Showing posts with label Nacht Plank. Show all posts
Showing posts with label Nacht Plank. Show all posts

Saturday, March 13, 2021

Nacht Plank - Broad Tape Band

self-release: 2011

I feel like I've come full circle with this release, which is weird because I wasn't aware of travelling on any particular path. Maybe not so much a circle, but hexagon? A Fibonacci sequence spiral? Some sort of Lee Norris route that had me starting with a Nacht Plank album, and ending on a Nacht Plank album. Not that Alien and Broad Tape Band are the first or last of Lee's projects covered here. Of what I have checked out though, the former was the first of his solo outings, and I'm sure there will be other Norken, Metamatics, or Crowbar Stardust items down the line.

Somehow, I keep being drawn back to Nacht Plank, which is weird because I can't say it's among my favourite of Norris' projects, at least not enough for a full-on deep dive. Really, I only have this and Third Sacraments Council because they were among those Bandcamp giveaways he offered some years back. But hey, I liked that one, so maybe Broad Tape Band will bring something more to enjoy.

Eh? You remember me thinking Broad Tape Band as 'harsh'? Ah yes, I did mention that in the Alien review, after taking a small sampling of sounds. It wasn't hard coming to that conclusion skipping through tracks, eighteen in all. Only a few breach the four-minute mark, while several log in under three minutes. Plenty of space for weird sonic experiments with vintage gear, creating static bursts, sputtering sequencers and atonal drones. Not the most pleasant of noises to sit through, unless you're approaching things from a purely intellectual stance. Or are intimately familiar with the equipment used, and get your vibe on hearing the sounds coerced from them. For sure there are those out there who dig it, I'm just not one of them.

When Lee does let the music breathe a little, there is some nice stuff. I'll grant it's sporadic, and takes until track ten for such a thing to happen (at least for me), but A Plants Day In Stages at least feels like it's going somewhere, less about the abstract experimentation, and painting weird, avant garde minimalist portrait. Elsewhere, whatever 'songs' might have once existed in prior tracks are generally subsumed by glitchy noises or static noise. Only Paoiz hints at a song, but doesn't last long enough to stick in the brain.

But gosh, there's a real gentle melody to hang off on in Field Piano Form. A lovely little thing, piercing the analogue fuzz, occasionally drifting on dubby, metallic rhythms. It rather reminds me of Jam & Spoon's Ancient Dream, itself from their weirdo experimental album, Tripomatic Fairytales 2002, though not to such extremes as heard here. Speaking of 'remembering things', I swear some of the whirring noises in Sirron come from FSOL's Lifeforms, one of the interstitial bits. Or is it Henge I heard it? I dunno, all these whirring bits and transistor bloops kinda' run together after a while on this album.

Wednesday, October 31, 2018

Nacht Plank - Third Sacraments Council

self release: 2013

I've taken in a few Lee Norris projects now, though I haven't returned to his Nacht Plank one too often. In fact, aside from my earliest dabblings into his works which included Alien and the Moss Garden album In The Silence Of The Subconscious, I've barely touched upon his second-to-third most prolific alias. Gosh, looking back on my coverage of Norris' music, the first five were via Carpe Sonum Records releases – I didn't really begin branching out from that label until Lee started offering his older material as free Bandcamp downloads. Makes sense though, as much of his older material was of such limited manufacturing runs that most of it's been long out of print, save the occasional reissue or box-set gathering. I did nab up a couple other CDs from ...txt while they were still available, including one of those Nacht pairings with Ishq, but yeah, seems the only way I'll get to continue exploring Mr. Norris' older music is whenever he offers up these downloads. Or, I dunno', find streaming alternatives (but... physical!).

This particular album though – indeed, this particular series, if the 'third' in the title wasn't a clue – I couldn't have bought a CD if I wanted to. During that whole Italian Works period, Lee performed at the Basilica Don Juan temple in Piemonte - two nights and two recordings - from which Second and Third Sacraments Council come from. Though he has a dedicated fanbase, it isn't substantial by any stretch, folks looking to buy hour-long live drone compositions from Mr. Norris few and far between. But hey, post that stuff on Bandcamp, and make whatever cream comes your way from it, right? He also included them on the Sacraments Council thumb-drive, so you could technically have a physical copy of it, though just how 'physical' USB releases really are is a debate I've already had (jury's still out).

Oh, yeah, that's what Third Sacraments Council is, an hour-long live drone composition, and friends, does this one ever drone. It's the good kind of drone, mind you, if you're looking for minimalist ambience for calming meditative moments. For the first five minutes, we're dealing with little more than atonal pad work with some crackly treatments that almost sound like some loose wiring in Lee's gear (Nacht Plank is primarily his outlet for music created with analog equipment). A gentle, breathing two-tone melody emerges, acting as the steady rudder for the duration of the piece, with additional effects building overtop this minimalist melody, though never straying from the path its laid out. At various points additional sounds like mechanical bird or whale calls punctuate the mood, but that's about as dynamic as things get.

Despite a little flaking in its duration, Third Sacraments Council surprisingly held my attention throughout. Even more surprising was a co-worker noticing it too, commenting how relaxing it is. My co-workers never comment on the ambient music I play! Can't get a better recommendation than that, my friends.

Thursday, March 15, 2018

Plank & Ishq - Zeal Monachorum

...txt: 2017

Not content to pair up with Ishq with one alias, Lee Norris dragged his Nacht Plank pseudonym in for a little collaborative work too. That may seem either redundant or overkill, but the Ishqamatics stuff, that had a very specific sound, a 'bound' sound, if you will. Misters Norris and Hillier though, they have other musical explorations in mind, stuff that isn't so tied to that project's ambient techno leanings. They have all this vintage analogue gear at their disposal, see, equipment they can jam away for hours on end in freeform music making as the OG krautrockers like Tangerine Dream and Cluster did. And Lee, he already had a project name for such craftsmanship, that being Nacht Plank. Ishq though, he's still just same ol' Ishq.

Thus a number of albums resulted in their sessions. First were three volumes titled Crows An Wra, featuring tracks averaging between ten and twenty minutes in length, one even breaking the half-hour mark. I haven't listened to any of them, because even that seems a bit much sonic noodling and musical doodling than I'm usually willing to take in from these two. But hey, if you're a huge fan of either Nacht Plank or Ishq, have at 'em.

Me, I'll take a sampling for now, in this follow-up album of Zeal Monachorum. It features four tracks, the opener lasting over twenty-four minutes long, the rest hovering around the sixteen minute mark. It honestly doesn't come across that way though, more like a disconnected assemblage of experimental sounds, bleepy passages, oscillating synths, and all manner of eggheaded ideas coming and going. If they'd broken everything up into individual tracks, however, you'd be looking at around a dozen pieces of conceptual art-music, some of which you might skip if given the option. Plank & Ishq ain't having any of your picky-nicky notions of music consumption though. You're gonna' take all their meandering audible activities, from the broken snippets of dialog, to the chirping electronics, to the soothing pad drone, to the languid bell tones, to the wobbly Moog – and that's all just in Church Of The Cross Modulation! Okay, not the dialog bits, those are in other tracks.

I suppose there are loose themes tying each track together. Zeal Monachorum Moonships mostly has sci-fi modulating sounds, every so often broken up by dubby, flowy synth-pad passages – it's like Plank and Ishq are taking turns with the assorted gear. Oxenham Space Locator maintains the Berlin-School modulating fun for much of its duration, save a bleep-ambient coda towards the end. Devonschire Oscillations treads closest to something like ambient techno, though the added guitar-synth tones keeping things on that '70s vibe.

Zeal Monachorum does have nifty portions throughout, but like the krautrock Plank & Ishq are drawing influence from, demands your undivided attention to get much out of it. Fortunately, you'll get plenty opportunities to do so, as the two have launched a new label exclusively exploring such music, called Zeit. That word sounds familiar, somehow.

Wednesday, September 7, 2016

Nacht Plank - Alien

Carpe Sonum Records: 2016

I’ve dabbled a bit into the music of the man behind the moniker of Nacht Plank, one Lee Norris. He’s one half of my introduction to Carpe Sonum proper, Moss Garden’s In The Silence Of The Subsconscious, plus he’s paired up with a couple other names I’m familiar with (Mick Chillage as Autumn Of Communion, Ishq as Ishqmatics). Yet that’s barely scratching the surface of this man’s total output. As Nacht Plank alone, Alien is something like his fifteenth LP, not to mention a half-dozen assorted collaborative albums along the way. Then there’s another dozen or so albums as Metamatics, a bushel-full of material as Norken, and a couple items under his own name as well. The man is remarkably prolific, is what I’m sayin’, and to just casually walk into an album like this one is extremely difficult. Dammit Jim-Bones, I need more musical foundation to work with if I’m to tackle Alien proper-like. How can I know whether all this abstract, minimalist ambient experimentation is the long-term Nacht Plank stylee, or just some flight of exploratory fancy on Mr. Norris’ part?

Actually, judging from his prior work, I’m pretty sure the analog experimentation is the Nacht Plank modus operani. The name alone has me thinking along the lines of Mille Plateaux or Raster-Noton material, and a quick dabbling of his earlier efforts under the moniker reveals plenty of ‘challenging’ sounds. Heck, Alien at times comes off rather nice and soothing compared to the audio assault I heard off my samplings of Broad Tape Band, though remaining firmly in the realm of abstract weirdness as such a title warrants.

What this album mostly reminds me of is the electronic sound experiments of krautrock, which isn’t too surprising considering Mr. Norris makes use of actual gear (“no computers used” the inlay proudly proclaims). Opener Arrive has me thinking of Phaedra-era Tangerine Dream with its outworld atmosphere, while follow-up Clone uses intermittent sci-fi effects as a lazy, soft synth worms and oozes about a sparse setting. Some tracks are rather short, like the gentle tones of Comune and noodly muted pads of Peace. Others reach for significant lengths in the double-digit mark, Re Kreation being the longest of the bunch at over thirteen minutes of droning tones and distant field recordings, plus a touch of Moog diddling towards the end. Closer Vision clocks in at just under twelve minutes, and has the only thing resembling a rhythm on here, what with its bobbing pulses laid underneath droning, minimalist pads. This is explored further into electro territory with a Bandcamp bonus remix (Vision (Quick Thinking)), another lengthy number at over fourteen minutes. It’s interesting, but definitely much too chipper compared to the moody tone the rest of Alien cultivates. I accept its download bonus status.

This is hardly an easy album to get into, but I doubt Nacht Plank is the sort of project with doe-eyed dance music fans in mind. If you dig ‘70s weirdness though, give Alien a try.

Things I've Talked About

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