Monday, April 27, 2015

ACE TRACKS: August 2013

Huh. Spotify’s gone a little screwy after downloading one of their updates. Despite registering ~14,400 songs, my Local Files no longer show. Meh, serves me right for figuring a newer version of a Desktop app would somehow be better. There’ve been a few minor features that disappeared lately, though nothing as inconveniencing as this. I suppose it doesn’t make too much difference since most y’all couldn’t hear the missing tracks anyway. For a short Playlist such as AUGUST 2013’s, however, even having those songs in a track list would help some. Guess I’ll add them in whenever Spotify sorts their shit out.


Full track list here.

MISSING ALBUMS:
Various - High Karate
DJ John Kelley - High Desert Soundsystem
DJ John Kelley - High Desert Soundsystem 2 Various - Dirty Vegas: Homelands 2002 Preview
Various - Helsinki Mix Sessions: Jori Hulkkonen
William Orbit - Hello Waveforms
Various - Heroes! Rewind!!

Percentage Of Hip-Hop: 0%
Percentage Of Rock: 0%
Most “WTF?” Track: Daft Punk - Alive (how’d the end come so soon!?)

Vacation time already resulted in a lean month for reviews, but with half the albums covered not even available on Spotify makes for one very, very short Playlist. Remarkably, almost everything that made it is house music, and a rather specific sort at that. It’s like Frankie Knuckles, Daft Punk, and Hercules & Love Affair are kindred spirits in alphabetical coincidences. Even the tougher tech-trance from L.S.G., Trancesetters, and Jan Driver don’t sound out of place.

What obviously will though is that Hits Unlimited CD from 2 Unlimited. It seems Spotify finally has a version of the group’s greatest hits package available, so I’ve lumped it all at the end of the Playlist like the fanboy I am. There were also current remixes on it too, from the likes of Steve Aoki, Big Dawg, and Joachim Garraud. Naturally, I jettisoned them to the bin. Why make you suffer more than necessary?

Sunday, April 26, 2015

Various - Renaissance: The Masters Series Part 15 - James Zabiela

Renaissance: 2010

Maybe I should just go back to the beginning, those early seminal mixes that elevated James Zabiela into the progressive elite. Yet would I be let down by those too? There’s so much hype for Utilities, Sound In Motion and ALiVE, their legacy as essential contributions to progressive house/breaks/tech, I fear they can’t help but not live up to their praise. Were they just good for the time, or had ol’ Zabs’ earned enough good will with live shows and Sasha nods that they forgave whatever faults those CDs might have. They certainly can’t have that same sense of missed opportunities as his contributions to Renaissance’s Master Series have.

Let me repeat his CD1 mix from Part 12 remains a great collection of tunes, arranged with wonderful narrative flow; however, the whole package is undone by the hopelessly dated, drab techno of CD2. Part 15 is another double-disc set that would have benefitted from reducing it to one. In this case though, we’re dealing with two half-good mixes rather than one ace and one bunk.

Make no mistake, I was looking forward to hearing this one based on the tracklist alone. So many artists I enjoy, plus others I deeply respect despite not indulging their material as often. Like who, asks you, before knowing the imminent namedrop shall commence. There’s Gui Boratto, Robert Babicz, Guy J, Hardfloor, Spooky, Josh Wink, Kaito, Jori Hulkkanen, Siriusmo, Ellen Allien, Boys Noize, ASC, plus a chap by the name of Peter Benisch I’ve gushed all too often about. Part of what intrigued me about Part 15 was how Zabiela would arrange all these artists into a cohesive DJ set, and the answer is he barely does at all, mostly opting for the mixtape treatment of tracks instead. Okay, cool, I’m sure Zabiela’s got some great selections to showcase throughout the course of these runtimes. Ehh…

CD1, subtitled A Life Less Ordinary, suffers most from this, never gaining any traction until well over the half-way mark with a comfortable groove. Before that though, we run through dubby downbeat (Nosaj Thing’s Fog), clicky chill (Zabiela’s Burnt Bridges), shoegazey electro (R3volve’s Bootpacker Alpha), microfunk (ASC’s Porcelain), and acid-ragga breaks (Ruxpin’s A Sunrise). All cool music, but little connection between any of it beyond tunes Zabiela’s fond of, and the distracting, injected dialog snippets don’t help matter either (shame, because such recordings were also a plus in Part 12’s favor). Still, a strong finish for this disc, even if it’s thanks to Benisch’s Skymning pulling it forward (no bias!).

CD2, subtitled Afterlife, almost has a good start with some melodic Detroit techno (Vince Watson’s Long Way From Home, but is followed upon deep tech-house that has all the substance of a rice cracker. At least it isn’t plodding, and once Zabiela gets out of the fussy bloopiness of it all, he settles into an enjoyable proggy outing with a little acid funk thrown in. There, that wasn’t so hard. Why you no do that from the start?

Saturday, April 25, 2015

Amon Tobin - Out From Out Where

Ninja Tune: 2002

Out From Out Where marks a transitional period in Amon Tobin's career. I know this because that's what many ten year old reviews tell me, and I've no reason to disbelieve them. True, I should know this more intuitively than second-hand Wiki links, but my Tobin experience has thus far only been his earliest efforts for Ninja Tune. That leaves a near half-decade gap between Bricolage and this one, of which ol' Amon could have taken all sorts of weird and crazy musical tangents. No no, don't tell me what Supermodified and Permutation sound like, Dr. Spotify, I savour the mystery that still exists, music that I've yet to discover and properly take in with attentive ears. We need not know all the things all at once, right?

Thus, we jump a few years over the rest of Mr. Tobin’s ‘90s output, away from the jazz-fusion signifiers that won him plenty of plaudits. A little branching out never hurt anyone as talented as ol’ Amon, even if it was sometimes in weird ways (a field recordings album, really?). Out From Out Where seems less concerned with artistic endeavours though, going for something more accessible, with big nasty beats that the kids lap up in the streets.

Seriously, everyone going on about the awesomeness of glitch hop these days would cream their shorts after hearing the opening salvo of this album. There’s still more than enough micro-editing and beat stitching that’ll have your Squarepusher triggers flashing, but Tobin doesn’t go so braindancey in this outing, tracks coming off like turntable cut-ups as only capably performed by an arachnid DJ. Back From Space has funky bass licks, stuttering hip-hop rhythms, flanged-out string sections, and gnarly bass action. Verbal is a complete funk-hop stomp rock-out, including acoustic guitar strums, cannon-blast bass, cavernous percussion, and stitched in MCing. Chronic Tronic bounces along with drums and woodblocks echoing off huge halls, nasty low-end wobbles, vicious beat craft, and wonderfully contrasted with ethereal orchestral passages. Yes, that’s a thing, got’dang it, Amon Tobin’s made it so. He also makes my inner b-boy bust out some sick moves – if only my aging body could pull them off. *sigh*

The rest of Out From Out Where doesn’t reach the same thrill as the opening three provides, but does offer its share of mint material too. Cosmo Retro Intro Outro may as well be Tobin’s official “hey advertisers, here’s a track!” big beat offering, while Triple Science has him getting his drill ‘n’ bass on. Meanwhile, Hey Blondie has a little krautrock vibe going for it, and El Wraith shows the ill-fated illbient genre still had some life in it for the new millennium. The rest is the sort of trip-hop many associate with Ninja Tune with a little added Amon flair, though I understand why some might not be as impressed with such music since its well tread ground since the ‘90s. Whatever, it’s still great headphone tuneage. Pardon me as I go swagger down my street now.

Friday, April 24, 2015

Faithless - No Roots

Arista: 2004

Faithless had to know they needed a shakeup. The various members weren't feeling the synergy quite so strong as the years wore on, other pet projects taking their time away from being one of the biggest bands in the UK (huh, that sounds familiar). They had enough built-in good will with their fans that stretching their musical ability wouldn't alienate many anyway, so why not try something different while the opportunity was there? It's not like it'd abruptly end the group. Haha... eh, well...

Still, No Roots was popular enough, earning Faithless their first number one album on the UK charts. It’s mind-boggling that they never accomplished it with any previous LP. You’d think at least Sunday 8PM or even Outrospective would have climbed that high since those had much bigger singles in their favour (the group was still too ‘underground’ in their Reverence years). Generally speaking, Outrospective did have better success abroad, but most of the world had moved on from Faithless by 2004, whereas their native land still had much love for them (for a couple more years anyway).

No Roots may not have garnered the same mass appeal as their previous albums, but I wager this is Faithless’ best album-album after Sunday 8PM. Though the group dared to blend genres few others would in their previous LPs, their old formula was getting all too predictable. Here’s the trip-hop conscious track with Maxi Jazz. Here’s the Big Obvious Club Anthem. Here’s the world-weary folksy singer song. Here’s the Dido guest spot. Here’s the other Big Obvious Club Anthem. Here’s the other trip-hop conscious track with Maxi Jazz. Here’s the quirky track. Here’s the blissy instrumental. Hey, it was a very effective way to arrange an album, but doing the same thing three times in a row seems self-defeating for a group known for their dynamic musical abilities.

No Roots opts for a different, erm, route. You still have the same markers, but they’re blended into the flow of the album far more effectively. Heck, the entire record flows wonderfully between tracks, making the whole thing come off like one long song. Example: after the rousing build of I Want More (the first of the Big Club Anthem on here, though not as Obvious as prior hits), the drop into chipper, jazz-hoppy Love Lives On My Street is hardly forced, sounding as natural a follow-up as anything could. Another significant change to No Roots is the inclusion of LSK, providing an urban R&B croon in contrast to the khaki-clad style prior guest singers had (Jamie Catto, Boy George).

Elsewhere on the album, you get deep house (Sweep, Miss U Less, See U More), classy clubbier stuff (What About Love), acid ambient (Pastoral), and a little rock action too (Swingers) among the dependable trip-hop tracks. Plenty of reprisals throughout too, adding to the sense No Roots was designed with a full play-through in mind. Listen to a Faithless album in full? *gasp* No skipping to the hits for you, pal.

Wednesday, April 22, 2015

Cosmic Replicant - Mission Infinity

Altar Records: 2014

No, really, Altar Records is more than psy-chill compilations and AstroPilot albums. I know it doesn’t seem so if you’ve only learned about them through this lonesome blog in the backwaters of interwebland, but that’s because… Okay, for a good portion of their first couple years, Altar Records pretty much was psy-chill compilations and AstroPilot albums. It didn’t take long in branching out though, growing their roster of acts and expanding their offerings of ambient, dub, and, um, New Agey meditation music probably (some covers are suspect). They haven't strayed far from the scene that nurtured them, but considering their ridiculous rate of output (nearly triple digits in six years!), Altar's had plenty of opportunities taking a few chances outside their comfort zone.

Cosmic Replicant's one such act, another in what seems like an endless supply of Russian and Ukrainian producers involved in the psy scene in some way. Do they have breeding vats pumping out these guys in Eastern Europe or something? Mr. Pavel Shirshin's released a few albums on Altar already with this guise, Mission Infinity his third in a two year time span (there’s also a fourth self-released LP as well – geez, what a work rate). I haven't checked out the other two yet, and didn't know anything about Cosmic Replicant before buying this in my Altar splurge, if only to go through the blind purchase thrill even with a label I'm quite comfy with. If Mission Infinity's anything to go by though, I gotta' dig into those early efforts.


These tunes are some of the best, recent examples of the classic, bleepy ambient techno I’m always banging on about (obligatory Higher Intelligence Agency namedrop). Obviously these lean a little in psy’s direction, but primarily on the rhythmic front. Tracks like Overnight Journey, Perception Of Doors and Overnight Journey have that downtempo dub thing going for them, whereas latter tracks like Quantum Leap, Yesterday Tomorrow, and the titular cut wade into prog-psy’s waters. Other tracks though, like opener Flexible Minds and Waves Bubbles are totally old-school Bobby Bird.

It’s Cosmic Replicant’s choice of sounds that draws the strongest comparison though, synths, pads, acid, and samples harkening back to the days where ambient techno was more fascinated with space and the future. It’s not that this is a total retro homage either, the production quality as current as anything Altar’s put out – C.R.’s merely used plenty of vintage sounds as compliments to contemporary styles. And unlike the pure experimental tone of that Antendex album Photons (my last direct HIA comparison), Mr. Shirshin is intent upon writing proper pieces of music here, the sort that can take you on nice little journeys within your head. Mission Infinity isn’t quite so brilliant at as the masters of the craft, but it’s been a while since these particular pleasure centers have been tickled so wonderfully (obligatory Distant System namedrop). Do check Mission Infinity out if you’ve a little early ‘90s space-bleep ambient techno love kicking about.

Tuesday, April 21, 2015

Various - 6th Element (The Missing Elements)

Altar Records: 2011

Okay, now you're just milking your concept, Altar Records. Even going for a fifth was dubious, but the nebulous idea of a classical element that consists of ether or souls or whatever ('love'? Arrgh!) has enough traction within pop culture to allow it. A sixth though? I seriously can't even. What's this supposed to represent, the substance within hyperspace? The singularity centre of a black hole? The whiskers that makes up Evil Spock's beard? The last digit of pi?

I jest of course. A year after Altar wrapped up their Elements series, they released this download-only bonus of unreleased material that didn't make the cut for various reasons, hence Missing Elements as a subtitle (and why it's getting reviewed with the 'M's – t’was sorted that way). Normally such releases don't interest me, but since it came included with the purchase of the Elements set, here’s my six pennies' worth of opinion on 6th Element.

First off, holy cow, but do these ever sound 'unreleased'. Okay, under-produced is a better term, but that's only in comparison to the strong mixdown Altar typically provides on all its material. These feel like a layer’s cut off, or even missing an ele- *slaps self*.

What I mean is, the production quality isn’t that far removed from the sort of tunes you’d find on small sub-labels of Israeli psy trance in the mid-‘00s. Come to think of it, DJ Zen started out on one such label, Sunline Records (Quebec based), which was an offshoot of Kagdila Records (California based). I can’t say I’ve heard of anything from either print, so I’ve no idea whether their mixdown standards were up to snuff with the Twisteds and Ultimaes of the time. What I can tell you is when Zen went proper independent with Altar, he must have gotten his hands on Aes Dana’s notebook of mixdown techniques. No sense on spending that extra studio time on ‘unreleased’ material though.

So the production isn’t as exquisite as the rest of the Elements series, but there’s still some cool stuff on here. Zen gives AstroPilot’s Inside The Harmony an eighteen minute ethno-ambient remix, which may sound daunting, but the original off the Solar Walk album’s even longer! At the other end of 6th Element is Asura with a track that sounds like Vangelis at his poppier moments, suitably titled, um, Vangelis. Everything in between runs the usual gamut of psy dub, chill, and prog, from regular contributors like Zymosis, Tentura, and Chronos, to first-time outside helpers like Elea, Suduaya, and Dreaming Cooper (Lord Discogs lists this as his only credit!). And man, are there ever some corkers in this collection, tracks building as some of the best prog-psy goes. The fact these remain strong pieces of music even without extra engineering polish goes to show Zen’s surrounded himself with some incredibly talented people.

That said, I wouldn’t bother with 6th Element unless you’re already keen to Altar Records output. More a pleasant bonus to their main series, this one.

Monday, April 20, 2015

Moss Garden - In The Silence Of The Subconscious

Carpe Sonum Records: 2014

If you’re getting a sense of Namlook déjà-vu with that cover art, it’s deliberate on the Carpe Sonum’s part. Following Mr. Peter Kuhlmann’s death, many of his labels ended too, including several offshoots and cross-sea distributor partnerships. One of these, EAR/Rational, set up a short-term label called Carpe Sonum Records with the sole intent of releasing that tribute mega-boxset all you ambient lovers undoubtedly heard about and snagged up. Hell, are any of those left now? *checks* Holy cow, only three remaining? Bought! *whew* Almost missed out on that. Where was I now? Right, Carpe Sonum.

What began as a one-time effort has now evolved into a full-fledged label with the intent of carrying on Namlook’s legacy in the realm of ambient and chill. This includes the classic Fax +49-69/450464 art style, and even taking on a few latter-era FAX artists to their roster (Thomas P. Heckmann, Lorenzo Montanà, Mick Chillage). Carpe Sonum’s rounded up newer acts too, including this here Moss Garden.

Unfortunately, I’ve less background info available for this duo (and by “I”, I mean Lord Discogs and Prince Last.fm). One half is Lee Norris, who's released a pile of music across multiple labels and genres (mostly IDM stuff) as Metamatics over the last couple decades. The other half is Dimitar Dodovski, who's released far less material than Norris, and has stuck to the downtempo side of dub and techno. With plenty of crafty rhythmic skill behind them, naturally the two would find kinship in creating pure ambient music.

While I’ve gone on and on about the Namlook within this review, Moss Garden’s sophomore effort, In The Silence Of The Subconscious, has more in common with Biosphere’s brand of synthy drone. And no, it’s not just because the cover features a lone individual trekking across a snowy field, though that certainly wouldn’t be out of place on a Geir Jenssen release. Nay, the very nature of Moss Garden’s music has a chilly tone to it, delicate pads and timbre feeling like wide-open winter canvases. Even some track titles - Strange Terrain, Shadowland - conjure the desolate reaches of frozen tundra, though I could also be straining to find thematic links. Hey, maybe that’s why they’ve included a track called Daily Catachresis! Meanwhile, soft field recordings of winds, crackling footsteps, and static embers that dub techno types adore, add some warmth to an atmosphere that’s rather brisk.

So this is all very lovely, inviting ambient that never noodles too long or pointless dawdles about. Um... if I’m honest, I kinda’ wish these tracks did stretch themselves out a little longer. There’s only seven on Silent Subconscious, none of which break the ten minute mark – heck, most only average about five minutes, practically ‘skit’ length where ambient of this sort is concerned. Moss Garden’s style, though hardly unique, is still skilful enough they should indulge their synths a little longer. Ah well, maybe on the next LP they’ll feel emboldened enough to go for those truly epic Namlook lengths.

Saturday, April 18, 2015

Various - Fire

Altar Records: 2009

I'm sorry, but I just can't take anything with a simple title of Fire seriously anymore. It's The Prodigy's fault, you see. Yeah, you know what I'm talking about, and if you don't, that's only because you haven't heard that old track off Experience yet. Or you did, but were too addled on goofballs to remember it. Believe me though, should you hear The Prodigy's Fire, you'll never see that word the same way again, the corny call forever imprinted upon that part of the brain that plays music from within. What I wouldn't give to have that bit of cellular membrane surgically scooped out.

The reason for this totally unrelated intro is I've run out of background information to discuss regarding Altar Records' Elements series. Wait, this is your first click into my coverage of it? Well, then check out my review for Air. Or Earth. Or Ether. Or Water, when I eventually get to it in my alphabetical order and have to recap what this series was all about since ya’ll will have forgotten about it by then. Or you can take the plunge for these CDs too, gaining the same intimate knowledge of Altar Records’ early years as I have thus far gleaned in my crash course. But Fire, now my fourth review in this series in a week’s time, has nothing more to add in the discussion. Except the music!

Obviously there’d be differences between each volume – little point in making a theme-based compilation if you don’t take advantage of it. And while these various CDs maintain a loose connection to the element they’re tied to, they’ve all kept within the chill side of psy and dub, only occasionally upping the tempo into the realms of prog psy. Not so with Fire, the near entirety of its runtime devoted to the four-to-the-floor groove. Only (proper) opener Crossroads Limiter from Asura (widescreen acid chill) and psy dub closers from Ra and Uth (Tears Of Fire and Around The Sun In Seven Days, respectively – whoa, what sort of planet travels that fast?) break the mould, which makes good sense as your bookmark tracks.

It’s not pure prog psy from the get-go either, Tentura’s Resonance easing the listener in with a dubbier outing. It’s off to the morning vibes right after with Aquascape’s Phoenix Dance, with tracks by the now-regular Altar contributors all pitching in (AstroPilot, Zymosis, DJ Zen as Astral Waves, and Chronos – ah, hm, it may be a while before I get to him after all). The Zymosis track, Summer Twilight, is an interesting contribution too, going for the psy-breaks business that we don’t hear nearly enough of. C’mon, psy parties, your scene’s already suffering from staleness, and injecting other genres into your standards is a perfect way of spicing things up (no dubstep tho’).

Fire’s a good compilation to get your feet wet with Altar Records if you’re curious about their uptempo style. The best of Elements though? Nah, guy, I just reviewed that one, remember?

Friday, April 17, 2015

Harmonic 33 - Extraordinary People

Alphabet Zoo: 2002

Who exactly was responsible for this style of music getting so popular anyway? Groove Armada certainly had huge commercial success, and Röyksopp got a pile of praise too. Wasn’t AIR on this even sooner though? What even was the trigger that had the collective European chill-out market suddenly declare, “You know what needs coming back? Golden oldies easy listening pop jangles, now with funk and hip-hop!” It’s gotta’ be Gilles Peterson’s doing. He was all up in resurrecting the past, and getting Radio 1 airplay broadcasting his tastes to a broader audience incited producers at trying their hand at it. Not that I mind of course, but for a short while at the turn of the century, it seemed everyone was getting in on that retro-sunny ‘60s pop-soul, or whatever the stuff was called back in the day. The past is always better, yo’.

Let’s assume Mark Pritchard’s foray into that style was more coincidence than bandwagon jump, that he simply felt a similar itch when a whole pile of other folks did. It wouldn’t surprise me in the least if he’d been sitting on ideas for Harmonic 33 for a while, even while doing all that seminal work in the ‘90s with Tom Middleton (Global Communication, Jedi Knights, Secret Ingredients). His output and collaborations (Dave Brinkworth in this case) since the start of the 21st Century points more to a love all things urban and modern, and though the tunes off Extraordinary People takes melodic cues from ‘60s, this is very much an album where contemporary beats dominate.

And hot damn, are some of these rhythms ever dope. They aren’t any more complex than what you’d expect out of typical Ninja Tune, but each unleashes the wormiest little shuffle that it’s impossible not getting your strut on. Plus, that bass, mang! I don’t know if it was sampled or synthesized, but many of these tracks contain one of the grooviest, cavernous cellos I’ve ever heard in jazz-influenced hip-hop, and is a total treat with strong playback options (I dare even the most jaded sod not bob their shoulders in Where Have They Gone). Adding to the funky business is Danny Breaks with occasional turntable scratches, though he doesn’t go as abstract as others do. A point of contention though: these tracks need an MC. A good chunk of them come off like conscious rap instrumentals, and while it doesn’t detract from the whole, it does take some warming up to Pritchard’s style, like it’s missing a critical component.

Back to the pluses in this album’s favor, nothing is taken too seriously, a light-hearted bounce running throughout. Even when a track goes for a melancholic vibe (The Rain Song, Underwater Lady, Kaleidoscope) or psychedelic weird (Extraordinary People, Exotica), they’re nicely contrasted with spritely pianos, light xylophones, or rugged basslines (seriously, that cello!). This is ‘60s easy-listening soul as remembered with the rosiest of tinted glasses, so if you need bitters in your margaritas, I wouldn’t bother buying this CD.

Thursday, April 16, 2015

Various - Ether

Altar Records: 2010

The fifth element is ether? Was this officially sanctioned by the Ancient Old-Timey Classical Hold-Outs Consortium? I mean, it's definitely a better option than 'love' or 'heart', but what's ether supposed to represent? Spirit and soul? Immaterial ghosts and energy beings? Neutrinos and positrons? Whatever the Hell cosmic foam is supposed to be? Maybe it’s that pseudo fourth state matter can exist as, plasma. However you logically justify ether being an element, in the case of Altar Records’ Elements series, it’s just an excuse to worm in a fifth CD as a cap to the enterprise. And thank God’s ether blood they did, because this just might be the best of them all.

Without spoiling the other two editions much (Fire and Water, obviously), this compilation series does maintain a solid streak throughout. There's exotic instrumentation, trancey synths and pads, psychedelic sound effects that owe plenty to Shpongle's influence, moments of proggy groove (or nearly a full run-through, in one CD’s case), and more than enough ethnic dub that even Megadog should feel weak in the knees. Nothing ever sounds cheap or forced, seldom ever pointlessly overproduced, and flits between enough variations of the style to keep each CD engaging from front to back. However, this is all still quite standard stuff as psy-chill goes, which isn't that surprising as Altar head DJ Zen and his gathered roster grew within the scene itself. It does make a difference coming in from different music backgrounds though, as the Mighty Ultimae attests to.

Ether does right in shaking free of those tropes, though obviously not completely. Altar simply wasn’t established enough to go plucking artists from dub techno labels and the like, nor do I get the sense DJ Zen’s too interested in doing so. Still, what we do get here though gets me all atwitter.

First, the psy dub to open. Yeah, nothing terribly new there even for a 2010 release, but Mr. Peculiar’s Ancient Tribes has some gnarly world beat vibes going for it. Then AstroPilot show up with Answers, and it’s an utterly lush, ethereal piece of Balearic bliss. Shortly following that is Distant System with an exclusive track, Astral Map Error. *squeeee* You already know I’ll praise this kick-ass slice of spacey prog psy, but I dare say this standalone is better than nearly every cut off Spiral Empire.

The sci-fi nature of Distant System isn’t a one-shot on Ether either (read it out loud, you know you want to!). Tentura’s Free Your Mind and E-Mantra’s Emptiness skew in this direction as well, adding an extra dimension to the Elements series after being so generally grounded (though Air did have its floating moments too). In case space doesn’t project your consciousness high enough though, Ether closes out with Asura’s epic Everlasting. That track’s appeared in a couple places now, including last year’s Radio Universe, but it was on this CD first, and a perfect conclusion to a fine series of compilations. Upper astral waits.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract Abstrakce Records AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acid trance acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Aesthetical Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antares Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arctic Hospital Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts As If ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. The Prince Of Rap B°TONG B12 Babygrande Balance Balanced Records Balearic ballad Bålsam Banco de Gaia Bandulu Barker & Baumecker Battle Axe Records battle-rap Bauri Beastie Boys Beat Buzz Records Beat Pharmacy Beatbox Machinery Beats & Pieces bebop Beck Bedouin Soundclash Bedrock Records Beechwood Music Ben Sims Benny Benassi Bent Benz Street US Berlin-School Beto Narme Beyond bhangra Bicep big beat Big Boi Big Dada Recordings Big L Big Life Bill Hamel Bill Laswell Bill Leeb BIlly Idol BineMusic BioMetal Biophon Records Biosphere Bipolar Music BKS Black Hole Recordings black metal black rebel motorcycle club Black Swan Sounds Blanco Y Negro Blasterjaxx Bleep Blend Blood Music Blow Up Blue Amazon Blue Hour Blue Öyster Cult blues blues rock Bluescreen Bluetech BMG Boards Of Canada Bob Dylan Bob Marley Bobina Bogdan Raczynzki Bombay Records Bone Thugs-N-Harmony Boney M Bong Load Records Bonobo Bonzai Boogie Down Productions Booka Shade Boom Boom Satellites Botchit & Scarper Bows Boxed Boys Noize Boysnoize Records BPitch Control braindance Brandt Brauer Frick Brasil & The Gallowbrothers Band breakbeats breakcore breaks Brian Eno Brian Wilson Brick Records Britpop Brodinski broken beat Brooklyn Music Ltd brostep Bryan Adams BT Bubble Buffalo Springfield Bulk Recordings Burial Burned CDs Bursak Records Bush Busta Rhymes Buttertones bvdub C.I.A. Calibre calypso Canibus Canned Resistor Canopy Of Stars Capitol Records Capsula Captain Hollywood Project Captured Digital Carbon Based Lifeforms Caribou Carl B Carl Craig Carlos Ferreira Carol C Caroline Records Carpe Sonum Novum Carpe Sonum Records Castroe Casual Cat Sun CD-Maximum Ceephax Acid Crew Celestial Dragon Records Cell Celtic Centaspike Cevin Fisher Cheb i Sabbah Cheeky Records chemical breaks Chihei Hatakeyama Children Of The Bong chill out chill-out chiptune Chris Duckenfield Chris Fortier Chris Korda Chris Liebing Chris Sheppard Chris Witoski Christmas Christopher Lawrence Chromeo Chronos Chrysalis Ciaran Byrne cinematic soundscapes Circle of Pines Circular Ciro Berenguer Cirrus Cities Last Broadcast City Of Angels CJ Stone Claptone classic house classic rock classical Claude VonStroke Claude Young Clear Label Records Clementz Cleopatra Cloud 9 Club Culture Club Cutz Club Tools Cocoon Recordings Cold Spring Coldcut Coldplay coldwave Colette collagist Columbia Com.Pact Records Coma Eye comedy Compilation Comrie Smith Congo Natty Conjure One Connect.Ohm conscious Control Music Convextion Cooking Vinyl Cor Fijneman Corderoy Cosmic Gate Cosmic Replicant Cosmo Cocktail Cosmos Studios Cottonbelly Council Estate Electronics Council Of Nine Counter Records country country rock Covert Operations Recordings Craig Padilla Craig Richards Crazy Horse Cream Creamfields Creedence Clearwater Revival Crockett's Theme Crosby Stills And Nash Crossing Mind Crosstown Rebels crunk Cryo Chamber Cryobiosis Cryogenic Weekend Cryostasis Crystal Moon Cube Guys Culture Beat Curb Records Current Curve cut'n'paste CYAN Cyan Music Cyber Productions CyberOctave Cyclic Law Cygna Cymphonica Cypher 7 Cypress Hill Cyril Secq Czarface D York D-Bridge D-Fuse D-Topia Entertainment Daar Dacru Records Daddy G Daft Punk Dag Rosenqvist Damian Lazarus Damon Albarn Damon Wild Dan Terminus Dan The Automator Dance 2 Trance Dance Pool Dance With The Dead dancehall Daniel Heatcliff Daniel Lentz Daniel Pemberton Daniel Wanrooy Danny Howells Danny Tenaglia Dao Da Noize Daphni dark ambient dark disco dark psy darkcore darkside darkstep darksynth darkwave Darla Records Darren Emerson Darren McClure Darren Nye DAT Records Databloem dataObscura David Alvarado David Bickley David Bridie David Cordero David Guetta David Morley DDR De-tuned Dead Coast Dead Melodies Deadmau5 Death Grips death metal Death Row Records Decimal Deconstruction Dedicated Deejay Goldfinger Deep Dish Deep Forest deep house deep tech Deeply Rooted House Deepwater Black Deetron Def Jam Recordings Del Tha Funkee Homosapien Delerium Delsin Deltron 3030 Denshi Danshi Depeche Mode Der Dritte Raum Derek Carr Detroit Deviant Records Devin Underwood Devroka Deysn Masiello DFA DGC diametric. Dido Dieselboy Different DigiCube Dillinja Dirk Serries dirty house Dirty South Dirty Vegas Dis Fig disco Disco Gecko disco house Disco Pinata Records disco punk Discover (label) Disky Disques Dreyfus Distant System Distinct'ive Breaks Disturbance Divination DJ 3000 DJ Brian DJ Craze DJ Dag DJ Dan DJ Dean DJ Gonzalo DJ Heather DJ John Kelley DJ John Storm DJ Merlin DJ Mix DJ Moe Sticky DJ Observer DJ Premier DJ Q-Bert DJ Shadow DJ Soul Slinger DJ-Kicks Djen Ajakan Shean DJMag DMC DMC Records Doc Scott Dogon Dogwhistle Dooflex Doom Poets Dopplereffekt Dossier Dousk downtempo dowtempo Dr. Alban Dr. Atmo Dr. Dre Dr. Hook & The Medicine Show Dr. Octagon Dragon Quest dream house dream pop Dreamworks DreamWorks Records Drexciya drill 'n' bass Dronarivm drone Dronny Darko drum 'n' bass DrumNBassArena drumstep drunken review dub Dub Pistols dub techno Dub Trees Dubfire dubstep Dubtribe Sound System DuMonde Dune Dusted Dyadik Dynatron E-Mantra E-Z Rollers Eardream Music Earth Earth Nation Earthling Eastcoast Eastcost Eastern Dub Tactik EastWest Eastworld Eat Static EBM Echodub Ed Rush & Optical Editions EG EDM World Weekly News Ektoplazm Electric Universe electro Electro House Electro Sun electro-funk electro-pop electroclash Electronic Dance Essentials Electronic Music Guide Electrovoya Elektra Elektrolux Ellen Allien em:t EMC update EMI Emiliana Torrini Eminem Emmerichk Emperor Norton Empire enCAPSULAte Encym Engine Recordings Enigma Enmarta Ensiferum Enya EP Epic epic trance EQ Recordings Equal Stones Erased Tapes Records Eric Borgo Erik Vee Erol Alkan Erot Escape Esko Barba Esoteric Reactive Espacio Cielo ethereal Etic Etnica Etnoscope Euphoria euro dance eurodance eurotrance Eurythmics Eve Records Everlast Ewan Pearson Exitab experimental Eye Q Records Ezdanitoff F Communications Fabric Facture Fade Records Faex Optim Faint Faithless Falcon Reekon Fallen False Mirror fanfic Fantastisizer Fantasy Enhancing faru Fatboy Slim Fax +49-69/450464 Fear Factory Fedde Le Grand Fehrplay Feist Fektive Records Felix da Housecat Fennesz Ferry Corsten FFRR Fictivision field recordings Filter Filteria filters Final Fantasy Firescope Five AM Fjäder Flashover Recordings Floating Points Flowers For Bodysnatchers Flowjob Fluke Fluxion Flying Lotus folk Fontana footwork Force Intel Fountain Music Four Tet FPU Frame Frame Of Mind Francis M Gri Franck Vigroux Frank Bretschneider Frankie Bones Frankie Knuckles Frans de Waard Fred Everything freestyle French house Front Line Assembly Frou Frou fsoldigital.com Fugees full-on Fun Factory Function funk future garage Future Sound Of London Futuregrapher futurepop g-funk G-Prod gabber Gabriel Le Mar Gaither Music Group Galaktlan Galati Gang Starr gangsta garage Gareth Davis Gary Martin Gas Gasoline Alley Records Gee Street Geffen Records Gel-Sol Genesis Geometry Combat George Issakidis Gerald Donald Gerd Get Physical Music GGGG ghetto Ghostface Killah Ghostly International Glacial Movements Records glam Gliese 581C glitch Glitch Hop Global Communication Global Underground Globular goa trance Goasia God Body Disconnect God's Groove Gorillaz gospel Gost goth Grammy Awards Gravediggaz Green Bay Wax Green Day Grey Area Greytone Gridlock grime Groove Armada Groove Corporation Grooverider grunge Guru Gustaf Hidlebrand Gusto Records GZA H:U:M H2O Records Haddaway Halgrath happy hardcore hard house hard rock hard techno hard trance hardcore Hardfloor Hardly Art hardstyle Harlequins Enigma Harmless Harmonic 33 Harmonic Resonance Recordings Harold Budd Harthouse Harthouse Mannheim Havoc Hawtin Headphone Hearts Of Space Hed Kandi Hefty Records Helen Marnie Hell Hercules And Love Affair Hernán Cattáneo Herne Hexstatic Hi-Bias Records Hic Sunt Leones Hide And Sequence Hiero Emperium Hieroglyphics High Contrast High Note Records Higher Ground Higher Intelligence Agency Hilyard hip-hop hip-house hipno Hollywood Burns Home Normal Honest Jon's Records Hooj Choons Hope Records horrorcore Hospital Records Hot Chip Hotflush Recordings house Howie B Huey Lewis & The News Human Blue Humanoid Hybrid Hybrid Leisureland Hymen Records Hyperdub Hypertrophy Hypnotic Hypnoxock I Awake I-Cube i! Records I.F. I.F.O.R. I.R.S. Records Iboga Records Icarus Music Ice Cube Ice H2o Records ICE MC IDM Iempamo Ignis Fatum Igorrr Ikjoyce illbient ILUITEQ Imba Imogen Heap Imperial Dancefloor Imploded View In Charge In The Face Of In Trance We Trust Incoming Incubus Indica Records indie rock Indisc Industrial Infastructure New York Infected Mushroom Infinite Guitar influence records Infonet Inhmost Ink Midget Inner Ocean Records Innovative Leisure Records Insane Clown Posse Inspectah Deck Instinct Ambient Instra-Mental Intellitronic Bubble Inter-Modo Interchill Records Internal International Deejays Gigolo Interscope Records Intimate Productions Intuition Recordings ISBA Music Entertainment Ishkur Ishq Island Def Jam Music Group Island Records Islands Of Light Italians Do It Better italo disco italo house Item Caligo J-pop Jack Moss Jackpot Jacob Newman Jafu Jake Stephenson Jam and Spoon Jam El Mar James Blake James Holden James Horner James Lavelle James Murray James Zabiela Jamie Jones Jamie Myerson Jamie Principle Jamiroquai Javelin Ltd. Jay Haze Jay Tripwire Jaydee jazz jazz dance jazzdance jazzstep Jean-Michel Jarre Jeannine Sculz Jefferson Airplane Jerry Goldsmith Jesper Dahlbäck Jesse Rose Jessy Lanza Jimmy Van M Jiri.Ceiver Jive Jive Electro Jliat Jlin JMJ Joel Mull Joey Beltram John '00' Fleming John Acquaviva John Beltran John Digweed John Graham John Kelly John O'Callaghan John Oswald John Shima John Tejada Johnny Cash Johnny Jewel Jon Hester Jonny L Jori Hulkkonen Joris Voorn Jørn Stenzel Josh Christie Josh Wink Journeys By DJ™ LLC Joyful Noise Recordings Juan Atkins juke Jump Cut jump up Jumpin' & Pumpin' jungle Junior Boy's Own Junkie XL Juno Reactor Jupiter 8000 Jurassic 5 Justin Timberlake Ka-Sol Kaico Kay Wilder KDJ Keith Farrugia Ken Ishii Kenji Kawai Kenny Glasgow Keoki Keosz Kerri Chandler Kevin Braheny Kevin Yost Kevorkian Records Khetzal Khooman Khruangbin Ki/oon Kid Koala Kiko Killing Joke Kinder Atom Kinetic Records King Cannibal King Midas Sound King Tubby Kiphi Kitaro Klang Elektronik Klaus Schulze Klik Records KMFDM Koch Records Koichi Sugiyama Kolhoosi 13 Komakino Kompakt Kon Kan Kontor Records Kool Keith Kozo Kraftwelt Kraftwerk Krafty Kuts Kranky krautrock Kriistal Ann Krill.Minima Kris O'Neil Kriztal KRS-One Kruder and Dorfmeister Krusseldorf Krystian Shek Kubinski KuckKuck Kulor Kurupt Kwook L.B. Dub Corp L.S.G. L'usine La Luz Lab 4 Ladytron LaFace Records Lafleche Lamb Lange Lantern Large Records Lars Leonhard Laserlight Digital LateNightTales Latin Laurent Garnier Layer 3 LCD Soundsystem Le Moors Leaf Leama and Moor Lee 'Scratch' Perry Lee Burridge Lee Norris Leftfield Leftfield Records Legacy Legiac Legowelt Lemony Records Leon Bolier Les Disques Du Crépuscule LFO Life Enhancing Audio Linear Labs Lingua Lustra Lionel Weets Liquid Frog Records liquid funk Liquid Sound Design Liquid Stranger Liquid Zen Literon Live live album LL Cool J lo fi Loco Dice Lodsb LoFi Logan Sama Logic Records London acid crew London Classics London Elektricity London Records 90 Ltd London-Sire Records LongWalkShortDock Loop Guru Loreena McKennitt Lorenzo Masotto Lorenzo Montanà loscil Lost Language Lotek Records Loud Records Louderbach Loverboy Lowfish Luaka Bop Lucette Bourdin Luciano Luke Slater Lunarian Records Lustmord M_nus M.A.N.D.Y. M.I.K.E. Mack 10 Madonna Magda Magicwire Magik Muzik Mahiane Mali Malignant Records Mammoth Records Mantacoup Marc Simz Marcel Dettmann Marcel Fengler Marco Carola Marco V Marcus Intalex Mark Farina Mark Norman Mark Pritchard Markus Schulz Marshmello Martin Allin Martin Cooper Martin Nonstatic Märtini Brös Martyn Marvin Gaye Maschine Massimo Vivona Massive Attack Masta Killa Master Margherita Masterboy Matthew Dear Max Graham maximal Maxx MCA MCA Records McProg Meanwhile Meat Loaf Median Project Medicine Label Meditronica Melusine Records Memex Menno de Jong Mercury Merr0w Mesmobeat metal Metal Blade Records Metamatics Method Man Metro Area Metroplex Metropolis MF Doom Miami Bass Miami Beach Force Miami Dub Machine Michael Brook Michael Jackson Michael Mantra Michael Mayer Michael Stearns Mick Chillage micro-house microfunk Microscopics MIG Miguel Migs Mike Saint-Jules Mike Shiver Miktek Mille Plateaux Millennium Records Mind Distortion System Mind Over MIDI mini-CDs minimal minimal tech-house minimalism Ministry Of Sound miscellaneous Misja Helsloot Miss Kittin Miss Moneypenny's Mistical Mixmag Mixmaster Morris Mo Wax Mo-Do MO-DU Moby Model 500 modern classical Modeselektor Mohlao Moist Music Moljebka Pvulse Moodymann Moonshine Morgan Morphic Resonance Morphology Moss Covered Technology Moss Garden Motech Motionfield Motorbass Mount Shrine Move D Moving Shadow Mr. Scruff Mujaji Murk Murmur Mushy Records Music link Music Man Records musique concrete Mutant Sound System Mute MUX Muzik Magazine My Best Friend Mystery Tape Laboratory Mystica Tribe Mystified N-Trance Nacht Plank Nadia Ali Nano Records Napalm Records Nas Nashville Natural Life Essence Natural Midi Nature Sounds Naughty By Nature Nav Bhinder Nebula Nebula Meltdown Nebulae Records Neil Young Nelly Furtado Neo Ouija Neo-Adventures Neogoa Neon Droid Neotantra Neotropic nerdcore Nervous Records Nettwerk Neurobiotic Records neurofunk Neuropa Records New Age New Beat New Jack Swing New Order new wave Nic Fanciulli Nick Höppner Night Hex Night Time Stories Nightmares On Wax Nightwind Records Nimanty Nine Inch Nails Ninja Tune Nirvana nizmusic No Mask Effect Nobuo Uematsu noise Noise Factory Records Nomad Nonesuch Nonplus Records Nookie Nordic Trax Norken Norman Cook Norman Feller North South Northumbria Not Now Music Nothing Records Nova NovaMute NRG Ntone nu-italo nu-jazz nu-metal nu-skool Nuclear Blast Nuclear Blast Entertainment Nulll Nunc Stans Nurse With Wound NXP Nyquist Oasis Ocelot Octagen Offshoot Offshoot Records Ol' Dirty Bastard Olan Mill Old Europa Cafe old school rave Ole Højer Hansen Olga Musik Olien Oliver Lieb Olivier Orand Olsen OM Records Omni Music Omni Trio Omnimotion Omnisonus On Delancey Street One Little Indian Onyx Oophoi Oosh Open Open Canvas Opium Opus III orchestral Original TranceCritic review Origo Sound Orkidea Orla Wren Ornament Ostgut Ton Ott Ottsonic Music Ouragan Out Of The Box OutKast Outmosphere Records Outpost Records Overdream Owl P-Ben Pale Glow Paleowolf Pan Sonic Pantera Pantha Du Prince Paolo Mojo Parental Advisory Parlaphone Part-Sub-Merged Pascal F.E.O.S. Past Inside The Present Patreon Patrick Dream Paul Moelands Paul Oakenfold Paul van Dyk Pendulum Pentatonik Perfect Stranger Perfecto Perturbator Pet Shop Boys Petar Dundov Pete Namlook Pete Tong Peter Andersson Peter Benisch Peter Broderick Peter Gabriel Peter Tosh Phantogram Phonothek Photek Phutureprimitive Phynn PIAS Recordings Pinch Pink Floyd Pioneer Pitch Black PJ Harvey Plaid Planet Dog Planet Earth Recordings Planet Mu Planetary Assault Systems Planetary Consciousness Plastic City Plastikman Platinum Platipus Pleq Plump DJs Plunderphonic Plus 8 Records PM Dawn Poker Flat Recordings Polar Seas Recordings Pole Folder politics Polydor Polytel pop Popular Records Porya Hatami positivesource post-dubstep post-punk power electronics Prince Prince Paul Prins Thomas Priority Records Private Mountain Procs Profondita prog prog metal prog psy prog rock prog-psy progress house Progression progressive breaks progressive house progressive rock progressive trance Prolifica Proper Records Prototype Recordings protoU Pryda psy chill psy dub Psy Spy Records psy trance psy-chill psy-dub psychedelia Psychick Warriors Ov Gaia Psychomanteum Psychonavigation Psychonavigation Records Psycoholic Psykosonik Psysolation Public Enemy Pulse-8 Records punk punk rock Pureuphoria Records Purl Purple Soil Push PWL International Q-Burns Abstract Message Quadrophonia Quality Quango Quantic Quantum Quinlan Road R & S Records R'n'B R&B Ra Rabbit In The Moon Radio Slave Radioactive Radioactive Man Radiohead Rae Raekwon ragga Rainbow Vector raison d'etre Raja Ram Ralf Hildenbeutel Ralph Lawson RAM Records Randal Collier-Ford Random Review Rank 1 rant Rapoon RareNoise Records Ras Command Rascalz Raster-Noton Ratatat Raum Records rave RCA React Rebecca & Nathan Recycle Or Die Red Fog Red Jerry Redman Refracted reggae ReKaB REKIDS remixes Renaissance Renaissance Man Rephlex Reprise Records Republic Records Res Resist Music Restless Records RetroSynther Reverse Alignment Reverse Pulse Rhino Records Rhys Fulber Ricardo Villalobos Richard Durand Richard Stonefield Riley Reinhold Ringo Sheena Rising High Records RnB Roadrunner Records Robert Hood Robert Miles Robert Oleysyck Robert Rich Roc Raida rock rock opera rockabilly rocktronica Roger Sanchez ROIR Rollo Roman Ridder Rough Trade Rub-N-Tug Ruben Garcia Rudy Adrian Ruffhouse Records Rumour Records Running Back Ruptured World Ruthless Records RX-101 Rykodisc RZA S.E.T.I. Saafi Brothers Sabled Sun Sacred Seeds SadGirl Saitoh Tomohiro Sakanaction Salt Tank Salted Music Salvation Music Samim Samora sampling Samurai Red Seal Sanctuary Records Sander van Doorn Sandoz Sandwell District SantAAgostino Saphileaum Sarah McLachlan Sash Sasha Saul Stokes Scandinavian Records Scann-Tec sci-fi Science Scooter Scott Grooves Scott Hardkiss Scott Stubbs Scuba Seán Quinn Seaworthy Segue Sense Sentimony Records Sequential Seraphim Rytm Setrise Seven Davis Jr. Sghor sgnl_fltr Shackleton Shaded Explorations Shaded Explorer Shadow Records Sharam Shawn Francis shoegaze Shpongle Shuta Yasukochi Si Matthews Side Effects SideOneDummy Records Sidereal Signature Records SiJ Silent Season Silent Universe Silentes Silentes Minimal Editions Silicone Soul silly gimmicks Silver Age Simian Mobile Disco Simon Berry Simon Heath Simon Posford Simon Scott Simple Records Sinden Sine Silex single Single Gun Theory Sire Records Company Six Degrees Sixeleven Records Sixtoo ska Skanfrom Skare Skin To Skin Skua Atlantic Slaapwel Records Slam Sleep Research Facility Slinky Music Slowcraft Records Sly and Robbie Smalltown Supersound SME Visual Works Inc. SMTG Limited Snap Sneijder Snoop Dogg Snowy Tension Pole soft rock Soiree Records International Solar Fields Solaris Recordings Solarstone Soleilmoon Recordings Solieb Solieb Digital Solipsism Soliquid Solstice Music Europe Solvent Soma Quality Recordings Songbird Sony Music Entertainment SOS soul Soul Temple Entertainment soul:r Souls Of Mischief Sound Of Ceres Sound Synthesis Soundgarden Sounds From The Ground soundtrack southern rap southern rock space ambient Space Dimension Controller space disco Space Manoeuvres space music space synth Spacetime Continuum Spaghetti Recordings Spank Rock Special D Specta Ciera speed garage Speedy J SPG Music Sphäre Sechs Spicelab Spielerei Spinefarm Records Spiritech spoken word Sport Spotify Suggestions Spotted Peccary Spring Hill SPX Digital Spy vs Spice Squarepusher Squaresoft Stacey Pullen Stanton Warriors Star Trek Stardust Statrax Stay Up Forever Stealth Sonic Recordings Stephanie B Stephen Kroos Stereo Raptor Stereolab Steve Angello Steve Brand Steve Lawler Steve Miller Band Steve Porter Steven Rutter Stijn van Cauter Stimulus Timbre Stone Temple Pilots Stonebridge Stormloop Stray Gators Street Fighter Stuart McLean Studio K7 Stylophonic Sub Focus Subharmonic Sublime Sublime Porte Netlabel Subotika Substance Subtle Shift Suction Records Suduaya Suicide Squeeze SUN Project Sun Station Sunbeam Sunday Best Recordings Sunscreem Suntrip Records Supercar Superstition surf rock Susumu Yokota Sven van Hees Sven Väth SVLBRD Swayzak Sweet Trip swing Switch Swollen Members Sykonee Survey Sylk 130 Symmetry Synaptic Voyager Sync24 Synergy Synkro synth pop synth-pop synthwave System 7 Taboo Tactic Records Take Me To The Hospital Tall Paul Tammy Wynette Tangerine Dream Tau Ceti Taylor Taylor Deupree Tayo tech house Tech Itch Digital Tech Itch Recordings tech-house tech-step tech-trance Technical Itch techno technobass Technoboy Tectonic Telefon Tel Aviv Telstar Terminal Antwerp Terra Ferma Terror Cell Terry Lee Brown Jr Tetsu Inoue Textere Oris The 13th Sign The Angling Loser The B-52's The Beach Boys The Beatles The Black Dog The Boats The Brian Jonestown Massacre The Bug The Chemical Brothers The Circular Ruins The Clash The Council The Cranberries The Crystal Method The Digital Blonde The Dust Brothers The Field The Frozen Vaults The Gentle People The Glimmers The Green Kingdom The Grey Area The Grid The Hacker The Herbaliser The Human League The Irresistible Force The KLF The Micronauts The Misted Muppet The Movement The Music Cartel The Null Corporation The Oak Ridge Boys The Offspring The Orb The Police The Prodigy The Real McCoy The Roots The Sabres Of Paradise The Shamen The Sharp Boys The Sonic Voyagers The Squires The Stills-Young Band The Stray Gators The Tea Party The Tragically Hip The Velvet Underground The Wailers The White Stripes The Winterhouse themes Thievery Corporation Third Contact Third World Tholen Thrive Records Tiefschwarz Tierro Cosmico Tiësto Tiga Tiger & Woods Tijuana Panthers Timbaland Time Life Music Time Warp Timecode Timestalker Tineidae Tipper Tobias Tocadisco Todd Terje Toki Fuko Tom Middleton Tom Tom Club Tomas Jirku Tomita Tommy '86 Tommy Boy Ton T.B. 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