Showing posts with label DrumNBassArena. Show all posts
Showing posts with label DrumNBassArena. Show all posts

Thursday, March 24, 2022

Various - Drum & Bass Arena 2019

Drum&BassArena: 2019

Right, all the backstory and reasoning sorted in the previous Drum & Bass Arena review. No quirks of shipping, or oddities of downloads. I can spend the entirety of this review just talking about the music, all the single tracks, plus the mix sets. But first, a word from our sponsor!

*crickets*

Oh, I don't get money for this. Anyway.

Same as before, three CDs separated into mainstage anthems, moodier deep-tech, and vibey comedowns. CD1 kicks off in good fashion, Chase & Status dropping a little ragga action on our earholes (all praise the Amen Break!), with a few heavy hitters keeping the momentum going. Then Turno's Asylum comes in with a hilarious squeachy sound that I'm sure is meant to sound badass, but is not. At least it's not as clownstep stupid as follow-up Popular from Upgrade. What are those squawking noises, a broken trombone? Maybe it's supposed to be tongue-in-cheek though, what with silly dialog of teen girls desperate to get popular and all. Oh, and can't go without some aggro-bro drumstep in A.M.C.'s Mind The Gap, nosiree.

Not even half-way through CD1, and I'm ready to check out, but without warning, it takes a hard turn into chill territory. Like, it's still mostly uptempo and all, but with a lot of soulful singing, spacious dub, and even liquid funk licks. Wait, isn't this what's intended for CD3? Were there just not enough good anthems in 2019 to fill out CD1, or has even the Arena gotten tired of Pendulum's influence now?

That was unexpected, but nice nonetheless. How does CD2 fare, then? Very deep, very tech, some tracks little more than the lowest registers of bass with 2-step in support – microfunk, basically. Tunes that make better sense when blasting out of towers of PK Soundsystem speakers than whatever rig one has set up at home, I wager. Halfway, things get real ol' school, tracks like Dredger or Mefjus' The Chase sounding like they could have come from Grooverider's Prototype years.

Things were building quite nicely in CD2, but suddenly, it goes all aggro-bro again, as though picking up where it was unceremoniously cut off in CD1. Oh, it's another A.M.C. track, that's why. Set goes ridiculously schizo after, flitting between more broken trombone tunes, mint classic tech-step (DJ Hybrid, whut!), stumbling clownstep (oh, of course it's Shimon), and spaced-out darkside (Brookes Brothers' Every Minute (Bladerunner Remix) - because vintage will never die).

By comparison, CD3 keeps things on an even keel, sparingly venturing beyond the easy-going vibes it sets us off on. The few tracks that do detour – Total Science & Kyo's ragga leaning Murder Tonight, the oddly placed jump-up of Serum's rub on MA2's Hearing Is Believing - are mostly welcome in adding a little spice to the set. Wish I had more to say about CD3, as I do prefer it over the others, but when it goes as it means to go, there's little else my words can add, is there?

Monday, March 21, 2022

Various - Drum & Bass Arena 2015

AEI Music: 2015

About a year ago, I got it in my head that, instead of just waiting around for another anniversary anthology from the Drum & Bass Arena, I ought to scope out their yearly compilations too. Surely there's enough annual material to justify three CDs worth of d'n'b. Perhaps, but I doubt the Arena would be the outlet for such a comprehensive collection. Don't get me wrong, they've done a remarkable job serving as a curator for the junglist mah'seeve since the Web 1.0 days. It's sometimes been a handicap though, focusing on what's the most trendy and popular out there. Granted, the drum 'n' bass scene is remarkably wide and diverse, and the Arena at least dips its toes in many genres, even if others are passed (ain't no Tech Itch Recordings here, no sir).

So I fire up their Bandcamp page, and settle on two releases from their annual series: 2015 and 2019. Something old, something new. Yes, Drum & Bass Arena 2019 is indeed the 'newest' of these, for reasons I'm sure we're all too familiar with by now. As for Drum & Bass Arena 2015... um, I'm technically still waiting for it. I haven't a clue what happened, but they haven't shipped the CDs (I did receive 2019), despite having an 'estimated to ship' notice on it. Haven't been able to contact anyone about it, and am well past the 'get a refund' window by now. Besides, I still have the digital download of 2015, and surely that's enough, right? Well, not quite.

I'm not sure why, but the digital version of 2015 only includes fifty-two tracks of the sixty that makes up the CDs. Also, unlike later Bandcamp releases of D&BArena CDs, 2015 doesn't have a continuous mix option. Hey, swell beans having unmixed tracks and all, but something tells me I'd appreciate this selection more with the beats and drops coming relentless and rapid fire. Not to mention those missing eight tunes.

Anyhow, the music. Names I'm plenty familiar with show up – TC, Calbire, Calyx, Spor, Black Sun Empire, Total Science – and a whole lot more I'm not. Which is good, the point of annual retrospectives offering some shine to the underground and unknown. Honestly though, the production homogeneity among many of them is so rampant, you could tell me half of them are the same guy, and I wouldn't be the wiser. Hey, genres are genres for a reason.

Best I can glean from the tracks I do have, CD1 of 2015 mostly features d'n'b's version of full-on tear-out anthems and whatnot: the Pendulum continuum. CD2 goes deeper into tech-step's domain, even glancing sideways a bit towards drumstep, before unloading its own anthems for the end. CD3 has the most soulful tunes of this collection, pure afterhours vibes. Or bus ride home, as the case may be. Isn't it funny, that d'n'b saves its chill stuff for the comedown, rather than a pre-party patio soundtrack that, say, deep house occupies?

Wednesday, April 3, 2019

Various - Drum & Bass Arena: 20 Years Of D&B 1996-2016

Drum&BassArena: 2016

Wow, twenty years. What's crazy is I still vividly recall listening to the Arena's early online streams off the computer of that one friend who always had the best internet connections. Okay, 'vividly' is stretching things. I don't remember specifics, but I do recall how cool it was to hear live broadcasts of d'n'b shows half a world away. You'd almost think our modern age of neigh unlimited HD audio insta-streams in 4K clarity would render a website like DrumAndBassArena moot now, but there's something to be said for having an established brand in the overstuffed promotions market. Barring a total and complete collapse of the internet as we currently know it, I see no reason why the DnB-A won't be around to celebrate a thirtieth anniversary. Well, at least a twenty-fifth.

Naturally, a two-decade birthday party can't be complete without a pile of music to celebrate with, and we get three CDs worth to gorge ourselves on. Seems like a straight-forward exercise, rounding up a pile of d'n'b bangers for an extended party, but I was curious how it'd compare with the 10 Years rinse-out. With Adam F and Grooverider handling the decks there, that outing accomplished a remarkable feat in highlighting all the upfront developments the jungle scene was going through (so much Pendulum influence ...just so much), while honouring all that had made 'ardcore such a dynamic sound in its younger days. A tough act to follow, is what I'm saying, and by the looks of things, the Arena didn't even try bringing in any A-list jocks for their 20 Years rinse-out. No credits for the DJ mixes, at least.

CD1 is billed as Music For The Masses, and with an opening one-two punch of Pendulum's Tarantula and Sub Focus' Rock It, it sure is that. Good news is it isn't all Pendulum-styled d'n'b all the way through (they show up again with Vault, because of course), and things even go darkstep mid-set (Spor! Hive! Phace! Other single-syllable names!). Things turn back to the cheesy sing-along anthems by the end, but eh, it is music for the masses. This set is honest. Meanwhile, CD2 provides the old-school tunes, or Recollections, and while most of the veteran names show up (Dillinja, Ed Rush, Optical, Total Science, Adam F, etc.), it's still not as good as Grooverider's 'classics' set. How could it be?

CD3 is a welcome surprise though. Billed as Deeper Cuts, it unearths a bevy of overlooked, well, deeper cuts. Microfunk, soul-step, atmospheric jungle, and all that good stuff, with Calibre, Marcus Intalex, dBridge, and Netsky among the names I recognize in the tracklist. Not many others though. Ivy Lab? Bachelors Of Science? Technimatic? Sabre, Stray & Halogenix featuring Frank Carter III? Who are all these guys? In any event, if 20 Years is your typical night of d'n'b personified, Deeper Cuts is that classy afterhours session, where the vibe remains brisk but mellow and chill. Good stuff for old-timers like me, by g'ar.

Monday, May 7, 2018

Various - 10 Years Of Drum&BassArena: Mixed By Andy C & Grooverider (Original TC Review)

Resist Music: 2007

(2018 Update:
Called it! Okay, predicting the D'n'B Arena would still be kicking around for another decade wasn't hard. In fact, they've just recently released a
twentieth anniversary 3CD extravaganza! Well, 'extravaganza' if you spring for the limited edition collector's roll-out, including t-shirt, stickers, vinyl accessories, all available on their Bandcamp. What, I ain't no shill. Might be worth scoping out that 20th roll-out though.

A couple things are glaringly absent in this review. One, no Pendulum namedrop. Yeah, Andy C only used one track of theirs in the
Upfront Mix, but their influence is heard throughout his set. It's also interesting hearing early breakouts from Sub Focus, Chase & Status, Noisa, and T.C., who'd all go on to be huge stars in the d'n'b scene along with Pendulum. Andy C knew what was what back then. Back to the errors though, I failed to mention how much tech-step is thrown down in Grooverider's set. For the layman, the differences between darkcore, tech-step, and darkstep are negligible, but these are Very Important demarcations within the jungle scene, believe you me.)

IN BRIEF: Here’s to another ten.

A simple website dedicated to providing scene information and live sets of jungle DJs. That’s all it started out as. These days, the internet is flooded with such places, but in 1997 it was a rare commodity. Audio files were usually just too crap to be bothered with such features - the MP3 revolution was still a couple years away, after all.

Somehow, Drum & Bass Arena survived those uncertain early years, and is now celebrating its tenth anniversary. Chalk it up to the loyalty of the junglist massive (a slick design by the always reliable Designer’s Republic didn’t hurt either). The devotion to their scene is rivaled by few, and when they put their faith in something, they stick with it through thick and thin. Fortunately, the Arena has rewarded their loyalty over the years by keeping to its strengths and always providing fresh material for the online junglists to gorge on. The website may not be a major player in the wider world web, but it’s firmly carved out its niche and will undoubtedly be here another decade later.

So what better way to celebrate your resilience than to have a couple of the ‘deebee’ scene’s elder statesmen come in and make a DJ mix for you? Well, perhaps allowing someone from the new school to represent the ‘current’ set is one possibility, but that’s just a niggling observation. Andy C has proven quite capable of hanging with the young cats.

Anyhow, Andy gets to do the ‘Upfront’ disc, and upfront it is indeed. Right up front in your mutha-fuckin’ face! With that danj’a danj’a bass! Er... sorry about that. Listening to this gets me super-hyped, that’s all. The energy in Andy’s set is fast, furious, intense, manic, insane, and plenty more adjectives describing wicked crazy nuts.

Put in more stoic terms, disc one is simply fun jungle to have on. Although there is plenty feasting for the ears should you so desire, it kind of defeats the purpose of a set like this to only treat it that way; lounging in a sofa with headphones doesn’t do this set justice. Catchy vocal samples, frenetic beats, aggressive basslines, pleasing hooks: all winning ingredients for madcap parties. And unlike many jungle sets which tend to get samey-sounding due to unwavering rhythms, Andy keeps this one fresh with plenty of unique percussion arrangements, even at times throwing different time signatures into the works. I pity the house-head who attempts to dance to this.

Okay, so this is by no means a great jungle set. It does at times teeter off the rails with different styles of drum ‘n’ bass crashing into one another. Some of Andy’s DJ tricks don’t quite mesh. For a set claiming to be ‘upfront’, some songs are rather old. And similarly, I’m sure trainspotting junglists will bemoan about played out tracks (do trainspotters ever talk about anything else though?). These are all points one should take into consideration but if such factors don’t bother you, this is a solid set and should satisfy the dedicated and casual alike.

Of course, what point is there in looking back in the past with an anniversary release unless you also include a good ol’ ‘Classics’ set too? Well, perhaps the fact another classic d’n’b set is redundant in this industry, but that’s just a niggling observation. Grooverider has proven quite capable of giving the goldie oldies a proper rinsing on many occasions.

Anyone with a passing familiarity with jungle will recognize tons of tracks here. Valley Of Shadows, Champion Sound, Cutslo, Threshold, Alien Girl (also heard in a mash-up on the first disc, no less), The Lighter, The Warning: if you’re a junglist but don’t know these, then you fail, poseur. Heh, I kid, of course. I’ve yet to meet a junglist who doesn’t have a firm grasp on his scene’s history. Other EDM scenes could stand to learn from that.

For the most part, the ‘Rider sticks to that ominous, methodical form of jungle known as darkcore/step which was very popular with the less-mainstream crowds in the mid-90s. While far less frenetic than the stuff Andy C provided on his disc, it’s nonetheless great to listen to and chugs along at a good pace. He also throws in some older cuts when the genre was still in its hardcore roots, plus a token nod to the always manic ragga style at the end. All in all, it’s a well-crafted set but will probably be best enjoyed if you don’t have many of these tracks already floating around in your collection.

I suppose you’ve noticed this review doesn’t have a terribly serious tone to it. That’s because 10 Years isn’t a release that needs a thought-out analysis. It is, if anything, a self-congratulatory pat on the back by the Arena, and if you wish to join in the festivities, you’re more than welcome to. There’s not much new to find here but if you could use a couple more DJ mixes of old and new jungle, Andy’s and ‘Rider’s sets won’t disappoint.

Written by Sykonee for TranceCritic.com, 2007. © All rights reserved

Things I've Talked About

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