Nebula: Cat. # NEBT082
Released September 26, 2005
Track List:
A. UR (Junkie XL Air Guitar Mix) (12:34)
B. A Tear In The Open (Leama & Moor Remix) (9:57)
(2010 Update:
Boy, am I ever glad I waited to have my say of Tiësto. Had I tried to do it here, it probably would have come off like my other 'rants' of the time: poorly emulated of other online ranters. Remember, kids, it's a good idea to first find your own voice before you start taking a megaphone to it.
Oh, and I found out 'UR' means, um, 'you are'. Was a cute acronym really necessary?)
IN BRIEF: Tiësto in Progland
This being my first review of a Tiësto release here at TranceCritic, I'm sure you're hoping for some spicy commentary on the man himself: dissecting his over-inflated superstardom, or examine an amazing PR machine marketing the Tiësto brand, or analyzing the merits of his musicianship, or even giving the Dutch DJ props where they are deserved.
I'm afraid you're going to have to wait a little while longer.
Yes, I have plenty to say regarding Tijs Verwest, probably enough to fill an essay. However, such material would be out of place on a little single such as this. Rather, you'll have to wait until I review a major release, past or future, before I cut into the Tiësto phenomena (don't worry, it's'a comin').
The main attraction on this single is Junkie XL's remix of UR from the Just Be album. I've never heard the original, nor am I in much of a hurry to hear it. I'll probably eventually have to but I'd rather wait until I see the album in a used shop or bargain bin (don't laugh - the latter was where I picked up Nyana). Let's just focus on this for now.
Despite generally lukewarm reactions to In Search Of Sunrise 4 from listeners abroad, many mentioned this remix was a highlight of the compilation. Questions were asked if or when it would be available as a single. Now that it is, I can see what the fuss was about and still be able to hold out on ISOS4 until it too makes its way to the bargain bins (hahaha!).
I have to admit I still have some difficulties in wrapping my head around the idea of Tom Holkenborg doing prog tunes. I first came into contact with his music by way of his more block rockin' breakbeat tracks and remixes for metal bands like Fear Factory. As such, seeing Junkie XL productions on typical Global Underground-esque compilations over the years looked quite odd to me, but it just goes to show the incredible talent Holkenborg possesses in crossing genres without so much as a misstep.
This remix of UR (does anyone know what that title means, by the way?) clocks in at a whopping twelve and a half minutes. You'd think with that kind of length, you'd get a bunch of throwaway lead-ins, outros, and self-indulgent tangents clogging up the works, but amazingly not a single second of this remix goes to waste - there's always something interesting bubbling about. Even the rhythmic intro, which lasts over two minutes, could have enough going on in it to make for an independent track.
The song goes about its business in typical prog fashion, letting the original lyrics from Matt Hales (a.k.a.: Aqualung) do their thing while Holkenborg adds little sonic flourishes here and there before letting the more musical elements take over. Long periods of rhythmic or melodic stretches come and go, maintaining a steady climb although never quite going for the gusto. This is a song aiming for laid-back moments rather than dancefloor domination, although it'd probably get the job done in that department too in an equally low-key prog set.
As for the air guitar from which this remix is titled over, it kind of meanders about in a plucky, acoustic manner with plenty of reverb to give it tonal depth. As with the rest of the elements on hand, it's really just another piece in this Junkie puzzle rather than a feature begging for attention.
Leama & Moor provide a remix of A Tear In The Open (the original also from Just Be) for the B-Side of this single. The pair seems to have been making some noise lately, especially Andy Moor. And, while I've heard many complaints of twinkly, echoing melodies and simple, thick basslines in music from him these days, these attributes work nicely enough with the original song's ethereal Celtic chants and flutes. Even more laid-back than the remix of UR, it is also far more sparse. Minor pads and reverb effects do fill in some of the sonic gaps, but not nearly to the level that Holkenborg's work on the A-Side did, so this comes off sounding a bit simpler. Still, it's a pleasant little prog number. I'm sure my mum would enjoy it.
With all the hype centered around the Junkie XL remix, the Leama & Moor remix was kind of unanticipated to go along with it, but it finely serves as another lead-off single to the remix album of Just Be that was recently released.
Is this a worthy single to own? Well, prog fans will probably enjoy it. Heck, even the detractors of the Moor sound should enjoy his remix with Leama on the B-Side - I certainly don't find anything wrong with it.
The only trouble I have with this release is, despite the fine production on hand, I can't help but feel things are on cruise control with these remixes. I'm not saying they should have been earth-shattering, revolutionary remixes - for what they are, they are quite nice. However, quite nice doesn't always cut it when so much music is being released in the world. Unless you've never heard this kind of stuff before (and I'm assuming most of our readers have had at least a few years under their belt), very little will leap out and grab you while either one of these remixes play in the background. As with most prog music, you need to be completely engrossed in the songs playing to get the full benefit of them, otherwise even the twelve and a half minutes of UR will pass you by without much notice.
Score: 7/10
Written By Sykonee.
Originally published 2005 for TranceCritic.com.© All rights reserved.
