Friday, May 15, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD7)

Carpe Sonum Records: 2014

Seven discs in, and one thing’s remarkably never faltered throughout this whole box-set: music quality. I’d expect nothing less from the first half, where musicians with tons of experience and skill made up the bulk – even the weird, abstract ones were interesting on a conceptual level. I won’t deny having some hesitation before diving into this back-half though, what with so many unfamiliar names to my eyes. When further sleuthing of Die Welt Ist Klang revealed a number of these acts were contributing music for the first time (as Lord Discogs has decreed), I suspected some dip in craftsmanship had to arise. Yet here we are, CD seven of eight, and nary a drop. This consistently high quality of music wasn’t some fluke of chance with submissions though; rather, it was culled by way of voting, with the crème of the crop arriving at the top. Can’t find much fault with that process. Maybe a bit too ‘homage’ compared to the originality of the first four discs, but then that’s the point of these last four discs anyway, so no blame.

That all said, I must admit the ‘listening fatigue’ did start settling in by CD7. It isn’t as bad as I suffered with The Electro Compendium - after seventy tracks of nothing but sinister electro, I felt like a robot. Die Welt Ist Klang holds my sanity enough through some diversity of genres, though given this is a Pete Namlook tribute, even that only goes so far. Mr. Kaulmann was known for a certain sound throughout his career, and by g’ar these producers are gonna’ honor that legacy, even if it means grinding the same general tone for a few hours’ worth of music. If you’re only now joining my OCD coverage of this box set, do unlike I and only listen to these CDs in occasional spurts, not all at once. You’ll appreciate these tunes more. Now, onto CD7.

Oh man, there’s more fun stuff here! Once again, the tempo is given an additional nudge, opening with a chipper ambient breaks beast running thirteen minutes in length (almost progressive breaks, really). It’s followed with a similar, subdued tune from Si Matthews, then goes total old-school trance on Music Hypnotizes from Gianni Parrini & Twoplusone! Okay, the rhythm’s more prog, but that high-pitched synth hook is right out of German trance’s playbook of 1993. It’s cheesy, but man does it ever tickle that nostalgia lobe – no surprise these guys are from that era.

In fact, quite a few names on CD7 have a wealth of material listed at Lord Discogs (Johan Agebjörn, Interconnected, Autumus) along with relative newcomers (Sven Kössler, Suit & Tie Guy), all offering variations of electro, chilled-out IDM, and ambient techno. Special mention must be made to Michael Brückner though, who’s apparently self-released around one-hundred albums of ambient and Berlin-School synth works in the last two decades! Holy cow, talk about a kindred spirit to Namlook. Get this man his own deserved box-set.

Thursday, May 14, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD6)

Carpe Sonum Records: 2014

Ambient’s about the journey, but sometimes it’s nice knowing where we’re going too. I’m a busy guy, and though the local gardens are pleasant diversions, this hair ain’t gonna’ cut itself. Thus, we leave the meandering synth works of CD5, and unto CD6, where there’s all manner of barber shops. Gosh, that was a strained metaphor. I think my subconscious is telling me something. Ah yes, my coif doth needs a cut. Also, coming up with new ways of starting each of these reviews for Die Welt Ist Klang is getting ever more difficult. By the end of this one, I’ll have spent three-thousand words detailing this box set, with another two CDs to go. Unless there’s an individual even more obsessive than I spending the same amount of words on each individual track, you’re likely not finding a lengthier review of Pete Namlook’s tribute. At what point does this venture turn into ‘quantity-over-quality’ though? Maybe it already has, given the opening of this paragraph.

Anyhow, as was the case with the first half, the back half of Die Welt Ist Klang opts for a gradual increase in tempo. Unlike CD2, however, things get rather brisk in CD6, even entering trance’s domain by track six! And no, this isn’t like earlier in the box set, where trance was more hinted than executed. Steve Hanlon’s Freefloating has the burbling acid, arpgeggios, hypnotic pads, and simple rhythms that earned many an old-school track duty on trance compilations. Following that, VAAST’s Syzygy has many similar attributes, while including other touches like soft, dubby atmospherics and gentle piano flourishes. And following that, Mia Rischmann’s Travels strips things down to a subtle, trance pulse that wouldn’t sound out of place on an old Laurent Garnier EP; or even a Fax +49-69/450464 collection, come to think of it. Call these melodic techno or ‘deep house’ if you must, but this is the sound of trance I’ve long associated with Namlook’s label. When he wasn’t doing the earlier hard acid bangers at least.

I should also mention these three artists currently have nary a presence at Lord Discogs, and they’re not alone in their, um, lonliness. Jason Hissong (ambient techno) and Michael & Spider (ethno’ psychedelic ambient) have absolutely nothing beyond Die Welt Ist Klang. A couple others have an EP or two under their belt (and if Mark T. Warren’s widescreen ambient dub Spin Cycle is anything to go by, one of the big chill labels had better snag this guy up post-haste!), but some veteran names from as far back as the ‘90s show up too. Within Reason (meditative chill-out), I’ve already covered, though he went by Open Canvas for that album. There’s also a curious group called Drøn (clicky, dubby downtempo), and Ben Zonneveld, who some trance heads might remember as one-half of Orientalist (of Tron microfame) – his track Liberation Through Hearing sounds an awful lot like Silence’s Omid/Hope, though at only a quarter the length. Mmm, tasty bite-sized ambient doodling.

Wednesday, May 13, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD5)

Carpe Sonum Records: 2014

With many musical collaborators, associates, and influences wrapped up in four CDs, where else could Carpe Sonum Records go with their Pete Namlook tribute box-set mega-ganza? Why, a showcase of all the artists Mr. Kaulmann's had influence upon, of course, with another four CDs worth doing the deed. It can't be denied he's had an impact on a lot of ambient noodling wibblers and ambient techno knob twiddlers, so when word spread of a tribute collection, several producers outside the old FAX alumni piped up they'd be interested in providing music to the project. The fact things bloated out to ninety-one tracks across eight CDs may seem excessive, but I wouldn't be surprised if what we have for Die Welt Ist Klang isn't even half of what Carpe Sonum could have included. Also, instead of doing something silly like 'covering' Namlook compositions, these are all originals. Ha, take that, Cleopatra Records!

I should mention from here on out, my familiarity with the remaining artists fast approaches nil. Even Lord Discogs won’t be terribly helpful, many names relatively new to His mighty knowledge. Hell, on CD5 alone, some has this set as their lone entry (mamonu, Ray Rod In Sun Age), while others have a mere additional track or EP appearing elsewhere. Of course, in this age of Bandcamp releases, Soundcloud exclusives, and music sharing with online communities, a producer can have a wealth of experience and compositional background before ever landing anything with a format Lord Discogs recognizes as official. The ambient and drone scene in particular is notorious for its limitless amount of laptop writers. How on earth Carpe Sonum came about deciding these eleven acts for CD5, I can’t imagine. No, I won’t toss about wild theories; this is a tribute to Pete Namlook, dang’it, so happy, respectful feelings, yo’.

Since we’re now taking in a different perspective with the Namlook influences, it’s only appropriate that Die Welt Ist Klang starts featuring the extreme outlier genres- hah, no, we’re back in ambient’s realm again. Mostly it’s soft, meditative stuff (Jacob Newman & Devin Underwood’s Day Stretch, Veil Of Alchemy’s Sea Of Transcendence, Guides’ Flood) and dubby drone (Illuminum’s Principles Of Life, Bubble’s Ashes, mamonu’s So Long And Thanks For All The Chill...). Some go for the expansive layers of synths (Tha Silent Partner’s Tongue) while others choose the subtle road instead (Bing Satellites’ Caterpillar Dance, Ecoutez’ Just In A ...). And finally, the honoured elder of this CD, Sense (Adam Raisbeck, who’s been releasing music since the long-ago year of 2001), teams up with Jesse Somfay in a thirteen-plus minute piece that dabbles in much of the above. No wonder they titled it 3 Songs (Forever).

If most of these names are hopelessly obscure to your eyes, I warned you we were leaving familiar ground (if they’re not, holy cow!). I honestly wouldn’t blame ya’ if you tuned out for the remaining three discs, but who knows, you may discover some cool new names worth following.

Tuesday, May 12, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD4)

Carpe Sonum Records: 2014

Scratch what I said at the end of the previous review. Here's where we find our offering of old-school trance, at the start of CD4! Pino &Wildjamin's Some Filter For Namlook has gated synths, subtle acid tweakage, minor key melodies, and even bleepy sci-fi arpeggios. Yeah, they use an electro break for their rhythm, and the track was originally from 1995, but dammit, it's the closest thing I've heard to any sort of vintage German trance in the box set, so I'm counting it. Honestly though, this probably should have been on CD3, were it not for the forced compromise of limited space on such antiquated technology. Playing Die Welt Ist Klang as a digital playlist of music, Some Filter For Namlook follows quite smoothly from Glitch's Kick The Habit. Oh, and about that track, turns out it was a remastered 1994 cut, hence the classic vibes I got off it. It’s difficult back-checking every single track in the FAX catalogue, y’know.

Some Filter For Namlook is also something of an outlier for CD4. The artists that make up this disc are primarily the artsy abstract sorts that cared little for house, techno, or even ambient. As ol’ Pete’s muse grew ever more restless in years following his ‘90s breakout, he started branching out into psychedelic rock, jazzy futurism, cinematic orchestrations, and throwback musique concrete. Not so much his own output, mind you, but he did take on such musicians within the Fax +49-69/450464 fold. The only name I recognize out of this bunch is Move D, who’s Regentropfen (Reprise) is all sorts of druggy jazz sludge. And yes, Mr. Moufang gets two solo tracks on this collection. Twenty-plus albums with Namlook!

I can’t deny CD4 is an interesting disc, but only as far as you’re willing to indulge the most extreme of music expressionism. Some of it goes for the New Berlin school of krautrock experiments (Aerial Service Area’s Cloud 2, Nikolaus Heyduck’s Lago Largo, Ludwig Rehberg’s Pink Pearl), others for improvised tonal harmony with pianos, taiko drums, and woodblocks (okay, only Hane’s Dazwischen). There’s some really naff jazz on here too, Sprya’s Sodbrennen sounding like a preloaded keyboard demo – at least that one’s only three minutes long.

And then there’s the plain ol’ weirdness. Victor Sol plays metal resonance in Gong #1, and Oskar Sala spits white noise and reverberating blips and bleeps in Anwendung Elektronischer Musik Für Den Film Von Oskar Sala. Wait, didn’t he start this electronic music shit; and this the thanks I give? I don’t think he ever worked with Namlook or on FAX, but you cannot deny the influence he undoubtedly had on a young Kaulmann.

In comparison, the surrounding tracks aren’t quite so leftfield. Gate Zero does dubby, chill trip-hop with The Ache, Burhan Öçal’s Seyh'in Rüyasi sounds like it belongs on a Six Degrees Records compilation, and Bardo Thödol lays echoing prog guitar over gentle braindance beats. Man, after all this, where else can Die Welt Ist Klang take us?

Monday, May 11, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD3)

Carpe Sonum Records: 2014

Of all the discs in this box set, CD3 has the highest ratio of artists I'm familiar with. That isn't an impressive stat, if I'm honest, as nearly everyone following this one is entirely new to my eyes. You'd think someone with a music collection nearing the four-digit mark should know a more than this. 'Tis not so, my knowledge but a mote of dust in the impossibly vast realm that is Pete Namlook's Influence. I'm not even sure whether these are all new names or scene veterans that have burbled in obscurity for all this time – guess I'll find out when I deal with their discs. Meanwhile, let's have a gander at the 'techno' CD of Die Welt Ist Klang.

First up is Thomas P. Heckmann. You might know him from such labels as Mille Plateaux, Wavescape, and the charming Acid Fuckers Unite. If you’re worth your techno salt at all though, you know him as Drax. For his offering to Namlook’s legacy, he gives us Ode To A Friend, sounding not a touch out of a 1974 krautrock album. Wait, what? Oh, right, talented producer makes music across tons of genres. That’s a running theme with a lot of these Namlook and Fax +49-69/450464 associates, isn’t it? Speaking of, second tune here is from Biosphere, though it’s one of his early demos sent to Mr. Kaulmann way back when, before they hooked up for Fires Of Ork. Holy cow, you guys, it’s Microgravity-era Biosphere! Robot voices! Bleepy techno! Rave-house groove! Long time fans have waited an age to hear something like this from Geir Jensenn again.

Following that, it’s Pascal F.E.O.S., most famous for being one-half of Resistance D., but having made plenty of music on his own too. His track is called Sax On Dub, and it’s... Balearic chill-out? Huh, are we getting any techno on this disc? Not if Oliver Lieb can help it, treating us to a tune that might have once been an Into Deep outtake. Man, the final run of tunes from CD2 was more techno than this. Where’s, like, Anthony Rother when you need him – he made music for Fax+, right? Right, so here’s Anthony Rother’s See Beyond, though more sinister EBM than robotic electro as you’d expect of the guy. It’s XJacks’ Acidbob that finally gives us a proper techno cut, all old-school acid weirdness with a little 808 cowbell for good measure.

A couple more names I recognize from recent digging is Gabriel Le Mar (a proggy breaks tune, plus an acid techno workout with Dr. Motte) and Mick Chillage (getting way-back FSOL vibes on this one). Both their tracks are the best on CD3, though a special mention must be made to Glitch’s Kick The Habit, a vintage hard trance track that’s got everything but a kick. Oh, you tease, we almost did get that which I thought not possible. Or maybe we still will later in the box set. Five more to go. Man, I’m earning this experience.

Sunday, May 10, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD2)

Carpe Sonum Records: 2014

No, of course ninety-one droning, calm ambient tracks would be ridiculous. Namlook made his namesake with the stuff, but he produced far more forms of electronic music than that. If you’re doing a tribute collection, you gotta’ show respect to his techno, jazz, orchestral, and even hard trance heritage. Okay, maybe not that last one, but wouldn’t that be something, hearing ancient German trance in a modern release? Come on, retroism, do your th’ang!

Wisely, Capre Sonum Records gave each disc of Die Welt Ist Klang its own genre showcase, gradually upping the tempo with each successive CD. All the beatless ambient now out of the way, CD2 provides us with some ambient techno chill and rhythms on the downbeat. Honestly, I’d have sprung for this collection almost entirely for this CD alone, what with two new tracks from Peter Benisch and The Higher Intelligence Agency on it! These aren’t previously unreleased pieces from their reserves either, each specifically made for this collection. Yeah, most of the music on all these discs is new material, but having already come across a couple cuts that were old, unused pieces from former collaborations with Namlook, I had to wonder whether that’d be the case with Benisch and Bird too. It’s not like they’re making anything new lately – and if they are, they sure aren’t making their efforts public. Oh hey, long tangent. As for their tunes, Benisch’s Farväl is utterly lush, while HIA’s Sky One works the bubbly, bleepy ambient dub groove with spacey synth drone, neither sounding like any time’s passed since their last albums. I love it!

I can’t say I know much about the remaining artists on CD2, but hot damn they make some lovely music. Autumn Of Communion (Lee Norris and Mick Chillage) offers eleven minutes of soothing keyboards, dubby synths and soft beats, Massimo Vivona provides a chipper piece of Balearic chill, Material Object shoots for the stars with another eleven minutes of pulsing pads and spacey drone, and even Namlook himself gets in, care of Lorenzo Montanà working with an unfinished piece they worked on. Then there’s Krystian Shek doing the widescreen chill-out thing I usually associate with Ultimae, Benjamin Wild & Daniel Esswein go for a low-key ambient techno groove, Fanger & Siebert get a little more electro sci-fi with their tune, and Future Research Technology (Simon Ellis, who gave Fax+ one of their earliest commercial successes as Houdini) goes for the alien electro-funk vibe. Kind of reminds me of Namlook and Johah Sharp’s Alien Communication project, though he already got his tribute in on CD1 as Spacetime Continuum. Oh, and Gaudi’s here too, doing his heavy ambient dub business, but I already know him and he’s still making music, so I don’t get quite all atwitter over his tune.

Yeah, that’s a major reason why I sprung for this box set. Seeing new music from old favorites is nice, but discovering a plethora of new artists in the process is pure cream.

Saturday, May 9, 2015

Various - Die Welt Ist Klang: A Tribute To Pete Namlook (CD1)

Carpe Sonum Records: 2014

Not to humble-brag too much, but oh yes, I gots me one of those proper box sets of Carpe Sonum Records’ epic tribute to Pete Namlook. Just barely too, with a mere three left of the project's second run when I took a look. Maybe the label will manufacture a third run if there's enough interest, but for now I'll bask in that smug glow of having such a wonderful package in my possession. Ahhh....

Hm, wait, what is this sinking feeling all of a sudden. Oh yeah, now that I have a physical copy of Die Welt Ist Klang, that means I have all eight CDs too. Which means I must now review each. Single. One. For the next week. Like, I'm kinda' obligated to, what with having done the same with Neil Young’s Archives last year. I hope y'all are strapped in for a Namlook Tribute extravaganza on this blog. Also, since I've eight of these things to get through, I'll detail most of the background information regarding this box set as we go along – no sense burning self-restricted world count all on the first CD.

With ninety-one tracks collected for this set, who could ever have the prestige to kick things off? Why, none other than one of the few men in the music industry that has a discography even larger than Namlook’s extensive catalogue: Bill Laswell. He teams up with keyboardist Bernie Worrell (member of tons of groups, most famously Funkadelic) for a track that’s rather typical of Laswell’s brand of ambient (bass tones, dubby atmosphere, jazzy improvisation). Hey, it’s not like we’re re-inventing the wheel with this tribute. The number two spot goes to David Moufang, also known as Move D. Why? He and Namlook released over twenty albums together in a fifteen year span. Holy cow, did they just put every jam session of theirs to CD? I’m guessing the answer to that is “most probably yes.” Oh, and his track is a piano ambient composition, with rainwater falling about on an open gazebo.

Another big name from the old school crops up with Dr. Atmo, who was instrumental in lending his hand to some of Namlook’s earliest ambient breakouts (can’t call them ‘hits’, can we), specifically the aliases Silence and Escape. Heck, it was his selections for the Stud!o K7 tape 3 Lux-3 that gave me a real crash course in Namlook’s work. His track here is also ambient.

Yeah, CD1 is pretty much all ambient straight through, nary a beat in earshot. Even the guys known for techno (Steve Stoll, F.U.S.E., Spacetime Continuum) stick to synthy drone and sequenced noodling. Mind, some of these are unreleased material sent to Namlook way back in the day too, not just former Fax+ alumni contributing fresh material. It’s all very calming, relaxing, and warm music here, though I hope it’s not the only genre explored across eight discs. As that Electro Compendium proved, too much of the same thing makes Sykonee coo-koo for Kaulmann cuts.

Thursday, May 7, 2015

Scuba - Claustrophobia

Hotflush Recordings: 2015

Cry to the westward winds, o’ forlorn faithful of dubstep’s techno hybrids. Whatever hopes ye’ may have for one of your chosen few to return grows ever so slim with every new release. If Paul Rose, also known as The Scuba One, has committed so completely to techno, tech-house, and techy tech-ambient (?) as he has on this album, the odds of him going back to the broken beat bin are small indeed.

Fortunately for Mr. Rose, his transition’s been so perfectly gradual, an album like Claustrophobia still makes good sense within his discography. He may have left behind the genres that built his base, but he's retained a distinct, expansive aesthetic to his music; these tunes could work equally well in a slummy warehouse setting as a mainstage festival show. On the other hand, Scuba's lately suffered from 'Dubfire Syndrome', a rejection from some of techno's core followers, figuring him nothing more than a bandwagon jumper as his old scene's credibility waned. Frankly, that's a bunch of bull for a couple reasons. One, even if some of Scuba's recent tunes have peak-time rinse out squarely in sight, they're still stylistically less trendy than minimal ever was. Two, Mr. Rose makes far better music than Mr. Shirazinia did. You know it's true.

As the album’s title states, Claustrophobia is a darker outing compared to Personality, with charming track names like Why You Feel So Low, All I Think About Is Death, Black On Black, and Needle Phobia making up the bulk. Hell, even something seemingly benign like Family Entertainment is all sorts of fucked-up, two-plus minutes of static hiss (or shower water?) as wailing kids and stern adult voices echo off tile walls. Geez, I feel like I’m in a Silent Hill hospital. I guess poor ol’ Paul was having some difficulty coping with a bout of sickness that left him home-ridden for much of 2014. Or maybe he’d recently watched Jacob’s Ladder.

That’s about as unsettling as this album goes though. There’s still a menacing tone throughout, but Scuba finds room for melodic moments and tempo builders even in his sparsest tracks. And those rhythms, mang! He’s always had an ace ear for quality kicks, yet somehow he’s upped the ante here, unleashing beats so beefy it fucks up my colon. He doesn’t over-utilize them either, reserving them for his three main techno cuts in Why You Feel So Low (near the beginning), PCP (mid-track), and Black On Black (album climax), spacing them out with shorter, ambient techno constructs. Speaking of Black On Black, it’s got one of those big effects builds in it, but it actually has a payoff! My God, it’s glorious to have all that tension come with a proper release for once in contemporary techno. See, it’s not so hard to do.

I won’t deny the musical ideas Scuba presents on Claustrophobia aren’t terribly original, but he executes them with skill and finesse. Good for a casual throw-on - just mind your lighting.

Wednesday, May 6, 2015

The Beatles - Abbey Road

Capitol Records: 1969/2009

The only Beatles album you're supposed to have, even if you're not much of a Beatles fan. Sure, they're no longer at the crest of their creative powers, but it's arguable they indulged in their ideas a bit too much (not to mention the drugs). Concept albums? Studio experiments? Bunch of nonsense. You're a rock band, lads, why you no rock anymore? Even the Liverpool Four knew they weren’t firing on all cylinders, lacking the creative synergy that propelled them above and beyond all other bands of their era. Individually, they were doing fine for themselves (even Ringo!), but imagine if they combined their forces to their fullest potential as in the old days. Oh, the wonders they could create, a tight-knit band once more, with genre exploration learned and now with the wisdom to use it effectively.

At least that was the hope on Paul McCartney’s part. He somewhat succeeded too, Abbey Road officially the final studio album The Beatles recorded together as a band, though that wasn't the original intent. The creative conflicts that had led to the various gulfs between each member had simply grown too wide by '69 for any lasting truce, so it's all the more remarkable this album is as cohesive has it turned out. In the ultimate of compromises, side one features songs that, though not related to each other, at least fed off their rock and blues influences; side two would shoot for an album-orientated concept that Paul still wanted, in this case as a medley of short pieces.

I'll level with ya': for the longest time, I had no idea which Beatles songs were even on Abbey Road. Hell, some of the tunes that are on this record I didn't know were Beatles songs. I always thought Oh! Darling and You Never Give Me Your Money were Rolling Stone songs, while I Want You (She's So Heavy) sounds far more like something the progressive rock camps were churning out at the time, including a lengthy runtime for any rock tune of the day (nearly eight minutes!). I'd heard it plenty of times on the classic rock station, but never clued in this aggressive song was from the same group that once did Help! and Norwegian Wood. Plus, that Moog. When did The Beatles ever use a got'dang Moog when there was maybe a half-dozen in existence at the time? Oh Harrison, and your never-ending search for weird instruments. The big ones, however, are Come Together, Something, and Here Comes The Sun. I guess Carry That Weight’s memorable too as a sing-along anthem, and folksy Octopus’s Garden is so corny that it wins you right over.

Of course, the lasting impression everyone has with Abbey Road is that cover. It just might be the most famous photo shoot The Beatles ever did, inspiring many to replicate it themselves. Oh yes, along with all the other things the Liverpool Four innovated, you can include creating the first Rock Meme to that list. Probably.

Tuesday, May 5, 2015

ACE TRACKS: April 2015

Oh hey, look at that, “R” is all wrapped up now. Yep, in a bizarre turn of events, the alphabetical back-half of the letter had barely a week’s worth of albums for review, unlike the near 1.5 months of the front half. I honestly have no idea how this came to be. Maybe if I had more CDs in my collection from rock bands, where they sing about rocking and rolling in titular singles, but nay, most things are rave with this techno boy. Anyhow, I felt it best to finish the letter off before posting the playlist for ACE TRACKS: April 2015.


Full track list here.

MISSING ALBUMS:
µ-Ziq - Royal Astronomy
Seraphim Rytm - Aeterna
Various - Rising High Trance Injection

Percentage Of Hip-Hop: 0%
Percentage Of Rock: 0%
Most “WTF?” Track: Most of the Aphex Twin stuff, but only if you’re not used to his zaniness.

Whoa, that’s my second straight Playlist with nary a rock or hip-hop cut found. The August 2013 one is understandable, what with such a short collection of albums to cull from – I had plenty more to draw from for April 2015. On the other hand, a sizeable chunk was devoted to Altar Records compilations, not to mention a plethora of other alphabetical backlog.

Speaking of alphabetical, I tried something different for this Playlist, arranging tracks in alphabetical order. With so much psy dub, psy chill, and dark ambient (hi, Sabled Sun!), I figured doing so would randomize the sequence a little, engaging the listener with the unexpected rather than steady familiarity and flow. Will AstroPilot align with Amon Tobin? Might Moss Garden meld with Model 500? Could Cosmic Replicant conflict with Chronos? Find out within, plus Faithless too!

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract Abstrakce Records AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antares Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts As If ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. The Prince Of Rap B°TONG B12 Babygrande Balance Balanced Records Balearic ballad Bålsam Banco de Gaia Bandulu Barker & Baumecker Battle Axe Records battle-rap Bauri Beastie Boys Beat Buzz Records Beat Pharmacy Beatbox Machinery Beats & Pieces bebop Beck Bedouin Soundclash Bedrock Records Beechwood Music Ben Sims Benny Benassi Bent Benz Street US Berlin-School Beto Narme Beyond bhangra Bicep big beat Big Boi Big Dada Recordings Big L Big Life Bill Hamel Bill Laswell Bill Leeb BIlly Idol BineMusic BioMetal Biophon Records Biosphere Bipolar Music BKS Black Hole Recordings black metal black rebel motorcycle club Black Swan Sounds Blanco Y Negro Blasterjaxx Bleep Blend Blood Music Blow Up Blue Amazon Blue Hour Blue Öyster Cult blues blues rock Bluescreen Bluetech BMG Boards Of Canada Bob Dylan Bob Marley Bobina Bogdan Raczynzki Bombay Records Bone Thugs-N-Harmony Boney M Bong Load Records Bonobo Bonzai Boogie Down Productions Booka Shade Boom Boom Satellites Botchit & Scarper Bows Boxed Boys Noize Boysnoize Records BPitch Control braindance Brandt Brauer Frick Brasil & The Gallowbrothers Band breakbeats breakcore breaks Brian Eno Brian Wilson Brick Records Britpop Brodinski broken beat Brooklyn Music Ltd brostep Bryan Adams BT Bubble Buffalo Springfield Bulk Recordings Burial Burned CDs Bursak Records Bush Busta Rhymes Buttertones bvdub C.I.A. Calibre calypso Canibus Canned Resistor Canopy Of Stars Capitol Records Capsula Captain Hollywood Project Captured Digital Carbon Based Lifeforms Caribou Carl B Carl Craig Carlos Ferreira Carol C Caroline Records Carpe Sonum Novum Carpe Sonum Records Castroe Casual Cat Sun CD-Maximum Ceephax Acid Crew Celestial Dragon Records Cell Celtic Centaspike Cevin Fisher Cheb i Sabbah Cheeky Records chemical breaks Chihei Hatakeyama Children Of The Bong chill out chill-out chiptune Chris Duckenfield Chris Fortier Chris Korda Chris Liebing Chris Sheppard Chris Witoski Christmas Christopher Lawrence Chromeo Chronos Chrysalis Ciaran Byrne cinematic soundscapes Circle of Pines Circular Ciro Berenguer Cirrus Cities Last Broadcast City Of Angels CJ Stone Claptone classic house classic rock classical Claude VonStroke Claude Young Clear Label Records Clementz Cleopatra Cloud 9 Club Culture Club Cutz Club Tools Cocoon Recordings Cold Spring Coldcut Coldplay coldwave Colette collagist Columbia Com.Pact Records Coma Eye comedy Compilation Comrie Smith Congo Natty Conjure One Connect.Ohm conscious Control Music Convextion Cooking Vinyl Cor Fijneman Corderoy Cosmic Gate Cosmic Replicant Cosmo Cocktail Cosmos Studios Cottonbelly Council Estate Electronics Council Of Nine Counter Records country country rock Covert Operations Recordings Craig Padilla Craig Richards Crazy Horse Cream Creamfields Creedence Clearwater Revival Crockett's Theme Crosby Stills And Nash Crossing Mind Crosstown Rebels crunk Cryo Chamber Cryobiosis Cryogenic Weekend Cryostasis Crystal Moon Cube Guys Culture Beat Curb Records Current Curve cut'n'paste CYAN Cyan Music Cyber Productions CyberOctave Cyclic Law Cygna Cymphonica Cypher 7 Cypress Hill Cyril Secq Czarface D York D-Bridge D-Fuse D-Topia Entertainment Daar Dacru Records Daddy G Daft Punk Dag Rosenqvist Damian Lazarus Damon Albarn Damon Wild Dan Terminus Dan The Automator Dance 2 Trance Dance Pool Dance With The Dead dancehall Daniel Heatcliff Daniel Lentz Daniel Pemberton Daniel Wanrooy Danny Howells Danny Tenaglia Dao Da Noize Daphni dark ambient dark disco dark psy darkcore darkside darkstep darksynth darkwave Darla Records Darren Emerson Darren McClure Darren Nye DAT Records Databloem dataObscura David Alvarado David Bickley David Bridie David Cordero David Guetta David Morley DDR De-tuned Dead Coast Dead Melodies Deadmau5 Death Grips death metal Death Row Records Decimal Deconstruction Dedicated Deejay Goldfinger Deep Dish Deep Forest deep house deep tech Deeply Rooted House Deepwater Black Deetron Def Jam Recordings Del Tha Funkee Homosapien Delerium Delsin Deltron 3030 Denshi Danshi Depeche Mode Der Dritte Raum Derek Carr Detroit Deviant Records Devin Underwood Devroka Deysn Masiello DFA DGC diametric. Dido Dieselboy Different DigiCube Dillinja Dirk Serries dirty house Dirty South Dirty Vegas Dis Fig disco Disco Gecko disco house Disco Pinata Records disco punk Discover (label) Disky Disques Dreyfus Distant System Distinct'ive Breaks Disturbance Divination DJ 3000 DJ Brian DJ Craze DJ Dag DJ Dan DJ Dean DJ Gonzalo DJ Heather DJ John Kelley DJ John Storm DJ Merlin DJ Mix DJ Moe Sticky DJ Observer DJ Premier DJ Q-Bert DJ Shadow DJ Soul Slinger DJ-Kicks Djen Ajakan Shean DJMag DMC DMC Records Doc Scott Dogon Dogwhistle Dooflex Doom Poets Dopplereffekt Dossier Dousk downtempo dowtempo Dr. Alban Dr. Atmo Dr. Dre Dr. Hook & The Medicine Show Dr. Octagon Dragon Quest dream house dream pop Dreamworks DreamWorks Records Drexciya drill 'n' bass Dronarivm drone Dronny Darko drum 'n' bass DrumNBassArena drumstep drunken review dub Dub Pistols dub techno Dub Trees Dubfire dubstep Dubtribe Sound System DuMonde Dune Dusted Dyadik Dynatron E-Mantra E-Z Rollers Eardream Music Earth Earth Nation Earthling Eastcoast Eastcost Eastern Dub Tactik EastWest Eastworld Eat Static EBM Echodub Ed Rush & Optical Editions EG EDM World Weekly News Ektoplazm Electric Universe electro Electro House Electro Sun electro-funk electro-pop electroclash Electronic Dance Essentials Electronic Music Guide Electrovoya Elektra Elektrolux Ellen Allien em:t EMC update EMI Emiliana Torrini Eminem Emmerichk Emperor Norton Empire enCAPSULAte Encym Engine Recordings Enigma Enmarta Ensiferum Enya EP Epic epic trance EQ Recordings Equal Stones Erased Tapes Records Eric Borgo Erik Vee Erol Alkan Erot Escape Esko Barba Esoteric Reactive Espacio Cielo ethereal Etic Etnica Etnoscope Euphoria euro dance eurodance eurotrance Eurythmics Eve Records Everlast Ewan Pearson Exitab experimental Eye Q Records Ezdanitoff F Communications Fabric Facture Fade Records Faex Optim Faint Faithless Falcon Reekon Fallen False Mirror fanfic Fantastisizer Fantasy Enhancing faru Fatboy Slim Fax +49-69/450464 Fear Factory Fedde Le Grand Fehrplay Feist Fektive Records Felix da Housecat Fennesz Ferry Corsten FFRR Fictivision field recordings Filter Filteria filters Final Fantasy Firescope Five AM Fjäder Flashover Recordings Floating Points Flowers For Bodysnatchers Flowjob Fluke Fluxion Flying Lotus folk Fontana footwork Force Intel Fountain Music Four Tet FPU Frame Frame Of Mind Francis M Gri Frank Bretschneider Frankie Bones Frankie Knuckles Frans de Waard Fred Everything freestyle French house Front Line Assembly Frou Frou fsoldigital.com Fugees full-on Fun Factory Function funk future garage Future Sound Of London Futuregrapher futurepop g-funk G-Prod gabber Gabriel Le Mar Gaither Music Group Galaktlan Galati Gang Starr gangsta garage Gareth Davis Gary Martin Gas Gasoline Alley Records Gee Street Geffen Records Gel-Sol Genesis Geometry Combat George Issakidis Gerald Donald Get Physical Music GGGG ghetto Ghostface Killah Ghostly International Glacial Movements Records glam Gliese 581C glitch Glitch Hop Global Communication Global Underground Globular goa trance Goasia God Body Disconnect God's Groove Gorillaz gospel Gost goth Grammy Awards Gravediggaz Green Bay Wax Green Day Grey Area Greytone Gridlock grime Groove Armada Groove Corporation Grooverider grunge Guru Gustaf Hidlebrand Gusto Records GZA H:U:M H2O Records Haddaway Halgrath happy hardcore hard house hard rock hard techno hard trance hardcore Hardfloor Hardly Art hardstyle Harlequins Enigma Harmless Harmonic 33 Harmonic Resonance Recordings Harold Budd Harthouse Harthouse Mannheim Havoc Hawtin Headphone Hearts Of Space Hed Kandi Hefty Records Helen Marnie Hell Hercules And Love Affair Hernán Cattáneo Herne Hexstatic Hi-Bias Records Hic Sunt Leones Hide And Sequence Hiero Emperium Hieroglyphics High Contrast High Note Records Higher Ground Higher Intelligence Agency Hilyard hip-hop hip-house hipno Hollywood Burns Home Normal Honest Jon's Records Hooj Choons Hope Records horrorcore Hospital Records Hot Chip Hotflush Recordings house Howie B Huey Lewis & The News Human Blue Humanoid Hybrid Hybrid Leisureland Hymen Records Hyperdub Hypertrophy Hypnotic Hypnoxock I Awake I-Cube i! Records I.F. I.F.O.R. I.R.S. Records Iboga Records Icarus Music Ice Cube Ice H2o Records ICE MC IDM Iempamo Ignis Fatum Igorrr Ikjoyce illbient ILUITEQ Imba Imogen Heap Imperial Dancefloor Imploded View In Charge In The Face Of In Trance We Trust Incoming Incubus Indica Records indie rock Indisc Industrial Infastructure New York Infected Mushroom Infinite Guitar influence records Infonet Inhmost Ink Midget Inner Ocean Records Innovative Leisure Records Insane Clown Posse Inspectah Deck Instinct Ambient Instra-Mental Intellitronic Bubble Inter-Modo Interchill Records Internal International Deejays Gigolo Interscope Records Intimate Productions Intuition Recordings ISBA Music Entertainment Ishkur Ishq Island Def Jam Music Group Island Records Islands Of Light Italians Do It Better italo disco italo house Item Caligo J-pop Jack Moss Jackpot Jacob Newman Jafu Jake Stephenson Jam and Spoon Jam El Mar James Blake James Holden James Horner James Lavelle James Murray James Zabiela Jamie Jones Jamie Myerson Jamie Principle Jamiroquai Javelin Ltd. Jay Haze Jay Tripwire Jaydee jazz jazz dance jazzdance jazzstep Jean-Michel Jarre Jefferson Airplane Jerry Goldsmith Jesper Dahlbäck Jesse Rose Jessy Lanza Jimmy Van M Jiri.Ceiver Jive Jive Electro Jliat Jlin JMJ Joel Mull Joey Beltram John '00' Fleming John Acquaviva John Beltran John Digweed John Graham John Kelly John O'Callaghan John Oswald John Shima John Tejada Johnny Cash Johnny Jewel Jon Hester Jonny L Jori Hulkkonen Joris Voorn Jørn Stenzel Josh Christie Josh Wink Journeys By DJ™ LLC Joyful Noise Recordings Juan Atkins juke Jump Cut jump up Jumpin' & Pumpin' jungle Junior Boy's Own Junkie XL Juno Reactor Jupiter 8000 Jurassic 5 Justin Timberlake Ka-Sol Kaico Kay Wilder KDJ Keith Farrugia Ken Ishii Kenji Kawai Kenny Glasgow Keoki Keosz Kerri Chandler Kevin Braheny Kevin Yost Kevorkian Records Khetzal Khooman Khruangbin Ki/oon Kid Koala Kiko Killing Joke Kinder Atom Kinetic Records King Cannibal King Midas Sound King Tubby Kiphi Kitaro Klang Elektronik Klaus Schulze Klik Records KMFDM Koch Records Koichi Sugiyama Kolhoosi 13 Komakino Kompakt Kon Kan Kontor Records Kool Keith Kozo Kraftwelt Kraftwerk Krafty Kuts Kranky krautrock Kriistal Ann Krill.Minima Kris O'Neil Kriztal KRS-One Kruder and Dorfmeister Krusseldorf Krystian Shek Kubinski KuckKuck Kulor Kurupt Kwook L.B. Dub Corp L.S.G. L'usine La Luz Lab 4 Ladytron LaFace Records Lafleche Lamb Lange Large Records Lars Leonhard Laserlight Digital LateNightTales Latin Laurent Garnier Layer 3 LCD Soundsystem Le Moors Leaf Leama and Moor Lee 'Scratch' Perry Lee Burridge Lee Norris Leftfield Leftfield Records Legacy Legiac Legowelt Lemony Records Leon Bolier Les Disques Du Crépuscule LFO Life Enhancing Audio Linear Labs Lingua Lustra Lionel Weets Liquid Frog Records liquid funk Liquid Sound Design Liquid Stranger Liquid Zen Literon Live live album LL Cool J lo fi Loco Dice Lodsb LoFi Logan Sama Logic Records London acid crew London Classics London Elektricity London Records 90 Ltd London-Sire Records LongWalkShortDock Loop Guru Loreena McKennitt Lorenzo Masotto Lorenzo Montanà loscil Lost Language Lotek Records Loud Records Louderbach Loverboy Lowfish Luaka Bop Lucette Bourdin Luciano Luke Slater Lunarian Records Lustmord M_nus M.A.N.D.Y. M.I.K.E. Mack 10 Madonna Magda Magicwire Magik Muzik Mahiane Mali Malignant Records Mammoth Records Mantacoup Marc Simz Marcel Dettmann Marcel Fengler Marco Carola Marco V Marcus Intalex Mark Farina Mark Norman Mark Pritchard Markus Schulz Marshmello Martin Allin Martin Cooper Martin Nonstatic Märtini Brös Martyn Marvin Gaye Maschine Massimo Vivona Massive Attack Masta Killa Master Margherita Masterboy Matthew Dear Max Graham maximal Maxx MCA MCA Records McProg Meanwhile Meat Loaf Median Project Medicine Label Meditronica Melusine Records Memex Menno de Jong Mercury Merr0w Mesmobeat metal Metal Blade Records Metamatics Method Man Metro Area Metroplex Metropolis MF Doom Miami Bass Miami Beach Force Miami Dub Machine Michael Brook Michael Jackson Michael Mantra Michael Mayer Michael Stearns Mick Chillage micro-house microfunk Microscopics MIG Miguel Migs Mike Saint-Jules Mike Shiver Miktek Mille Plateaux Millennium Records Mind Distortion System Mind Over MIDI mini-CDs minimal minimal tech-house Ministry Of Sound miscellaneous Misja Helsloot Miss Kittin Miss Moneypenny's Mistical Mixmag Mixmaster Morris Mo Wax Mo-Do MO-DU Moby Model 500 modern classical Modeselektor Mohlao Moist Music Moljebka Pvulse Moodymann Moonshine Morgan Morphic Resonance Morphology Moss Covered Technology Moss Garden Motech Motionfield Motorbass Mount Shrine Move D Moving Shadow Mr. Scruff Mujaji Murk Murmur Mushy Records Music link Music Man Records musique concrete Mutant Sound System Mute MUX Muzik Magazine My Best Friend Mystery Tape Laboratory Mystica Tribe Mystified N-Trance Nacht Plank Nadia Ali Nano Records Napalm Records Nas Nashville Natural Life Essence Natural Midi Nature Sounds Naughty By Nature Nav Bhinder Nebula Nebula Meltdown Neil Young Nelly Furtado Neo Ouija Neo-Adventures Neogoa Neon Droid Neotantra Neotropic nerdcore Nervous Records Nettwerk Neurobiotic Records neurofunk Neuropa Records New Age New Beat New Jack Swing New Order new wave Nic Fanciulli Nick Höppner Night Hex Night Time Stories Nightmares On Wax Nightwind Records Nimanty Nine Inch Nails Ninja Tune Nirvana nizmusic No Mask Effect Nobuo Uematsu noise Noise Factory Records Nomad Nonesuch Nonplus Records Nookie Nordic Trax Norken Norman Cook Norman Feller North South Northumbria Not Now Music Nothing Records Nova NovaMute NRG Ntone nu-italo nu-jazz nu-metal nu-skool Nuclear Blast Nuclear Blast Entertainment Nulll Nunc Stans Nurse With Wound NXP Nyquist Oasis Ocelot Octagen Offshoot Offshoot Records Ol' Dirty Bastard Olan Mill Old Europa Cafe old school rave Ole Højer Hansen Olga Musik Olien Oliver Lieb Olivier Orand Olsen OM Records Omni Trio Omnimotion Omnisonus On Delancey Street One Little Indian Onyx Oophoi Oosh Open Open Canvas Opium Opus III orchestral Original TranceCritic review Origo Sound Orkidea Orla Wren Ornament Ostgut Ton Ott Ottsonic Music Ouragan Out Of The Box OutKast Outmosphere Records Outpost Records Overdream Owl P-Ben Pale Glow Paleowolf Pan Sonic Pantera Pantha Du Prince Paolo Mojo Parental Advisory Parlaphone Part-Sub-Merged Pascal F.E.O.S. Past Inside The Present Patreon Patrick Dream Paul Moelands Paul Oakenfold Paul van Dyk Pendulum Pentatonik Perfect Stranger Perfecto Perturbator Pet Shop Boys Petar Dundov Pete Namlook Pete Tong Peter Andersson Peter Benisch Peter Broderick Peter Gabriel Peter Tosh Phantogram Phonothek Photek Phutureprimitive Phynn PIAS Recordings Pinch Pink Floyd Pioneer Pitch Black PJ Harvey Plaid Planet Dog Planet Earth Recordings Planet Mu Planetary Assault Systems Planetary Consciousness Plastic City Plastikman Platinum Platipus Pleq Plump DJs Plunderphonic Plus 8 Records PM Dawn Poker Flat Recordings Polar Seas Recordings Pole Folder politics Polydor Polytel pop Popular Records Porya Hatami positivesource post-dubstep post-punk power electronics Prince Prince Paul Prins Thomas Priority Records Private Mountain Procs Profondita prog prog metal prog psy prog rock prog-psy progress house Progression progressive breaks progressive house progressive rock progressive trance Prolifica Proper Records Prototype Recordings protoU Pryda psy chill psy dub Psy Spy Records psy trance psy-chill psy-dub psychedelia Psychick Warriors Ov Gaia Psychomanteum Psychonavigation Psychonavigation Records Psycoholic Psykosonik Psysolation Public Enemy Pulse-8 Records punk punk rock Pureuphoria Records Purl Purple Soil Push PWL International Q-Burns Abstract Message Quadrophonia Quality Quango Quantic Quantum Quinlan Road R & S Records R'n'B R&B Ra Rabbit In The Moon Radio Slave Radioactive Radioactive Man Radiohead Rae Raekwon ragga Rainbow Vector raison d'etre Raja Ram Ralf Hildenbeutel Ralph Lawson RAM Records Randal Collier-Ford Random Review Rank 1 rant Rapoon RareNoise Records Ras Command Rascalz Raster-Noton Ratatat Raum Records rave RCA React Rebecca & Nathan Recycle Or Die Red Fog Red Jerry Redman Refracted reggae ReKaB REKIDS remixes Renaissance Renaissance Man Rephlex Reprise Records Republic Records Resist Music Restless Records RetroSynther Reverse Alignment Reverse Pulse Rhino Records Rhys Fulber Ricardo Villalobos Richard Durand Richard Stonefield Riley Reinhold Ringo Sheena Rising High Records RnB Roadrunner Records Robert Hood Robert Miles Robert Oleysyck Robert Rich Roc Raida rock rock opera rockabilly rocktronica Roger Sanchez ROIR Rollo Roman Ridder Rough Trade Rub-N-Tug Ruben Garcia Rudy Adrian Ruffhouse Records Rumour Records Running Back Ruptured World Ruthless Records RX-101 Rykodisc RZA S.E.T.I. 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SMTG Limited Snap Sneijder Snoop Dogg Snowy Tension Pole soft rock Soiree Records International Solar Fields Solaris Recordings Solarstone Soleilmoon Recordings Solieb Solieb Digital Solipsism Soliquid Solstice Music Europe Solvent Soma Quality Recordings Songbird Sony Music Entertainment SOS soul Soul Temple Entertainment soul:r Souls Of Mischief Sound Of Ceres Soundgarden Sounds From The Ground soundtrack southern rap southern rock space ambient Space Dimension Controller space disco Space Manoeuvres space music space synth Spacetime Continuum Spaghetti Recordings Spank Rock Special D Specta Ciera speed garage Speedy J SPG Music Sphäre Sechs Spicelab Spielerei Spinefarm Records Spiritech spoken word Sport Spotify Suggestions Spotted Peccary Spring Hill SPX Digital Spy vs Spice Squarepusher Squaresoft Stacey Pullen Stanton Warriors Star Trek Stardust Statrax Stay Up Forever Stealth Sonic Recordings Stephanie B Stephen Kroos Stereo Raptor Stereolab Steve Angello Steve Brand Steve Lawler Steve Miller Band Steve Porter Steven Rutter Stijn van Cauter Stimulus Timbre Stone Temple Pilots Stonebridge Stormloop Stray Gators Street Fighter Stuart McLean Studio K7 Stylophonic Sub Focus Subharmonic Sublime Sublime Porte Netlabel Subotika Substance Subtle Shift Suction Records Suduaya Suicide Squeeze SUN Project Sun Station Sunbeam Sunday Best Recordings Sunscreem Suntrip Records Supercar Superstition surf rock Susumu Yokota Sven van Hees Sven Väth SVLBRD Swayzak Sweet Trip swing Switch Swollen Members Sykonee Survey Sylk 130 Symmetry Synaptic Voyager Sync24 Synergy Synkro synth pop synth-pop synthwave System 7 Tactic Records Take Me To The Hospital Tall Paul Tammy Wynette Tangerine Dream Tau Ceti Taylor Taylor Deupree Tayo tech house Tech Itch Digital Tech Itch Recordings tech-house tech-step tech-trance Technical Itch techno technobass Technoboy Tectonic Telefon Tel Aviv Telstar Terminal Antwerp Terra Ferma Terror Cell Terry Lee Brown Jr Tetsu Inoue Textere Oris The 13th Sign The Angling Loser The B-52's The Beach Boys The Beatles The Black Dog The Boats The Brian Jonestown Massacre The Bug The Chemical Brothers The Circular Ruins The Clash The Council The Cranberries The Crystal Method The Digital Blonde The Dust Brothers The Field The Frozen Vaults The Gentle People The Glimmers The Green Kingdom The Grey Area The Grid The Hacker The Herbaliser The Human League The Irresistible Force The KLF The Micronauts The Misted Muppet The Movement The Music Cartel The Null Corporation The Oak Ridge Boys The Offspring The Orb The Police The Prodigy The Real McCoy The Roots The Sabres Of Paradise The Shamen The Sharp Boys The Sonic Voyagers The Squires The Stills-Young Band The Stray Gators The Tea Party The Tragically Hip The Velvet Underground The Wailers The White Stripes The Winterhouse themes Thievery Corporation Third Contact Third World Tholen Thrive Records Tiefschwarz Tierro Cosmico Tiësto Tiga Tiger & Woods Tijuana Panthers Timbaland Time Life Music Time Warp Timecode Timestalker Tineidae Tipper Tobias Tocadisco Todd Terje Toki Fuko Tom Middleton Tom Tom Club Tomas Jirku Tomita Tommy '86 Tommy Boy Ton T.B. 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