Various - Spring

Altar Records: 2013

If DJ Zen had fashioned his label’s Elements series after chemical elements rather than classical elements, he could have kept it running nigh on forever. That’s already ninety-four natural volumes to work with, and plenty more room for made-up ones following that. But nay, the classical version is what he settled for, and thus was forced to wrap up the series after but five proper volumes (and a sixth bonus). The compilation market doesn’t sit fallow though, any good psy-chill leaning print needing a promotional outlet for their roster’s non-album material. And thus it came to pass that DJ Zen settled on possibly the third most obvious mystical theme to center a new series on, that of the seasons. *sigh* You make good music, Altar, but really could use some help in the ‘creative compilations’ department.

Seasons it is though, with the series’ concept boiling down to producers providing tunes that conjure feelings, imagery, moods and the like of each volume. Appropriately enough, we start things off with the season ancients once considered the beginning of a yearly cycle following the vernal equinox, Spring. Ooh, I suspect we’ll get ample amounts of lively field recordings like running water and birds in song, or maybe sampled ethnic chants of far-flung tribes praying to pagan deities for fertile crops and frisky love in the air. Um, no, there’s not much of that at all. Tickle me… kinda’ disappointed? Sure, what I typed out sounds like some hokey New Age fluff, but Altar’s always had a touch of that regardless (that cover art!), and it’s never stopped me from getting my vibe on with their output.

Instead, Spring sticks to the prog-psy stylee for much of its runtime. Fine with me, as you’ve got a solid cast of Altar regulars chipping in to get this series up and running: AstroPilot, Cabeiri, Lab’s Cloud, Akshan, Asura, Suduaya, plus newcomer Reasonandu, and Dense of GMO vs Dense microfame. And yet, for much of this compilation, it doesn’t feel like I’m playing a collection of Altar tracks – nay, the groove I’m getting here is oddly reminiscent of Iboga Records from a decade ago. Granted, much of it is in the slower style the psy-chill chaps like going, but those sparse arrangements, plucks of dubbed-out synth, and churning, thunking rhythms are remarkably minimal for a label more known for their widescreen productions. A few tracks do break the mold – opener Peaceful Heart from Reasonandu And Adrian Enescu is what I had in mind for this compilation, while the next string of cuts from Dense, Suduaya, and AstroPilot play more to Altar’s style. Elsewhere, Asura provides one of his standard prog-psy productions, including that crisp kick, and those sidechain abused pads. The rest though, man, are we certain Perfect Stranger didn’t pop by the Altar office and sneak in some of his roster instead?

Spring is still a solid collection of prog-psy, just not quite what I was expecting. Will future seasons bring the unexpected too?

AstroPilot - Solar Walk III: Event Horizon

Altar Records: 2014

Why settle for one sequel when you can make a trilogy out of a concept? Hell, an entire franchise if one is so bold, though such projects are usually reserved for DJ mixes, not artist albums. Here we are though, now three albums deep into AstroPilot's Solar Walk endeavour, where the ambient side of Mr. Redko's muse gets to roam wild and free. And as I mentioned in the previous two Solar Walk reviews, if you prefer your trapstyle with wailing disco divas in a techno dungeon, then what the Hell are you doing looking at a psy-chill release?

Solar Walk 2 would be a difficult one to top, taking successful elements of the first and refining them into pure sonic excellence. It wouldn’t be a demerit in Dmitriy’s discography if he repeated that album – ample amounts of grand space ambient drone, with a couple outings in psy-chill’s more rhythmic styles for flavour. Heck, he might even taken the concept to a whole new level. Like, beyond the limit of our understanding in the realms of musical reality, where time and timbre have no meaning. Why, you might even call it crossing the sonic event horizon! Then again, if AstroPilot could achieve such a feat, I’m not sure how I’d be capable of listening to Solar Walk III in the first place. Should my feeble cochlea hope to comprehend of music of this calibre?

Obviously this album is nothing like that. A bit surprising though, is the fact Mr. Redko did change the format, going strictly ambient all the way through for his third constitutional across stellar photons. It’s also a different sort of ambient than to the previous Solar Walks, comparatively darker and subtle as though he’s finally succumb to what ‘proper’ space ambient should sound like. None of this massive, wall-of-synth opulence of the cosmos, but humbling respect of the impossibly vast emptiness that truly encompasses the universe.

Okay, we’re not dealing with Lustmord levels of bleakness here. AstroPilot still skilfully paints his sonic canvas with layered pads, harmonized synths, and even adds melodic moments that could serve as minor leitmotifs were this translated to the visual medium. Yet whereas Solar Walk and its sequel sold the notion of space as a place rapturous and inviting, Event Horizon firmly reminds us how limited humanity truly is in the grand scheme of things. There’s still wonders to behold, but damn if we’re gonna’ struggle to unravel them all. Titles like Millions Lights Years Away, Distant Worlds, Farscape, Whiff Of Eternity, and even Relict Emanation help sell this concept to a tee’.

As for what prompted Mr. Redko into such a drastic change in his Solar Walk project, he lists Event Horizon as something of a tribute to the ambient composers that inspired his own musical development. This includes classic names like Eno, Roach, and Boddy, to more recent ones like Biosphere, Alio Die, and ...Bad Sector? Oh man, add another producer I gotta’ dig onto The List.

AstroPilot - Solar Walk 2

Altar Records: 2012

Much better than the first! Not that Solar Walk was bunk, but you hope a sequel improves upon a concept’s successful attributes. It’s always a crap shoot though, some efforts simply retreading the same music with slight variations to warrant the sequel tag. Other times there’s almost no common link between the two, the repeated use of a title nothing more than capitalizing on brand recognition. Given AstroPilot’s comparatively small market penetration, however, I highly doubt the latter is the case here. Nay, it’s all the more likely Solar Walk turned into a suitable outlet for his ambient and chill-out productions, and retaining a series title for those productions helps clue listeners that, yes indeed, that’s what you’re in for heading in. If you prefer AstroPilot on the uptempo take, you’d best not bother with any edition of Solar Walk.

No, wait, Solar Walk 2 does bring the beats too. Well, about as ‘beatrific’ as a dedicated chill-out album can go, but this is AstroPilot we’re talking about here, a chap who can make a brisk BPM cut sound as calm as any piece of meditative ambient drone. Hell, there’s one such track on here with Patterns Of Awareness (also the longest tune at nearly fifteen minutes in length). Another one is Betelgeuse, the second longest cut on Solar Walk 2 at twelve-point-five minutes, and employing a dynamic bit of escalating rhythm at that, the sort that could work as the climax on a standard tempo album of psy-chill and dub music. And here’s Mr. Redko dropping one on a CD supposedly dedicated to ambient space music. Even the first Solar Walk never got this intense with its lone prog-psy detour.

Ambient is what Solar Walk aims to showcase though, and ambient is what we get in droves. In terms of style, AstroPilot retains the maximal approach to the craft, layering pads and effects with such intensity, it sometimes feels like you’re being crushed by their immense, droning sonics. Yet nothing ever comes off overbearing or harsh, as though this foreboding cosmic plane envelopes and embraces your being rather than pulverizes your sanity with feelings of endless isolation. Whoa, I’m getting way deep here, aren’t I?

If this all sounds similar to the sort of ambient AstroPilot composed in Solar Walk, it is, but it’s also much more well produced too. There’s more separation and space between the multiple layers of sound, such that it’s easier to focus on distinct sounds and timbre should you so choose. There’s also more sense of progression within the tracks themselves, less emphasis on supplying heavy drone for indeterminate time. Instead, the sparse melodic ideas help paint a richer sonic canvas, allowing one’s imagination greater immersion for all your space travel needs. Finally, Solar Walk 2 isn’t continuously mixed, which greatly helps in taking in individual pieces as distinct forms from each other. It’s a small thing, but it’s easier to enjoy ambient when you’re not second-guessing if you’re dealing with a different composition.

AstroPilot - Solar Walk

Altar Records: 2010

Solar Walk was what piqued my curiosity enough to start diving into AstroPilot's discography. Not because I'd heard tracks elsewhere, or it came highly recommended by psy-ambient experts abroad (are there such folk?). Nay, it came down to the same ol' reason that always afflicts my impulse buying habits: there's a cosmic theme afoot, and I'm never sated on that space music stylee. Hell, the alias Mr. Redko chose for his work intrigued me alone, though having tracks appear on Russian space-race tribute compilation Absence Of Gravity and the final Fahrenheit Project from Ultimae were definitely added incentives to dig further. Then when I searched the Amazons for some affordable options on AstroPilot material, I discovered not only did he have an album called Solar Walk (*squee!*), but a follow-up (*-eeeeeee!*), plus a companion LP called Star Walk (*-eeeeeequss!*). Well, there goes that week's allowance.

What distinguishes the Solar Walk series from AstroPilot’s other albums is the heavy focus on ambient and chill music. I’m not sure if ol’ Dmitriy always intended to seperate his dancefloor friendly material and meditation tent efforts, but it’s not such a bad idea in the long run, especially for a chap as prolific as he. Maybe it was just a coincidence he’d end up alternating between the two styles of album material. Less odd is the fun-fact Solar Walk was his kick-off with Altar Records. Hell, for that matter, this was Altar Records’ album kick-off in general, their first non-compilation release featuring outside talent (re: not DJ Zen at the helm). It certainly was style that fit with the fledgling psy-chill print out of Quebec, a deeply ambient outing with ample layers of pad work and... um, not much else, to be honest.

This isn’t to say we’re in for an hour-long excursion of minimalist drone, the tracks on here incredibly dense in timbre. In fact, for ambient, many of these compositions are rather loud and vast, as though AstroPilot intends his music to sound like nothing less than the grand scope of an endless infinity above. I guess ‘heavenly’ is another apt adjective for this music, but that strikes me as a tad sappy for what we do get, though the spiritual connotations are hard to dismiss. Get all in on that chakra healing, yo’!

Eight tracks make up Solar Walk, some rather short (opener Languor, darker Space Ghosts), others ridiculously long (nineteen minutes of Inside The Harmony). Honestly though, track lengths are almost meaningless where this album’s concerned, each composition continuously mixed into the next. Unless you’re completely focused on the nuances of AstroPilot’s pad work or shifts in tone, three tracks could go by without you realizing it. A couple do offer rhythms, including a gradual reveal of prog-psy groove in God’s Channel, but even with these deviations, Solar Walk mostly plays out like one long piece of layered ambient drone, often lacking distinct musical moments along the way. Still, it’s better than your standard laptop noodle wank.

ACE TRACKS: April 2015

Oh hey, look at that, “R” is all wrapped up now. Yep, in a bizarre turn of events, the alphabetical back-half of the letter had barely a week’s worth of albums for review, unlike the near 1.5 months of the front half. I honestly have no idea how this came to be. Maybe if I had more CDs in my collection from rock bands, where they sing about rocking and rolling in titular singles, but nay, most things are rave with this techno boy. Anyhow, I felt it best to finish the letter off before posting the playlist for ACE TRACKS: April 2015.


Full track list here.

MISSING ALBUMS:
µ-Ziq - Royal Astronomy
Seraphim Rytm - Aeterna
Various - Rising High Trance Injection

Percentage Of Hip-Hop: 0%
Percentage Of Rock: 0%
Most “WTF?” Track: Most of the Aphex Twin stuff, but only if you’re not used to his zaniness.

Whoa, that’s my second straight Playlist with nary a rock or hip-hop cut found. The August 2013 one is understandable, what with such a short collection of albums to cull from – I had plenty more to draw from for April 2015. On the other hand, a sizeable chunk was devoted to Altar Records compilations, not to mention a plethora of other alphabetical backlog.

Speaking of alphabetical, I tried something different for this Playlist, arranging tracks in alphabetical order. With so much psy dub, psy chill, and dark ambient (hi, Sabled Sun!), I figured doing so would randomize the sequence a little, engaging the listener with the unexpected rather than steady familiarity and flow. Will AstroPilot align with Amon Tobin? Might Moss Garden meld with Model 500? Could Cosmic Replicant conflict with Chronos? Find out within, plus Faithless too!

Cosmic Replicant - Mission Infinity

Altar Records: 2014

No, really, Altar Records is more than psy-chill compilations and AstroPilot albums. I know it doesn’t seem so if you’ve only learned about them through this lonesome blog in the backwaters of interwebland, but that’s because… Okay, for a good portion of their first couple years, Altar Records pretty much was psy-chill compilations and AstroPilot albums. It didn’t take long in branching out though, growing their roster of acts and expanding their offerings of ambient, dub, and, um, New Agey meditation music probably (some covers are suspect). They haven't strayed far from the scene that nurtured them, but considering their ridiculous rate of output (nearly triple digits in six years!), Altar's had plenty of opportunities taking a few chances outside their comfort zone.

Cosmic Replicant's one such act, another in what seems like an endless supply of Russian and Ukrainian producers involved in the psy scene in some way. Do they have breeding vats pumping out these guys in Eastern Europe or something? Mr. Pavel Shirshin's released a few albums on Altar already with this guise, Mission Infinity his third in a two year time span (there’s also a fourth self-released LP as well – geez, what a work rate). I haven't checked out the other two yet, and didn't know anything about Cosmic Replicant before buying this in my Altar splurge, if only to go through the blind purchase thrill even with a label I'm quite comfy with. If Mission Infinity's anything to go by though, I gotta' dig into those early efforts.


These tunes are some of the best, recent examples of the classic, bleepy ambient techno I’m always banging on about (obligatory Higher Intelligence Agency namedrop). Obviously these lean a little in psy’s direction, but primarily on the rhythmic front. Tracks like Overnight Journey, Perception Of Doors and Overnight Journey have that downtempo dub thing going for them, whereas latter tracks like Quantum Leap, Yesterday Tomorrow, and the titular cut wade into prog-psy’s waters. Other tracks though, like opener Flexible Minds and Waves Bubbles are totally old-school Bobby Bird.

It’s Cosmic Replicant’s choice of sounds that draws the strongest comparison though, synths, pads, acid, and samples harkening back to the days where ambient techno was more fascinated with space and the future. It’s not that this is a total retro homage either, the production quality as current as anything Altar’s put out – C.R.’s merely used plenty of vintage sounds as compliments to contemporary styles. And unlike the pure experimental tone of that Antendex album Photons (my last direct HIA comparison), Mr. Shirshin is intent upon writing proper pieces of music here, the sort that can take you on nice little journeys within your head. Mission Infinity isn’t quite so brilliant at as the masters of the craft, but it’s been a while since these particular pleasure centers have been tickled so wonderfully (obligatory Distant System namedrop). Do check Mission Infinity out if you’ve a little early ‘90s space-bleep ambient techno love kicking about.

Various - 6th Element (The Missing Elements)

Altar Records: 2011

Okay, now you're just milking your concept, Altar Records. Even going for a fifth was dubious, but the nebulous idea of a classical element that consists of ether or souls or whatever ('love'? Arrgh!) has enough traction within pop culture to allow it. A sixth though? I seriously can't even. What's this supposed to represent, the substance within hyperspace? The singularity centre of a black hole? The whiskers that makes up Evil Spock's beard? The last digit of pi?

I jest of course. A year after Altar wrapped up their Elements series, they released this download-only bonus of unreleased material that didn't make the cut for various reasons, hence Missing Elements as a subtitle (and why it's getting reviewed with the 'M's – t’was sorted that way). Normally such releases don't interest me, but since it came included with the purchase of the Elements set, here’s my six pennies' worth of opinion on 6th Element.

First off, holy cow, but do these ever sound 'unreleased'. Okay, under-produced is a better term, but that's only in comparison to the strong mixdown Altar typically provides on all its material. These feel like a layer’s cut off, or even missing an ele- *slaps self*.

What I mean is, the production quality isn’t that far removed from the sort of tunes you’d find on small sub-labels of Israeli psy trance in the mid-‘00s. Come to think of it, DJ Zen started out on one such label, Sunline Records (Quebec based), which was an offshoot of Kagdila Records (California based). I can’t say I’ve heard of anything from either print, so I’ve no idea whether their mixdown standards were up to snuff with the Twisteds and Ultimaes of the time. What I can tell you is when Zen went proper independent with Altar, he must have gotten his hands on Aes Dana’s notebook of mixdown techniques. No sense on spending that extra studio time on ‘unreleased’ material though.

So the production isn’t as exquisite as the rest of the Elements series, but there’s still some cool stuff on here. Zen gives AstroPilot’s Inside The Harmony an eighteen minute ethno-ambient remix, which may sound daunting, but the original off the Solar Walk album’s even longer! At the other end of 6th Element is Asura with a track that sounds like Vangelis at his poppier moments, suitably titled, um, Vangelis. Everything in between runs the usual gamut of psy dub, chill, and prog, from regular contributors like Zymosis, Tentura, and Chronos, to first-time outside helpers like Elea, Suduaya, and Dreaming Cooper (Lord Discogs lists this as his only credit!). And man, are there ever some corkers in this collection, tracks building as some of the best prog-psy goes. The fact these remain strong pieces of music even without extra engineering polish goes to show Zen’s surrounded himself with some incredibly talented people.

That said, I wouldn’t bother with 6th Element unless you’re already keen to Altar Records output. More a pleasant bonus to their main series, this one.

Various - Fire

Altar Records: 2009

I'm sorry, but I just can't take anything with a simple title of Fire seriously anymore. It's The Prodigy's fault, you see. Yeah, you know what I'm talking about, and if you don't, that's only because you haven't heard that old track off Experience yet. Or you did, but were too addled on goofballs to remember it. Believe me though, should you hear The Prodigy's Fire, you'll never see that word the same way again, the corny call forever imprinted upon that part of the brain that plays music from within. What I wouldn't give to have that bit of cellular membrane surgically scooped out.

The reason for this totally unrelated intro is I've run out of background information to discuss regarding Altar Records' Elements series. Wait, this is your first click into my coverage of it? Well, then check out my review for Air. Or Earth. Or Ether. Or Water, when I eventually get to it in my alphabetical order and have to recap what this series was all about since ya’ll will have forgotten about it by then. Or you can take the plunge for these CDs too, gaining the same intimate knowledge of Altar Records’ early years as I have thus far gleaned in my crash course. But Fire, now my fourth review in this series in a week’s time, has nothing more to add in the discussion. Except the music!

Obviously there’d be differences between each volume – little point in making a theme-based compilation if you don’t take advantage of it. And while these various CDs maintain a loose connection to the element they’re tied to, they’ve all kept within the chill side of psy and dub, only occasionally upping the tempo into the realms of prog psy. Not so with Fire, the near entirety of its runtime devoted to the four-to-the-floor groove. Only (proper) opener Crossroads Limiter from Asura (widescreen acid chill) and psy dub closers from Ra and Uth (Tears Of Fire and Around The Sun In Seven Days, respectively – whoa, what sort of planet travels that fast?) break the mould, which makes good sense as your bookmark tracks.

It’s not pure prog psy from the get-go either, Tentura’s Resonance easing the listener in with a dubbier outing. It’s off to the morning vibes right after with Aquascape’s Phoenix Dance, with tracks by the now-regular Altar contributors all pitching in (AstroPilot, Zymosis, DJ Zen as Astral Waves, and Chronos – ah, hm, it may be a while before I get to him after all). The Zymosis track, Summer Twilight, is an interesting contribution too, going for the psy-breaks business that we don’t hear nearly enough of. C’mon, psy parties, your scene’s already suffering from staleness, and injecting other genres into your standards is a perfect way of spicing things up (no dubstep tho’).

Fire’s a good compilation to get your feet wet with Altar Records if you’re curious about their uptempo style. The best of Elements though? Nah, guy, I just reviewed that one, remember?

Various - Ether

Altar Records: 2010

The fifth element is ether? Was this officially sanctioned by the Ancient Old-Timey Classical Hold-Outs Consortium? I mean, it's definitely a better option than 'love' or 'heart', but what's ether supposed to represent? Spirit and soul? Immaterial ghosts and energy beings? Neutrinos and positrons? Whatever the Hell cosmic foam is supposed to be? Maybe it’s that pseudo fourth state matter can exist as, plasma. However you logically justify ether being an element, in the case of Altar Records’ Elements series, it’s just an excuse to worm in a fifth CD as a cap to the enterprise. And thank God’s ether blood they did, because this just might be the best of them all.

Without spoiling the other two editions much (Fire and Water, obviously), this compilation series does maintain a solid streak throughout. There's exotic instrumentation, trancey synths and pads, psychedelic sound effects that owe plenty to Shpongle's influence, moments of proggy groove (or nearly a full run-through, in one CD’s case), and more than enough ethnic dub that even Megadog should feel weak in the knees. Nothing ever sounds cheap or forced, seldom ever pointlessly overproduced, and flits between enough variations of the style to keep each CD engaging from front to back. However, this is all still quite standard stuff as psy-chill goes, which isn't that surprising as Altar head DJ Zen and his gathered roster grew within the scene itself. It does make a difference coming in from different music backgrounds though, as the Mighty Ultimae attests to.

Ether does right in shaking free of those tropes, though obviously not completely. Altar simply wasn’t established enough to go plucking artists from dub techno labels and the like, nor do I get the sense DJ Zen’s too interested in doing so. Still, what we do get here though gets me all atwitter.

First, the psy dub to open. Yeah, nothing terribly new there even for a 2010 release, but Mr. Peculiar’s Ancient Tribes has some gnarly world beat vibes going for it. Then AstroPilot show up with Answers, and it’s an utterly lush, ethereal piece of Balearic bliss. Shortly following that is Distant System with an exclusive track, Astral Map Error. *squeeee* You already know I’ll praise this kick-ass slice of spacey prog psy, but I dare say this standalone is better than nearly every cut off Spiral Empire.

The sci-fi nature of Distant System isn’t a one-shot on Ether either (read it out loud, you know you want to!). Tentura’s Free Your Mind and E-Mantra’s Emptiness skew in this direction as well, adding an extra dimension to the Elements series after being so generally grounded (though Air did have its floating moments too). In case space doesn’t project your consciousness high enough though, Ether closes out with Asura’s epic Everlasting. That track’s appeared in a couple places now, including last year’s Radio Universe, but it was on this CD first, and a perfect conclusion to a fine series of compilations. Upper astral waits.

Various - Earth

Altar Records: 2010

Now this is a different approach. Most artwork depicting the Earth elemental tends to favor things dealing with rock, soil, and whatever images we associate with terra firma, the solid ground beneath our feet (or the fiery furnace further below, if you’ve read the Death Gate Cycle) . Thus, many of the colors that come with the dirt we dig into are tied to the element too - brown, burgundy, and such are often described as ‘earth tones’. Yet such colors are not exclusive to Earth, the planet, similar shades often found on other celestial bodies in various states. On the other hand, a color does exist that has thus far been found exclusively of Earth, a pigment that’s a by-product of photosynthesis within plant life: green. How cool is it that, instead of rehashing the same ol’ symbolism associated with the classical Earth elemental, they incorporated something scientifically unique to planet Earth instead. It, like, makes you think cosmic big, and all that, yo’.

Less unique is the style of psy-chill found on Earth itself, with influences from world beat and dub finding their way in. Makes sense as those are mostly ‘earthly’ forms of music, especially whenever things go more groovy and tribal – no sense rocking the ‘element theme compilation’ foundations too much. Earth was also the fourth in the Altar’s Elements series, released a mere year after Air had kicked things off, and some strain with the concept was already showing, label boss and compiler DJ Zen recycling many names despite everyone still offering up exclusive tracks. That’s fine if it’s point of these roster showcases, but the way it’s gone about with Earth is odd.

For instance, Zymosis shows up thrice (note: mistake from my Air review, AstroPilot (Dmitriy Redko) is not a member of Zymosis, but rather Dmitriy Lihachov; got my Dmitriys mixed up) with the following credits: CJ Catalizer vs Zymosis, Tentura vs Zymosis, and Zymosis vs Tentura. What on earth (Earth!) is the point of crediting tracks like the latter two? Trying to give as equal billing to the collaborators as possible? Why not just create a ‘supergroup’ alias then? It’s not like the tunes are that dissimilar anyway.

Other names on this compilation include Asura (Charles Farwell had basically set up a second home with Altar by this point), Chronos (don’t worry, I’ll get to him soon), Lab’s Cloud (who’s released two albums with Altar now), plus veteran acts like Vibrasphere, Ra, and Chi-A.D. rounding things out (literally, as two of them bookmark the CD). A solid enough list of acts, all said, but very little on Earth leaps out beyond what fans of the genre are familiar with. Only Ra’s March Of The Lunar Priests, a spacey goa thing with a rhythm that does sound like a march, leaped above the highly competent productions I’m already spoiled by from this label. That’s always the problem with these genre compilation splurges though, isn’t it? What’s stunning in isolation turns average in bunches.

Various - Air

Altar Records: 2009

So I splurged on a pile of Altar Records CDs. The reason I done did this was they too subscribe to the ‘limited run of physical medium’ philosophy. Fortunately for me though, the Quebec label has thus far flown far under the radar of even the most ardent of downtempo and psy-chill sorts, and much of their back catalogue can still be had direct from their website. As I've been enjoying the cut of their jib from regular artists like AstroPilot and Chronos, you bet I snagged up what I could while it’s still there – I won’t get left behind on this one, nosiree! This includes an entire compilation series spotlighting various in-house talent and assists from a few outside friends, with an elemental theme tying the whole thing together. Hm, not the most original concept, that.

Unlike the previous elemental chill-out series I covered a couple years back (!), this one doesn't have a unifying series banner, simply dropping each compilation into its alphabetical titled sorting with no backup, standing alone for itself. How noble. Oh, and there’s a fifth element to this series too – can you guess what it is? (no, not 'love', that'd be stupid). Anyhow, as I deal with my music in alphabetical order, fate has decreed the first in this series, Air, kicks off my now-sporadic coverage of Altar Records’ Elements series. Incidentally, this was also the first CD released by Altar. And I mean ever!

The opening half of Air prominently features producers the label would cultivate for its roster. In fact, AstroPilot kicks the whole thing off, though is teamed up with one Grigoriy Sobinov as Zymosis. I wouldn’t go so far as to say its typical psy-dub chill-out, but if you’ve digested copious amounts of Shpongle and such, you’re in familiar grounds here (or is it clouds in this case?). Following that is Voices Of The Universe from Aquascape & Skydan, two names I know little about beyond what Lord Discogs tells me, and am stunned to hear a track that’s not too dissimilar to a throwback Jean Michel Jarre piece. Wait, isn’t Altar psy? Sure, and label head DJ Zen drops in for third track Speak Your Mind with flutist Jace Gravel, and holy cow, where’d this cut come from? It has a rather standard world beat build with all the psychedelic trimmings, but when that beat finally drops into a thudding, proggy-dub thing, hot damn! That’s how you make an opening statement for your label, my friends.

Air carries on with nice variety of different-flavored psy on the downbeat, tracks offered by Tentura, Shakri, and Chronos (more on him later). Then Ultimae’s Big Three – Asura, Aes Dana, Solar Fields – drop by to finish the compilation off, and with exclusives no less! Okay, if I’m honest, it’s not that big a deal, their tracks not catching each at the peak of their powers. Still, getting that bump from the top dog of the psy-chill yard had to help Altar’s early prospects.

AstroPilot - Iriy

Altar Records: 2014

Mythologies and ancient mysticisms of the world, you ask? Oh, are they ever plentiful and famous: Babylonian, Egyptian, Greek, Hindu, Abrahamic, and plenty more have served as inspiration for the arts and culture, especially when re-contextualized with contemporary fashions. The Slavic States, however, don’t get as much love with modern audiences, content in letting the ‘gypsy lifestyle’ be their one defining historical trait. Not even Deep Forest, at the height of their commercial clout, swayed the public to the sounds of Eastern European traditionalism. Fortunately for AstroPilot, he caters to an audience a little more open to such ideas, despite many remaining stuck in their love of many things derived from the shores of Goa; he’s already explored that though (you’re kinda’ obligated to if you dabble in psy chill/dub/prog/trance/zydeco). Still, Mr. Redko’s muse remains ever restless, and for his eighth LP in as many years (!), he released Iriy, an album drawing plenty of influence from Eastern European folklore.

What is an Iriy, you ask? To save you the Wiki trip, it’s essentially a sort of ‘paradise’, like Eden or Shambhala, though based on Russian mythology. Tracks within this album include titles like Svarog’s Morning (Slavic god of celestial fire), Makosh (Slavic goddess of life cycles and fertility), Gamayun (a prophetic bird connected to Iriy), and Back To Midgard-Earth. Okay, that last one’s technically Norse, but seeing as how the Slavic States are situated in the middle of civilized Euro-Asia, one could call the region ‘Middle Earth’ too, if you’re willing to stretch your folklore to the extreme. Wait, I’m supposed to review music here, not conduct mythology lectures.

Honestly, all this comes off as window-dressing where AstroPilot goes in this album. Iriy is essentially another collection of ultra-lush prog-psy and wide-screen chill-out from the Siberian native, no real musical theme tying it together other than that. If there are sonic nods to Slavic traditionalism within, it’s very minimal (or I’m just too Canadianized to recognize it). The places and names in these titles could just as easily be a wholly created fantastical realm, but I cannot deny it was a cool trick on AstroPilot’s part in opening my eyes to an overlooked segment of humanity’s bountiful culture. Also, it doesn’t hurt having such a unique context for these tunes - The Last Night Of Svarog’s groovy trance pulse and layered synth drones carries more emotional heft if you picture the dying embers of a celestial fire deity along with it.

Iriy’s a no-brainer of a pick-up if you’ve got an itch for more prog-psy in your diet. AstroPilot’s been in a remarkable zone of quality for years now, this album further cementing an already praise-worthy career. Damn, am I in hyperbolic mode now because of this? Fine, here’s a criticism: most of these tunes stick to a very similar, lengthy prog-psy structure (ambient intro, gradual build, etc.), lending to a rather repetitive trip throughout. With scenery this gorgeous though, who gives a hoot of a svirel?

Androcell - Imbue

Altar Records: 2014

I’ve said it before, but it’s been a long time since I last said it. When was it, the last Androcell review? Whatever, here’s what I’m repeating: I’ve been spoiled by great music. No, I don’t go into every LP demanding nothing less than a 12.2/10, but it has created certain expectations upon certain artists. They are by no means obligated to meet the whims of a single West Coast Canadian – musicians do as they mean to do – but when I hear the highs some have achieved, it's all too common coming away from new material underwhelmed if they don't reach those peaks again. All this, of course, is just wishy-washy reasoning for why Tyler Smith's latest LP doesn't do it for me the way I hoped it could, even though there's nothing fundamentally poor about it.

No, this isn't yet another case of me bemoaning the lack of a follow-up in his Distant System moniker. He'll get around to that whenever he wants to, and if Mr. Smith is feeling the psy-dub flow more than the space-dub, that's his call. Though, I have to wonder, is he hesitating on Distant System due to conceived pressure? Lord knows I’ve hyped Spiral Empire to the high moons of Jupiter, but I’m just a single West Coast Canadian. Then again, I know a number of folks who hope for a follow-up. It may not receive the ridiculous anticipation of, say, The Bug’s Angels & Demons, but for those in the know, we’re jonsing something fierce here, mang.

Sorry, there I go again. Okay, focus. Androcell, new album, Imbue. This comes care of Altar Records, the psy-chill label out of Quebec that’s gaining itself a reputation as an outlet on par with Ultimae Records. I don’t know if they’re quite there yet, but having AstroPilot as one of your featured artists sure doesn’t hurt. Asura’s popped up on there too, and now Altar’s added Androcell to their ranks – gotta’ have that Shpongle inspired psy-dub stylee in there somewhere, right?

And Imbue is a perfectly fine psy-dub album. The rhythms are wordly and funky, the psychedelia is tasteful and never over-indulgent and everything flows as though you’re hearing these tunes jammed live. Though ol’ Tyler doesn’t offer any sounds psy-dub veterans won’t have heard before, his sense of song craft and musical progression remains top-notch, always throwing in little twists and turns holding your attention throughout the album’s run-through. A solid effort, all said.

Wait, if that’s true, then why the apologetic opening paragraph? Unfortunately, I’m not getting the same sense of imagery or journey as his prior work. The Distant System stuff is obvious, and even the last Androcell album had me feeling like I was out traversing ancient, mystical roads and that. Nothing comparable goes down with Imbue, unless one considers a jolly ol’ flailing time at an outdoor psychedelic party good enough. Fair enough if so, and I hope I shake this spoiled attitude towards Mr. Smith’s music too.

AstroPilot - Here And Now

Altar Records: 2010

Dmitriy Redko was a busy body in 2010 – or rather, his new home on Altar Records was busy for him, releasing a whopping four LPs under the AstroPilot banner. Man, label head DJ Zen must have thoroughly enjoyed Fruits Of The Imagination to go all-in on whatever else the Siberian psy guy had stored up. Since this has a latter catalogue number following Solar Walk, Shamanium, and Mitra, I’ll assume Here And Now was the current stuff Redko was working on; the title’s a pretty safe hint too.

AstroPilot’s work ethic has earned him a solid reputation within the psy scene, capably flitting various sub-genres like few others. His tracks have found homes on ambient compilations, psy dub collections, progressive trance mixes, and even tech-plonk house showcases. Okay, not that last one, but it wouldn’t surprise me if Redko’s got some stored away, gathering digital dust on a harddrive untl he decides to go house (they all go house, eventually). While I wouldn’t put him quite on par with some of Ultimae’s Solar stars, he’s definitely up in their leagues, and might even have released LPs there if he hadn’t joined Altar. Well, that whole ‘not exclusively a chill-out producer’ part probably didn’t help either. That’s why you make multiple aliases, mang!

Anyhow, let’s focus on the here and now with Here And Now. Mr. Redko’s mostly taking on prog psy’s domain with this album, though he doesn’t limit himself there either, throwing in breaks and even ...glitch-step breakcore? Wha...? Oh, it’s a collaboration with another Russian psy guy named Pharmacore. Whichever style you call it, at least you can play it at both 88 and 176 bpm!

That’s just an outlier though, a bit of experimentation tacked on to album’s end. Like I said, prog psy’s the name of AstroPilot’s game on Here And Now, and he serves up a bevy of choice cuts for the synapses. I mean, geez, Karma Cleaner! What a lush sounding track this is! Solid pumping groove, glowing goa trance licks, evocative ethnic singing coming in from astral planes, and widescreen production that’s utterly bonkers in how expansive it makes this track sound. Prog psy’s not supposed to sound this big. Other tracks likeHiding Wings and Time Tides are equal to Karma Cleaner’s bar, though a bit more straight-forward where this style’s concerned.

Other tunes mix the formula further, with Memories Maze throwing in breaks at the start before unleashing some propulsive psy action; meanwhile Indigo goes for the full-on breakbeat action. And speaking of full-on, there’s bloody ‘buttrock’ guitar thrash in Variants, and when did this album suddenly get all fierce and nasty on us? The ramp in energy was so gradual, I hardly noticed it.

I knew AstroPilot was a good producer, but that was based off his Solar Walk material. I had no idea he could offer just as awesome yang to those albums’ yins. Get on Here And Now if you’ve even the slightest interest in psy music. Trust.