Cutz Club Tools Cocoon Recordings Cold Spring Coldcut Coldplay coldwave Colette collagist Columbia Com.Pact Records comedy Compilation Comrie Smith Connect.Ohm conscious Control Music Convextion Cooking Vinyl Cor Fijneman Corderoy Cosmic Gate Cosmic Replicant Cosmo Cocktail Cosmos Studios Cottonbelly Council Of Nine Counter Records country country rock Covert Operations Recordings Craig Padilla Crazy Horse Cream Creamfields Creedence Clearwater Revival Crockett's Theme Crosby Stills And Nash Crosstown Rebels crunk Cryo Chamber Cryobiosis Cryogenic Weekend Crystal Moon Cube Guys Culture Beat Curb Records Current Curve cut'n'paste Cyan Music Cyber Productions CyberOctave Cyclic Law Cygna Cyril Secq Czarface D-Bridge D-Fuse D-Topia Entertainment Dacru Records Daddy G Daft Punk Dag Rosenqvist Damian Lazarus Damon Albarn Dan The Automator Dance 2 Trance Dance Pool dancehall Daniel Heatcliff Daniel Lentz Daniel Pemberton Daniel Wanrooy Danny Howells Danny Tenaglia Dao Da Noize dark ambient dark psy darkcore darkside darkstep darkwave Darla Records Darren McClure Darren Nye DAT Records Databloem dataObscura David Alvarado David Bickley David Bridie David Guetta David Morley DDR De-tuned Dead Coast Dead Melodies Deadmau5 Death Grips Death Row Records Decimal Dedicated Deejay Goldfinger Deep Dish Deep Forest deep house Deeply Rooted House Deepwater Black Deetron Def Jam Recordings Del Tha Funkee Homosapien Delerium Delsin Deltron 3030 Depeche Mode Der Dritte Raum Derek Carr Detroit Devin Underwood Deysn Masiello DFA DGC diametric. Dido Dieselboy Different DigiCube Dillinja dirty house Dirty South Dirty Vegas disco Disco Gecko disco house Disco Pinata Records disco punk Discover (label) Disky Disques Dreyfus Distant System Distinct'ive Breaks Disturbance Divination DJ 3000 DJ Brian DJ Craze DJ Dan DJ Dean DJ Gonzalo DJ Heather DJ John Kelley DJ Merlin DJ Mix DJ Moe Sticky DJ Observer DJ Premier DJ Q-Bert DJ Shadow DJ Soul Slinger DJ-Kicks Djen Ajakan Shean DJMag DMC DMC Records Doc Scott Dogon Dogwhistle Dooflex Dopplereffekt Dossier Dousk downtempo dowtempo Dr. Atmo Dr. Dre Dr. Hook & The Medicine Show Dr. Octagon Dragon Quest dream house dream pop DreamWorks Records Drexciya drill 'n' bass Dronarivm drone Dronny Darko drum 'n' bass DrumNBassArena drunken review dub Dub Pistols dub techno Dub Trees Dubfire dubstep DuMonde Dune Dusted Dynatron E-Mantra E-Z Rollers Eardream Music Earth Earth Nation Earthling Eastcoast Eastcost EastWest Eastworld Eat Static EBM Echodub Ed Rush & Optical Editions EG EDM World Weekly News Ektoplazm electro Electro House Electro Sun electro-funk electro-pop electroclash Electronic Dance Essentials Electronic Music Guide Electrovoya Elektra Elektrolux em:t EMC update EMI Emiliana Torrini Eminem Emmerichk Emperor Norton Empire enCAPSULAte Engine Recordings Enigma Enmarta EP Epic epic trance EQ Recordings Erased Tapes Records Eric Borgo Erik Vee Erol Alkan Escape Esoteric Reactive ethereal Etnica Etnoscope Euphoria euro dance eurotrance Eurythmics Eve Records Everlast Ewan Pearson Exitab experimental Eye Q Records Ezdanitoff F Communications Fabric Fade Records Faithless Falcon Reekon Fallen fanfic Fantastisizer Fantasy Enhancing Fatboy Slim Fax +49-69/450464 Fear Factory Fedde Le Grand Fehrplay Feist Fektive Records Felix da Housecat Fennesz Ferry Corsten FFRR field recordings Filter filters Final Fantasy Firescope Five AM Fjäder Flashover Recordings Floating Points Flowers For Bodysnatchers Flowjob Fluke Flying Lotus folk Fontana footwork Force Intel Fountain Music Four Tet FPU Frank Bretschneider Frankie Bones Frankie Knuckles Frans de Waard Fred Everything freestyle French house Front Line Assembly fsoldigital.com Fugees full-on Fun Factory funk future garage Future Sound Of London futurepop g-funk gabber Gabriel Le Mar Gaither Music Group Galaktlan Galati Gang Starr gangsta garage Gareth Davis Gary Martin Gas Gasoline Alley Records Gee Street Geffen Records Gel-Sol Genesis Geometry Combat Gerald Donald Get Physical Music ghetto Ghostface Killah Ghostly International glam Gliese 581C glitch Global Communication Global Underground Globular goa trance God Body Disconnect Gorillaz gospel Gost goth Grammy Awards Gravediggaz Green Day Grey Area Greytone Gridlock grime Groove Armada Groove Corporation Grooverider grunge Guru Gustaf Hidlebrand Gusto Records GZA H2O Records Haddaway Halgrath happy hardcore hard house hard rock hard techno hard trance hardcore Hardfloor hardstyle Harlequins Enigma Harmless Harmonic 33 Harold Budd Harthouse Harthouse Mannheim Hawtin Hearts Of Space Hed Kandi Hefty Records Helen Marnie Hell Hercules And Love Affair Hernán Cattáneo Hexstatic Hi-Bias Records Hic Sunt Leones Hide And Sequence Hiero Emperium Hieroglyphics High Contrast High Note Records Higher Ground Higher Intelligence Agency Hilyard hip-hop hip-house hipno Home Normal Honest Jon's Records Hooj Choons Hope Records horrorcore Hospital Records Hot Chip Hotflush Recordings house Howie B Huey Lewis & The News Human Blue Hybrid Hybrid Leisureland Hymen Records Hyperdub Hypertrophy hypnotic records I Awake I-Cube i! Records I.F.O.R. I.R.S. Records Iboga Records Ice Cube Ice H2o Records ICE MC IDM Igorrr illbient Imperial Dancefloor Imploded View In Charge In Trance We Trust Incoming Incubus Indica Records indie rock Industrial Infected Mushroom Infinite Guitar influence records Infonet Ink Midget Inner Ocean Records Insane Clown Posse Inspectah Deck Instinct Ambient Instra-Mental Inter-Modo Interchill Records Internal International Deejays Gigolo Interscope Records Intimate Productions Intuition Recordings ISBA Music Entertainment Ishkur Ishq Island Records Islands Of Light Italians Do It Better italo disco italo house Item Caligo J-pop Jack Moss Jackpot Jacob Newman Jafu Jake Stephenson Jam and Spoon Jam El Mar James Blake James Horner James Murray James Zabiela Jamie Jones Jamie Myerson Jamie Principle Jamiroquai Javelin Ltd. Jay Haze Jay Tripwire Jaydee jazz jazz dance jazzdance jazzstep Jean-Michel Jarre Jefferson Airplane Jerry Goldsmith Jesper Dahlbäck Jimmy Van M Jiri.Ceiver Jive Jive Electro Jliat Jlin Joel Mull Joey Beltram John '00' Fleming John Acquaviva John Beltran John Digweed John Graham John Kelly John O'Callaghan John Oswald John Shima Johnny Cash Johnny Jewel Jonny L Jori Hulkkonen Joris Voorn Jørn Stenzel Josh Christie Josh Wink Journeys By DJ™ LLC Joyful Noise Recordings Juan Atkins juke Jump Cut jump up Jumpin' & Pumpin' jungle Junior Boy's Own Junkie XL Juno Reactor Jurassic 5 Kaico Kay Wilder KDJ Ken Ishii Kenji Kawai Kenny Glasgow Keoki Keosz Kerri Chandler Kevin Braheny Kevin Yost Kevorkian Records Khooman Khruangbin Ki/oon Kid Koala Kiko Kinetic Records King Cannibal King Midas Sound King Tubby Kitaro Klang Elektronik Klaus Schulze Klik Records KMFDM Koch Records Koichi Sugiyama Kolhoosi 13 Komakino Kompakt Kon Kan Kool Keith Kozo Kraftwelt Kraftwerk Krafty Kuts krautrock Kriistal Ann Krill.Minima Kris O'Neil Kriztal KRS-One Kruder and Dorfmeister Krusseldorf Kubinski KuckKuck Kulor Kurupt Kwook L.B. Dub Corp L.S.G. L'usine Lab 4 Ladytron LaFace Records Lafleche Lamb Lange Large Records Lars Leonhard Laserlight Digital LateNightTales Latin Laurent Garnier LCD Soundsystem Le Moors Leaf Leama and Moor Lee 'Scratch' Perry Lee Burridge Lee Norris Leftfield Legacy Legiac Legowelt Leon Bolier Les Disques Du Crépuscule LFO Linear Labs Lingua Lustra liquid funk Liquid Sound Design Liquid Stranger Liquid Zen Live live album LL Cool J Loco Dice Lodsb London acid crew London Classics London Elektricity London Records 90 Ltd London-Sire Records Loop Guru Loreena McKennitt Lorenzo Masotto Lorenzo Montanà Lost Language Lotek Records Loud Records Louderbach Loverboy Luaka Bop Luciano Luke Slater Lustmord M_nus M.A.N.D.Y. M.I.K.E. Madonna Magda Magik Muzik Mahiane Mali Mammoth Records Mantacoup Marc Simz Marcel Dettmann Marcel Fengler Marco Carola Marco V Marcus Intalex Mark Farina Mark Norman Mark Pritchard Markus Schulz Marshmello Martin Cooper Martin Nonstatic Märtini Brös Marvin Gaye Maschine Massive Attack Masta Killa Matthew Dear Max Graham maximal Maxx MCA Records McProg Meanwhile Meat Loaf Meditronica Memex Menno de Jong Mercury Mesmobeat metal Metamatics Method Man Metroplex Metropolis MF Doom Miami Bass Miami Beach Force Miami Dub Machine Michael Brook Michael Jackson Michael Mantra Michael Mayer Mick Chillage micro-house microfunk Microscopics MIG Miguel Migs Mike Saint-Jules Mike Shiver Miktek Mille Plateaux Millennium Records Mind Distortion System Mind Over MIDI mini-CDs minimal minimal tech-house Ministry Of Sound miscellaneous Misja Helsloot Miss Kittin Miss Moneypenny's Mistical Mixmag Mo Wax Mo-Do MO-DU Moby Model 500 modern classical Modeselektor Moist Music Moodymann Moonshine Morgan Morphology Moss Garden Motech Motorbass Moving Shadow Mujaji Murk Murmur Mushy Records Music link Music Man Records musique concrete Mutant Sound System Mute MUX Muzik Magazine My Best Friend Mystery Tape Laboratory Mystica Tribe Mystified N-Trance Nacht Plank Nadia Ali Nas Nashville Natural Midi Nature Sounds Naughty By Nature Nebula Neil Young Neon Droid Neotantra Neotropic nerdcore Nervous Records Nettwerk Neurobiotic Records New Age New Beat New Jack Swing new wave Nic Fanciulli Nick Höppner Night Time Stories Nightwind Records Nimanty Nine Inch Nails Ninja Tune Nirvana nizmusic No Mask Effect Nobuo Uematsu noise Nomad Nonesuch Nonplus Records Nookie Nordic Trax Norman Feller North South Northumbria Not Now Music Nothing Records Nova NovaMute NRG Ntone nu-italo nu-jazz nu-skool Nuclear Blast Entertainment Nulll Nunc Stans Nurse With Wound NXP Oasis Octagen Offshoot Offshoot Records Ol' Dirty Bastard Olan Mill Old Europa Cafe old school rave Ole Højer Hansen Olga Musik Olien Oliver Lieb Olsen OM Records Omni Trio Omnimotion Omnisonus One Little Indian Oophoi Oosh Open Open Canvas Opium Opus III orchestral Original TranceCritic review Origo Sound Orkidea Orla Wren Ornament Ostgut Ton Ott Ottsonic Music Ouragan Out Of The Box OutKast Outpost Records Overdream P-Ben Paleowolf Pan Sonic Pantera Pantha Du Prince Paolo Mojo Parlaphone Patreon Paul Moelands Paul Oakenfold Paul van Dyk Pendulum Perfect Stranger Perfecto Perturbator Pet Shop Boys Petar Dundov Pete Namlook Pete Tong Peter Andersson Peter Benisch Peter Broderick Peter Gabriel Peter Tosh Phantogram Phonothek Photek Phutureprimitive Phynn PIAS Recordings Pinch Pink Floyd Pioneer Pitch Black PJ Harvey Plaid Planet Dog Planet Earth Recordings Planet Mu Planetary Assault Systems Planetary Consciousness Plastic City Plastikman Platinum Platipus Pleq Plump DJs Plunderphonic Plus 8 Records PM Dawn Poker Flat Recordings Pole Folder politics Polydor Polytel pop Popular Records Porya Hatami post-dubstep power electronics Prince Prince Paul Prins Thomas Priority Records Profondita prog prog psy prog-psy Progression progressive breaks progressive house progressive rock progressive trance Prolifica Proper Records Prototype Recordings protoU Pryda psy chill psy dub Psy Spy Records psy trance psy-chill psychedelia Psychick Warriors Ov Gaia Psychomanteum Psychonavigation Psychonavigation Records Psycoholic Psykosonik Psysolation Public Enemy punk punk rock Pureuphoria Records Purl Purple Soil Push PWL International Quadrophonia Quality Quango Quantum Quinlan Road R & S Records R'n'B R&B Rabbit In The Moon Radio Slave Radioactive Radioactive Man Radiohead Rae Raekwon ragga Rainbow Vector raison d'etre Ralph Lawson RAM Records Randal Collier-Ford Random Review Rank 1 rant Rapoon RareNoise Records Ras Command Rascalz Raster-Noton Ratatat Raum Records RCA React Red Jerry Refracted reggae remixes Renaissance Renaissance Man Rephlex Reprise Records Republic Records Resist Music Restless Records RetroSynther Reverse Alignment Rhino Records Rhys Fulber Ricardo Villalobos Richard Durand Riley Reinhold Ringo Sheena Rising High Records RnB Roadrunner Records Robert Hood Robert Miles Robert Oleysyck Roc Raida rock rock opera rockabilly rocktronica Roger Sanchez ROIR Rollo Rough Trade Rub-N-Tug Ruben Garcia Rumour Records Running Back Ruthless Records RZA S.E.T.I. Sabled Sun SadGirl Sakanaction Salt Tank Salted Music Salvation Music Samim Samora sampling Sanctuary Records Sander van Doorn Sandoz SantAAgostino Sarah McLachlan Sash Sasha Saul Stokes Scandinavian Records Scann-Tec sci-fi Scooter Scott Grooves Scott Hardkiss Scott Stubbs Scuba Seán Quinn Seaworthy Segue Sense Sentimony Records Sequential Seraphim Rytm Setrise Seven Davis Jr. Sghor sgnl_fltr Shackleton Shaded Explorations Shaded Explorer Shadow Records Sharam Shawn Francis shoegaze Si Matthews SideOneDummy Records Sidereal Signature Records SiJ Silent Season Silent Universe Silentes Silentes Minimal Editions Silicone Soul silly gimmicks Silver Age Simian Mobile Disco Simon Berry Simon Heath Simon Posford Simon Scott Simple Records Sinden Sine Silex single Single Gun Theory Sire Records Company Six Degrees Sixeleven Records Sixtoo ska Skare Skin To Skin Skua Atlantic Slaapwel Records Slam Sleep Research Facility Slinky Music Sly and Robbie Smalltown Supersound SME Visual Works Inc. SMTG Limited Snap Sneijder Snoop Dogg Snowy Tension Pole soft rock Soiree Records International Solar Fields Solaris Recordings Solarstone Solieb Soliquid Solstice Music Europe Soma Quality Recordings Songbird Sony Music Entertainment SOS soul Soul Temple Entertainment soul:r Souls Of Mischief Sound Of Ceres Soundgarden Sounds From The Ground soundtrack southern rap southern rock space ambient Space Dimension Controller space disco Space Manoeuvres space synth Spacetime Continuum Spaghetti Recordings Spank Rock Special D Specta Ciera speed garage Speedy J SPG Music Spicelab Spielerei Spiritech spoken word Spotify Suggestions Spotted Peccary SPX Digital Squarepusher Squaresoft Stacey Pullen Stanton Warriors Star Trek Stardust Statrax Stay Up Forever Stephanie B Stephen Kroos Steve Angello Steve Brand Steve Lawler Steve Miller Band Steve Porter Steven Rutter Stijn van Cauter Stone Temple Pilots Stonebridge Stormloop Stray Gators Street Fighter Stuart McLean Studio K7 Stylophonic Sub Focus Subharmonic Sublime Sublime Porte Netlabel Subotika Substance Suduaya Sun Station Sunbeam Sunday Best Recordings Supercar Superstition surf rock Susumu Yokota Sven Väth Swayzak Sweet Trip swing Switch Swollen Members Sylk 130 Symmetry Sync24 Synergy Synkro synth pop synth-pop synthwave System 7 Tactic Records Take Me To The Hospital Tall Paul Tammy Wynette Tangerine Dream Tau Ceti Taylor Tayo tech house tech-house tech-step tech-trance Technical Itch techno technobass Technoboy Tectonic Telefon Tel Aviv Terminal Antwerp Terra Ferma Terry Lee Brown Jr Textere Oris The Angling Loser The B-52's The Beach Boys The Beatles The Black Dog The Brian Jonestown Massacre The Bug The Chemical Brothers The Circular Ruins The Clash The Council The Cranberries The Crystal Method The Digital Blonde The Dust Brothers The Field The Gentle People The Glimmers The Green Kingdom The Grey Area The Hacker The Herbaliser The Human League The Irresistible Force The KLF The Misted Muppet The Movement The Music Cartel The Null Corporation The Oak Ridge Boys The Offspring The Orb The Police The Prodigy The Sabres Of Paradise The Shamen The Sharp Boys The Sonic Voyagers The Squires The Tea Party The Tragically Hip The Velvet Underground The Wailers The White Stripes The Winterhouse themes Thievery Corporation Third Contact Third World Tholen Thrive Records Tiefschwarz Tiësto Tiga Tiger & Woods Time Life Music Time Warp Timecode Timestalker Tipper Tobias Tocadisco Todd Terje Tom Middleton Tomita Tommy Boy Ton T.B. Tone Depth Tony Anderson Sound Orchestra Too Pure Tool tools Topaz Tosca Toto Touch Tourette Records Toxik Synther Traffic Entertainment Group trance Trancelucent Tranquillo Records Trans'Pact Transcend Transformers Transient Records trap Trax Records Trend Trentemøller Tresor tribal Tricky Triloka Records trip-hop Trishula Records Tristan Troum Troy Pierce TRS Records Tsuba Records Tsubasa Records Tuff Gong Tunnel Records Turbo Recordings turntablism TUU TVT Records Twisted Records Type O Negative U-God U-Recken U2 U4IC DJs Überzone Ugasanie UK acid house UK Garage UK Hard House Ultimae Ultimae Records Ultra Records Umbra Underworld Union Jack United Dairies United DJs Of America Universal Motown Universal Music Universal Records Universal Republic Records Unknown Tone Records UOVI Upstream Records Urban Icon Records Utada Hikaru V2 Vagrant Records Valiska Valley Of The Sun Vangelis Vap Vector Lovers Venetian Snares Venonza Records Vermont Vernon Versatile Records Verus Records Verve Records VGM Vice Records Victor Calderone Victor Entertainment Vince DiCola Vinyl Cafe Productions Virgin Virtual Vault Virus Recordings Visionquest Visions Vitalic vocal trance Vortex Wagram Music Waki Wanderwelle Warner Bros. Records Warp Records Warren G Water Music Dance Wave Recordings Wave Records Waveform Records Wax Trax Records Way Out West WEA Wednesday Campanella Weekend Players Weekly Mini-Review Werk Discs Werkstatt Recordings WestBam White Swan Records Wichita Will Saul William Orbit Willie Nelson world beat world music writing reflections Wrong Records Wu-Tang Clan Wurrm Wyatt Keusch Xerxes The Dark XL Recordings XTT Recordings Yamaoko Yello Yes Ylid Youth Youtube YoYo Records Yul Records Zenith ZerO One Zoharum Zomby Zoo Entertainment ZTT Zyron ZYX Music µ-Ziq