Showing posts with label Wagram Music. Show all posts
Showing posts with label Wagram Music. Show all posts

Friday, December 29, 2017

Various - Saint-Germain-Des-Prés Café Vol. 5

Wagram Music: 2004

Though I'm hardly a nu-jazz connoisseur, I like it enough that I don't mind springing for a compilation or two if I stumble upon them on the cheap. And Saint-Germain-Des-Prés Café is classy enough that you know you're in safe hands even as a complete rube. This is now the third CD from the series I've bought, and oddly enough, I've only picked up odd-numbered volumes thus far. What is this, some sort of subconscious reverse Star Trek movie selection? Actually, that would be darn hilarious if the even-numbered volumes of Saint-Germain-Des-Prés Café were somehow significantly worse than the odd-numbered ones. I don't even know how that'd be possible, since nu-jazz tends to maintain a steady modicum of talent and skill to perform it. Maybe supreme jazz experts could tell the difference of quality between each performed piece, but for most of us plebs, it's all the same, laid-back, cool chillin' vibe. Still, I'm tempted to make my next purchase in this series be Saint-Germain-Des-Prés Café 7, just to keep this accidental pattern going. OCD... compels...

So while some familiar nu-jazz sounds and artist staples re-appear for this fifth go-around (De-Phazz! DJ Cam! Dzihan & Kamien! Norah Jones! Gotan Project! Meitz?), something new has also been added. Or rather, something old, but new for the series: real jazz. As in, traditional instruments, classic 'cool' performances (or whatever that late '50s – early '60s development was), and nary a synthesizer in sight. Not just a one or two-off either, but chunks of this CD devoted to it. Street Of Dreams with Stacey Kent & Jan Lundgren Trio is exactly the sort of jazz you probably instinctively think of when the term is thrown about. Brisa Roché does a tidy little vocal-bop number featuring a trumpet solo. Chet Baker adds his sad trumpet to Gotan Project's soft Parisian soul 'Round About Midnight.

And some of these tunes, I swear tricked me into thinking they were performed au naturale, so smooth these producers are in their trade. Like, David Borsu's Late Nite Swing sounds like a regular ol' soul-jazz jam with the drummer and the trumpeter and the keyboarder and the singer and all; but no, it's a Belgium DJ fusing a bunch of elements together, though I think the vocal snippets of numbers should have clued me in sooner. Koop adds Astor Piazzolla's bandeoneon (aka: comedy-sized accordion) for a tidy tango ditty in Veulvo Al Sur. Then there's Nicola Conte's Bossa Ahead Remix of Eli Goulart E Bando Do Mato's Meu Samba (so many consonants), sounding not a touch out of place from whatever Latin jazz musics you fancy. Makes me wonder if the 'remix' tag is even necessary. Rearrangement, mayhaps?

Of course, there's the obligatory tunes with a heavier emphasis on jazzy drum programming (Slow Train Soul's Inna City Woman), or dubby funk (Refactoy's Yo Solo Queiro, Patchworks' Deep Ocean). Through it all though, you'll definitely come away with a craving for a mocha and croissant. Preferably by a seaside vista.

Friday, September 11, 2015

Various - Saint-Germain-Des-Prés Café III

Wagram Music: 2003

Shortly after I finished writing a review for the first Saint-Germain-Des-Prés Café, I found the third in the series while browsing a used shop. That… can’t be a coincidence! Either the Music Gods guided me to this encounter, or the Collector Deities blessed me on that day - depends which faith you follow. Or you don’t believe is such things, and it really was just dumb circumstance that this occurred.

Hell, despite their dwindling numbers, I wager the same thing could happen if I went to almost any ol’ used CD shop. The Saint-Germain-Des-Prés Café series strikes me as the sort of compilations that are almost always the first to go when folks cull their CDs. An initial purchase made because the cover seemed hip and cool, and turns out the music is hip and cool, but as you age, you grow less hip and cool, and the need to have hip and cool music playing to appear hip and cool grows less of a concern; so, you sell off your hip and cool CDs for some cool, hard cash. Or maybe you really do enjoy jazzy, lounge music with an ‘electro’ bent, but then you’d probably keep such CDs anyway.

If you don’t know what’s up with the Saint-Germain-Des-Prés Café, a handy review exists less than four months back detailing such trivia. And truthfully, not much has changed in the series two years between the first and third. There’s still a wide variety of nu-jazz sounds, from the sort of café music you’d expect to hear, to fusions with nearby genre cousins like trip-hop and acid jazz, plus a little sprinkling of ‘as real as real jazz can get in urban locales’ sort of tunes. Of course all these saxophones, pianos, trumpets, standing basses, drums, and singin’ soul sistas come coupled with a fair share of trippy synth sounds, squelchy acid stabs, and occasional sequenced rhythm sections, but more often than not the line is blurred between the natural and synthetic, you can’t tell whether that snare fill is programmed, sampled, or played live in the studio. Okay, the big giveaway is most of the acts in this compilation are solo artists, but man do they ever often sound like a five piece jazz band once a tune gets going.

Probably one of Saint-Germain-Des-Prés Café’s greatest strengths as a series was their ability to keep the artist rotation fresh for much of its existence. You’d seldom see a repeat name with each volume, all the while mixing well known acts with relative obscure ones. Only De-Phazz makes a return for SGdPC3, offering something on the cinematic side of jazz with Downtown Tazacorte. Other names here I’m familiar with are DJ Cam, Patchworks, Tek 9 (aka: 4 Hero), and Moloko, who ends the CD with a Sing it Back. No, not the version you’re thinking of, but a totally swingin’ piano version care of Can 7, sounding lifted straight from a ‘30s speak-easy. Well, murder, little tomato cat!

Monday, May 25, 2015

Various - Saint-Germain-Des-Prés Café

Wagram Music: 2001

I didn't think much of it at the time, glancing at the back of the digipak in that used music shop some years past. A few names I recognized – Jazzanova, De-Phazz, and St Germain of course – but most were new to my eyes. And right they should have been, what with acid jazz, nu-jazz, and all their variations the sort of style I only indulged in on a whim from trusted labels (Ninja Tune, Studio !K7, Quango). Still, sometimes the best purchases are those you take the biggest chances are, and that itch for something ‘electro-jazz’ wasn’t going away. I mean, you really couldn’t go wrong with a DJ mix from St Germain, right? Absolutely not!

Except that’s not what Saint-Germain-Des-Prés Café is in the slightest. Oh, it’s definitely a nu-jazz collection, but aside from contributing a track, the Ludovic Navarre project has nothing to do with this CD. Rather, the name comes from the Paris district where extensional free-thinkers would engage in discourse over brunch in neighbourhood cafés. Or stare off into streets, smoking cigarettes, aloof in their demeanour. I don’t know, my knowledge of Paris coffee culture is primarily derived from parody. Point is, this was intended as a soundtrack to such locales, a fine enough idea with nu-jazz having some decent buzz about it back at the turn of the century. It must have been more successful than imagined, as it turned into a yearly series, which is still going on today! Sixteen volumes of the main, including themed offshoots, plus multiple box sets to bring you up to speed should you join the Saint-Germain Café craze late in the game. And here I thought it was just some random, forgotten DJ mix.

What’s so interesting about this series is it couldn’t have remained more relevant than in the here and now. Nu-jazz had its following back in the day, but for the most part you’d only hear the stuff at coffee lounges (this compilation, d’uh), hovels deep in urban hipster locales, or afterparty lofts. All of a sudden though, this style of music has seen a resurgence on streaming stations and side stages of the festival circuit, often getting billed as ‘electro-swing’. *sigh* Once again something old is thought of as something new, because a younger generation doesn’t know any better. Or maybe there is some difference, though tracks like Rubin Steiner’s Lo-Fi Nu Jazz #13 and Bugge Wesseltoft’s G.U.B.N.U.F. on here sounds about what a sub-genre called ‘electro-swing’ should be all about. Whatever, swing music was due for another retro-retro-retro return anyway, Brian Setzer having faded from current memory (but never forget Doop!).

And the rest of Saint-Germain-Des-Prés Café? Yeah, it’s jazzy alright. I personally prefer the tunes with some double-time bass action, but there’s plenty of different moods, vibes, and grooves throughout. I’d get into all the variations if I had much clue of jazz’s all too-many nuances. I prefer staying on the outskirts of this scene, thanks.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. 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