Friday, November 23, 2018

Absolutely Fabulous - Absolutely Fabulous

Spaghetti Recordings: 1994

I don't know much about the show Absolutely Fabulous - heck, I didn't even know such a show existed until I heard this Pet Shop Boys charity single. That isn't to say the famed British comedy about a pair of past-their-fame ladies trying to maintain their fame didn't make it to Canadian shores. I'm sure it aired on our Public Broadcast Services networks alongside other BBC gems like Red Dwarf, Fawlty Towers, and Edward The Penitent. I think it even had a re-run slot on our comedy network, but again, I never saw it – are British comedies given the death slot of 8:30am? There's been a couple attempts at an American version of the show, but they never caught on, probably because Americans prefer comedies about low-to-middle class buffoons rather than upper-class twits. Okay, Frasier was an exception, but that show had a recognizable, admired lead, plus its upper-class silliness was tempered with gruff, middle-class sensibilities (y'know, real 'Murica how-to). Them Brits tho', they love mocking those who believe themselves better than thou'.

Of course, this has bollocks-all to do with this single. Near as I can tell, Pet Shop Boys were referenced in the show, which prompted Pet Shop Boys to make a charity single for the Comic Relief drive in return. Fair play, and it seems Misters Tennant and Lowe had some fun making a totally gaudy euro-dance tune replete with sampled dialog praising designer fashion labels while bemoaning “dull soulless dance music”. They even named their b-side remix the Dull Soulless Dance Music Mix, a thumping acid techno cut with that phrase endlessly looped along with the beat. I know they're kinda' taking the piss here as well, but they didn't have to hit the nail with such precision.

Really, the only reason I got this was for a full version of that utterly grand and daft Our Tribe Tongue-In-Cheek Mix, featuring a Rollo anthem at peak Rollo-iness. Take all the over-the-top, flashing lasers, epic gurning off your tits hits he did as part of Faithless, then bake the cheese into a cake of exquisite taste: it's so rich that you'll go sick from too much of it, but for the portion you're fed, *moi*. Sadly, the only version that came here was the mangled cut on Disco 2. Sure, maybe a local DJ might play it at a cheeky club night, but if I wanted a copy for myself, I'd have to import one from the UK, or mainland Europe, or South Africa (!), or Australasia (!!). No, seriously, the single hit the number two spot in both Australia and New Zealand! How'd that happen?

But sure enough, the CD came down low enough on the used market that paying for those extra shipping charges finally nabbed me my own copy. And hey, it even comes with an additional Rollo remix, Absolutely Dubulous. It, uh, does that Visnadi euro-house thing with the 'doo doo' organs. Kinda' dull and soulless, if I'm honest.

Thursday, November 22, 2018

Eat Static - Abduction (2018 Update)

Planet Dog/Attic: 1993/1995

(click here to read my original TranceCritic review)

Finally, an album long overdue for a spiffy re-review, one of my earliest, cumbersome efforts. Time to give this early goa trance classic the prose it justly deserves, none of that regrettably dry track-by-track description nonsense. Let's do this! *cracks knuckles* ...*stares at screen* ...*re-cracks knuckles* ...*makes some tea* ...*checks Twitter and Facebook for a bit* ...*watches some Ten Minute History videos on Youtube*(hehe, *thunk*) ...*stretches every ligament in body*...*stares at screen some more* ...*receives call from Seattle friend that he's waylaid at the Vancouver airport overnight, so meet-up for drinks and a VIP showing of The Freddy Mercury Movie* ...*gets back to computer, stares at screen even more* ...*realizes he's succumbed to paralysis by analysis*

Okay, so turns out I have perhaps a tad too much on my mind, with no clear idea of how to approach. Like, all the traditional angles are covered elsewhere (historical importance, themes explored, etc., etc.), and I see little point in re-iterating points. Really, there's only one that immediately springs to mind, and as usual, it relates to where things sat when I wrote that first review.

Oh, not so much me, as I've gone over that plenty 'nuff. No, I'm talking about Eat Static themselves, and how their career was looking in the dread year 2005 (music-wise, at least). It'd been four years since their last album, In The Nude!, which may not seem like a long time, but for an act that was releasing LPs on a near yearly clip, is quite a gap. And even then, were they still considered part of the psy trance lexicon? That album plus previous Crash And Burn! were showing far greater exploration outside the conventional psy parameters, which wasn't too surprising given the general trajectory the old goa guard seemed headed. Juno Reactor was getting big and opulent with Japanese concerts and orchestras, and Simon Posford had redefined psy-dub for a new generation, so why wouldn't Eat Static, what with a prog-rock background, also start feeling the need for something different? They must have worked it all out of their system though, as by 2007, they'd come back into the psy fold with De-Classified. And yeah, I didn't like that one at first, feeling it a regression of their songcraft, but compared to most psy of that time, has aged remarkably well.

And Eat Static (mostly just Merv now) just keep crankin' out the LPs, almost at the same rate as the '90s. Who'd have guessed they'd still be doing this when Abduction was released? Heck, who'd have predicted that scene itself would take the twisted turns it did. Listening to Abduction now, with how much it owes itself to the progressive house of the era as anything Goa or alien based, there truly is a sense of the UK raving masses still being a communal thing, willing to hear any crazy new idea so long as the rhythms last, the melodies soar, and the pills remain pure.

Monday, November 19, 2018

Abandoned Communities - Abandoned Communities

self release: 2014

Is this Lee Norris' most obscure project? For sure it's his lone release with Pietro Bonanno, but he's done one-offs with others too. Most of them are recent efforts though, but after so much time collaborating with Mick Chillage and Ishq, it had to be a little refreshing branching out from familiar faces, a couple of which he'd make more than one album's worth of material with. It remains to be seen whether those other collaborations will generate more than a single session, but given it's been nearly a half-decade since Lee teamed up again with Pietro for another Abandoned Communities jam, odds are in the newer cats' favour continued music making.

Heck, this particular release likely came about due to circumstances at the given time, such that Misters Norris and Bonanno couldn't replicate them without some proper planning. During his time in Italy, at some point Lee hooked up with Pietro to record music inside a derelict building in Piemonte; hence, Abandoned Communities. So, like, does that mean if they wish to do a follow-up to this self-titled debut, they'd have to find another derelict building to record and perform in? And what if they wanted to take the concept to a live setting, with an audience? Would they have to find a derelict building that is at least up to code with the local municipality that could hold enough folks without it becoming a hazard? Hey, that'd definitely be taking things back to underground rave roots and all, though this doesn't strike me as a duo that would cater to such a crowd. And wouldn't an audience defeat the purpose of music being made in an isolated, uninhabited setting, all that mass of humanity soaking up the natural reverberations off empty halls and naked walls. So many tantalizing possibilities for a collaboration that yielded a total of two (2) tracks.

Before I get into them, I should provide a little info on the second half of Abandoned Communities, Pietro Bonanno. Not much to go on though, according to Lord Discogs. He self-released a handful of piano albums in the early '00s, made a couple drone ambient LPs for Akroasis and Essentia Mundi in the late '00s, released a couple lengthier drone ambient pieces as AON for Treetrunk Records, and went relatively quiet after, save a lone album in 2015.

Along the way, he paired up with Lee Norris, after which they made two lengthy drone ambient tracks. And yeah, there's not much else to say regarding them. Tsapi de Diablhou reaches the half-hour mark, drawing out long pad tones and uneasy moods. 'Shorter' piece Tem Pledd makes use of bird song accompanying its desolate drones, making for an even more unsettling bit of music (especially when the birds disappear!). This is possibly the darkest ambient I've ever heard from Mr. Norris, as though I'm, well, wandering an abandoned dwelling, ghostly whispers lurking in the shadows. Not one for the laying back for sleepy time, this.

Saturday, November 17, 2018

Transcend - 2001-2008

Ntone: 1995

And another CD I thought I'd never find, due to the fact I didn't know it existed. Absolutely I knew a few artists on that Tone Tales From Tomorrow Too compilation had music elsewhere, and even gathered a few items up from them (Spacetime Continuum, Neotropic, Sounds From The Ground, kinda'), but Transcend? Sure, the chap had two tracks on there, but he seemed like such an enigma, what with strange, obscure, futuristic track titles like 2003 and 2005. What hope could a teenager from the hinterlands of Canuckistan have in stumbling upon anything from the dude? Very little indeed, Transcend a nigh ghost within the Discoggian archives. This is his lone album, with a lone vinyl single with some of the same tracks coming out the year prior. Even his compilation-fu is sparse, a few scattered tunes on the usual suspects for trippy downtempo cropping up (Mind The Gap series, Instinct Records, Shadow Records). Darren Leathley, the chap behind Transcend, didn't do much else beyond Transcend either, a jungle cover of Pretty Vacant as Sub Carrier all that Lord Discogs provides.

What I hadn't counted on, however, is that Ninja Tune still has CD stock of this album, as revealed when I checked out their actual online store for the first time ever. Why hadn't I ever done that before? Because Ninja Tune music was always available in local stores, and I figured whatever was available here was available anywhere. Not the soundest of logic, but then, there was always Amazon too, providing the fallback. Now that I know it's there tho'... *giggity*

Oh, hey, maybe I should talk some actual music, eh? Ah, sadly, I'm not sure there's much to talk about here. 2001-2008 features eight tracks (2001 up through 2008), all doing that early '90s sample-dub stoner downtempo stuff quite a few folks were doing, and is strictly middle-of-the-road at that. Associated name-drops include The Orb, Psychic Warriors Ov Gaia, and maybe some post-Lifeforms FSOL for good measure. But all done in a real hazy, woozy, trippy meandering kind of way, which fits the 'experimental side of Ninja Tune' vibe Ntone was establishing itself as. I guess you could call this stuff illbient, though it lacks the turntablism that marked that genre's traits. I can't say I've heard much specifically like Transcend's style, but he's not doing much to elevate above the pack either.

If there's any distinct trait in this album, there's a loose idea of the evolution of civilization. The opening clutch of tracks mostly feature chill, laid-back tunes that have no problem throwing in a looping tribal beat, repeated stray woodwind sample, or ethnic chant into the dub stew (plus, big bong rips). The vibe turns urgent by mid-album (hey, it's the Tone Tales tunes!), and downright sketchy and paranoid too (2005). The final track, 2008, features tranquil jungle field recordings, eventually giving way to abrasive, rhythmic samples of deforestation – chopping, sawing, and felling of jungle growth, sending the local fauna fleeing for their lives. Message, much?

Wednesday, November 14, 2018

KMFDM - Xtort

TVT Records/Metropolis: 1996/2007

KMFDM were on the verge of a mainstream breakout, the likes of which seldom seen in the industrial scene. Like, if teenagers in the hinterlands of Canada were now familiar with your tunes, it wouldn't take much to push your careers into the rarefied air breathed upon by Trent Reznor, Rob Zombie, and Al Jourgensen. Never mind that such commercial popularity is antithetical to the industrial mantra, you gotta' grab that brass ring in the one opportunity it comes around. Naturally, in their follow-up to the breakout album Nihil, KMFDM did the only sensible thing an industrial thrash-rock band should do: step back from the brink of all that was commercial and untrue.

Oh, Xtort was still a commercially successful album, indeed their highest charted record ever. That's almost certainly due to the positive buzz previous singles like Juke-Joint Jezebel generated though, all that hot soundtrack licensing getting folks into the stores searching for the latest KMFDM album. The turnaround from Nihil to Xtort was quick though, the band's ninth album hitting the shelves just a year after (and Symbols came a year after that ...KMFDM were a studio machine in the mid-'90s). Thus when folks were looking for the latest KMFDM album, it was probably Xtort they first saw – the return of iconic Brute! artwork didn't hurt either.

If you fear you're inching just a tad too close to the domain of pop, however, then one must get back to the raw, aggressive thrash that could only be loved in the underground. And KMFDM done did that, Xtort one of the heaviest albums the band had produced to that point (ever? I haven't heard enough of their post-2000 material to know otherwise). That didn't stop TVT Records from aggressively promoting the album, not to mention 'suggesting' the band make at least one radio friendly jam in lead single Power. Band leader Sascha Konietzko makes no bones it's a “dumb and catchy” tune, what with an ear-wormy hook and 'soul-mama vamping' singing from Cheryl Wilson on the chorus. Didn't stop him from making a similar track in Inane though. Really, Mr. Konietzko seemed to have a lot of fun both praising and trashing Xtort in his own promotional cycle. Oh, you know there were some doubters creeping into the fandom following their crossover success – the industrial scene's ridiculously anal about such things. Why else would Sascha do such a pisstake on Xtort's promo?

Then you get outright thrash tracks (Apathy, Son Of A Gun), the jack-booted industrial stompers (Ikons, boogie groover Rules), some nods to the burgeoning digital hardcore sound (Craze, Blame), plus a couple spoken word portions too. Dogma has anarchist poet Nicole Blackman spouting some anti-establishment rhetoric over thudding, marching beats, while secret song Fairy is a cheeky, dirty children's tale recited by Jr. Blackmale over piano. It'll make you laugh, if not blush.

So a solid album, all said, KMFDM delivering a properly aggressive response to their commercial success. Take that, wishy-washy fans!

Monday, November 12, 2018

raison d'être - Within The Depths Of Silence And Phormations (Redux)

Cold Meat Industry/Old Europa Cafe: 1995/2013

I wouldn't call Peter Andersson a giant in the realm of dark ambient, but dude's definitely seen some shit. His early career had him doing industrial, EBM and sound experiments under various aliases, which naturally led him to doing dark ambient under other various aliases. In recent years, he's created more aliases to explore other facets of the industrial scene, but throughout it all, raison d'être has been his most prominent project. Atomine Elektrine and Stratvm Terror (with Tobias Larsson) give it competition in terms of total output, but at twenty-five albums under the guise, Mr. Andersson's other handles have some catching up to do.

I'd like to say Within The Depths Of Silence And Phormations is the raison d'être album that came highly recommended, was given the ultra re-issue treatment for its Very Important status in the annals of dark ambient, but I can't confirm that. For one thing, quite a few albums from that era of his has seen the re-issue treatment, especially those that came out on the now defunct Cold Meat Industry print. There's also little in this particular album I hear that signifies it being a giant leap forward in Peter's songcraft compared to what came before. And while I'm sure there are those who hold Within The Depths... as the best release from raison d'être, without taking in everything from him during this period of work, I cannot confirm such a proclamation. Nay, I honestly only scooped this album up because, as I was perusing an online store, I saw a boat on the cover. If there's one thing I've learned about dark ambient, always buy the albums that feature boats on the cover – they're like the Saturn beauty shots of the genre.

So diving in with no idea of what I was diving into, I was immediately struck by a steady drum beat and Gregorian chants. I didn't know what to expect, but I certainly wasn't expecting ritualistic dark ambient. Incidentally, the track is called Sephiroth, and considering this came out in 1995, it makes me wonder if Nobuo Uematsu is somehow a raison d'être fan. No, just a coincidence, I'm sure.

The album mostly flits between intense chanting pieces and droning atmospheric dark ambient compositions, painting a remarkable canvas of a church society on the verge of crumbling ruin. Not just in the field recordings and orchestral additions either, but also the sporadic dialog samples too – something about murder and the like. It all rather reminds me of Delerium's older works, but with a stronger narrative from start to finish and less noodly experimentation. Cool stuff, if you like depressive dark ambient with hooded monks in the periphery.

This Redux version includes a bonus disc of assorted material released around the same time. It's mostly of the same variety of dark ambient – repeated chants, minimalist drone, melancholic melodies, though under-produced compared to what's on Within The Depths.... Having a specific tale to tell can do wonders for one's presentation.

Saturday, November 10, 2018

The Herbaliser - Wall Crawling Giant Insect Breaks

Ninja Tune: 1998

I've enjoyed Ninja Tune for as long as I've known they existed, yet there's a significant gap of their catalogue within my CD shelves: artist albums from their early years. It was all about the compilations from the Ninja folk, see, the most eye-catching of the lot always featuring their logo splayed across the front, unmissable, unmistakable. Aside from a couple CD singles though (because cost), it wasn't until Coldcut's Sound Mirrors that I actually bought a proper LP from the label. I've since scooped up a few '90s releases, but more as explorations of specific artists than the fact they were on Ninja Tune. Well, time to rectify that, fill in more glaring gaps in my ever expanding collection, starting with one of the print's longest contributors that isn't Coldcut: The Herbaliser. Erm, by way of a CD single. Can't knock old habits, I guess.

Have I talked much about The Herbaliser, beyond the requisite name-drops? I don't think I have. Let's talk about The Herbaliser. First off, despite a handle assuming a single individual performing an action involving herbs, The Herbaliser is in fact two London blokes, Jake Wherry and Ollie Teeba. They've added additional members over the years, but these two remain the core, turntablists rinsing out jazz and hip-hop with scratchtastic aplomb. Okay, maybe not ultra DMC-champion aplomb, but respectful enough to be included in discussion with many UK heavyweights of the '90s. I'm sure the Ninja Tune bump helped, though they'd been making the live rounds a couple years before getting their break with the Coldcut crew.

Wall Crawling Giant Insect Breaks was among the lead singles for their third album Very Mercenary. Ain't nothing fancy about this outing, Wall Crawl a straight-up hippin', hoppin', scratch breaks throwdown that'll get the b-boys pounding the ground - I don't know if that's the proper lingo. There's two versions of Wall Crawl, the first featuring a bunch of spoken samples about hip-hop's history, sound frequencies, time travelling, and some teenager astounded by his ability to scale a wall just as easily as a giant insect, like a wall-crawling human... spider! Ooh, I know this one, I know this one! The Blue Beetle, amirite? There's also a shorter, instrumental version just featuring the drum breaks, but isn't as much fun to hear without all the cheeky samples.

Instead of remixes, we get two live recordings of tunes from The Herbaliser's previous album, Blow Your Headphones. The first, Ginger Jumps The Fence, does more of the funk-hop jimmy jam with an earwormy string section in the lead. There's a scratch solo ('natch), a saxaphone solo (eeug, me ears), and an... organ 'n flute solo? Something like that. 40 Winks is more on that downtempo vibe, a smooth bit of soul-jazz for the end of an evening. Finally, an untitled Bonus Beats track replays a bunch of breaks from Wall Crawl, supposedly for your own turntable sessions. Wait, is that even possible in CD form?

Friday, November 9, 2018

Rapoon - Vernal Crossing Revisited

Staalplaat/Zoharum: 1994/2013

As I continuously marvel at our modern marvels of finding and gathering all forms of music, I wonder if I'd have had any hope at all of finding Rapoon's Vernal Crossing back in the day. Like, I barely even knew who the chap was, my only reference point a lone track on a Hypnotic compilation called Ambient Rituals. Still, such recognition was enough for me to nab a copy of any artist album if I so happened upon them in the Vancouver music shops: compilations were very handy in the discovery process of music hunting.

So let's assume Rapoon's Vernal Crossing somehow crossed the Atlantic Ocean, crossed the North America continent, and crossed every distributor's hands to end up on a shelf that I just so might have happened to cross paths with. What section of the store would it even be filed under? Not the 'Electronica' one, that's for sure, the music within far too tribal and 'ethnic' to rub shoulders with house and techno CDs. The 'World Music' section then, but man, there's something far removed from any sort of reality in Rapoon's music, hardly fitting in with the likes of [endless name-drop session of culturally influential musicians abroad]. Heck, it could very well have migrated to a New Age corner, what with the meditative qualities lurking in the endlessly looping chants and rhythms coupled with hypnotizing pad work. Maybe it'd have ended up in the 'Industrial' section, if the music clerk was savvy enough to know of Rapoon's Zoviet France background.

And even if I had found it, what on Earth would I have made of it? For sure the world beat dork in me would be intrigued by all the chanting and drumming, but this stuff is on an entirely different plane of existence compared to what I was familiar with (Banco de Gaia, Deep Forest, etc.). It's, dare I say, erotic, opening track The Same River Once creating an atmosphere of primal jubilation and haunting ecstasy, a celebration of the coming season of fertility. Makes me want to strip naked and dance in the spring sunshine with someone of the Wiccan faith.

What gives all these tracks an other-worldly edge is the same dusty, dubby filter Robin Storey used throughout Zoviet France's run. Best I can describe is as though you're watching a grainy, black-and-white documentary, a short film repeatedly flickering against a stone wall in the claustrophobic dark. You recognize elements of human culture, especially those involved in ancient rituals predating anything the West has conceived, but it doesn't seem real, more like a fever dream of what once was.

Vernal Crossing was apparently the album that got folks noticing Rapoon on a unique wavelength when it came to ethno-ambient, such that it received a 2013 remake from the man himself. While it certainly captures his recent, more polished songcraft, there's still something entrancing about the primitive, dubby looping going on in the original. Feels like a more appropriate vibe, given the subject matter.

Wednesday, November 7, 2018

Moss Garden - Understanding Holy Ghosts

Kaico: 2013

And... we're back to our regularly scheduled ambient excursion via Lee Norris mailing list Bandcamp giveaway! No, no, don't all go cheering all at once, I know how much y'all yearn for me to endlessly wax the bull about dreamy pads, droning layers of timbre, and fuzzy, crackly field recordings. We all have our lanes, our strong suits, our specialties, and for me, this is apparently it. I did not ask for this responsibility – nay, it was foisted upon me, when my ears perked towards the digital winds that binds everyone's interwebs into that which is the grand tubular info super-highway. And as I carry on checking out these musics that Mr. Norris remains a generous gent over, it seems appropriate that I finally return to the project that first clued me into his music, Moss Garden.

Okay, technically I came into contact with his sonic souffle when I got that fantabulous, instipicuous Pete Namlook tribute box set, where he appeared twice as Ishqmatics and Autumn Of Communion. Had no clue who he was at that point though, indeed the main names luring me in old familiar favourites. Man, when I look back at that box set now, and all the artists I've come to learn of since, it feels like Die Welt Ist Klang's become an ambient advent calendar, where I'm slowly ticking off each artist.

Anyhow, despite that box set being my initial lure, I did peruse Carpe Sonum's catalog for anything else that caught my eye, of which the Moss Garden album In The Silence Of The Subconscious did. That was in fact Moss Garden's second LP, their first coming out a year prior on the Japanese sub-label Kaico (that print's first release, apparently – crazy that it was done by a foreigner group). While not vastly limited in its run, it's was still scant and obscure enough that there's no way I'd get to snag a copy for myself, so yay on Lee Norris for providing it this way to hear now!

And might I say, Understanding Holy Ghosts is a smidge better than In The Silence Of The Subconscious? Obviously any album that opens with a track titled No Prayers For The Mosquito is ace in my books (die, blood suckers, die!), but I feel there's more interesting songcraft in this album. Obviously both make wonderful use of dreamy, dubby pad work and droning timbres, though the second album rather blended together throughout. However, each composition in Understanding Holy Ghosts has a unique element standing out from its brethren. Overlooking Oceans has a soft rhythmic clatter as though you're traversing a railroad or bumpy road bridge. Ritual Solitaire and Structures Of Patience features lethargic, dubby metallic percussion, the latter time-stretched into a sonic haze as gentle choir and string pads blanket you. As for that melody in The Fabric Of Sentinal... dear God, my heart turns to melted butter on a fluffy waffle topped with cinnamon icing sugar. Bliss, is what.

Tuesday, November 6, 2018

Supercar - Futurama

Ki/oon: 2000

(a Patreon Request from Philoi)

I know rock music has been a major component of Japanese culture for many decades now, but I don't hear much of it. Their chief sonic exports into my earholes remain j-pop and traditionalist modern classical, with some minimalist ambient and techno celebrating neo-Tokyo on the side. All these retain some hint of Japanese influence, adding to the rich tapestry these genres encapsulate across the globe. Rock music, on the other hand, is almost entirely devoted to Americana, forcing its musicians into its mold. Any innovative deviation from The Source is often ridiculed (krautrock, stuffy British progressive rock ...Norwegian death metal?), making the once rebellious scene almost as conservative as country (the true bastion of all that is Americana).

Thus whenever I hear Japanese rock, I give it a respectful nod, but seldom hear much that differentiates it from its American counterparts (screaming j-Punk noise an exception – no one screams like the Japanese!). Indeed, if I didn't explicitly know going in, I wouldn't have guessed this Supercar band was Japanese. For sure they sing in Japanase, but because they do so in that shoegazey method of elongated syllables, it doesn't sound much different from an English singer, in that I haven't a clue what either are saying most of the time. But man, do such vocals ever sound cool in the wall of sound that is indie rock.

Supercar cranked out seven albums in a decade of activity, before disbanding in 2005. They seem adored enough to get vinyl re-issues as of late, but even the Empire Records soundtrack got a vinyl reissue, so what's that worth? No, but seriously, Futurama is the sort of album that could use a little resurgence, a catchy assemblage of dream pop indie jams and club ready electronic rhythms. In fact, this album is far more electronic than I was expecting, tracks like opener Changes, Karma, and Fairway laying the techno-kicks on thick.

Mostly though, we get a variety of chipper indie rock (Playstar Vista, White Surf Style 5., Restarter), quirky synth-hop ditties (Baby Once More, Shibuya Morning, Everybody On News) and dreamy jams (Flava, New Young City, I'm Nothing). Some tracks add in a unique element from the usual shoegaze tones (what is that bleepy sound in Star Fall?), while others revisit musical themes from earlier in the album. Still, Supercar seem incappable of ending Futurama, the last clutch of tracks sounding like they're the capper on the album. No, wait, here's one more song. And one more. And one more. And...

And lyrically? From what I can glean from sporadic translations, most of these songs deal with relationships, which is a little disappointing, if I'm honest. With a title like Futurama, and clear album flow going down, I was kinda' hoping for songs about, well, the future, or at least living in some 'futurama' future. Heck, maybe they are, and the translations simply didn't capture that theme. Wouldn't be the first time something Japanese is lost in translation.

Things I've Talked About

...txt 10 Records 16 Bit Lolita's 1963 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2 Play Records 2 Unlimited 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 20xx Update 2562 3 Loop Music 302 Acid 36 3FORCE 3six Recordings 4AD 6 x 6 Records 75 Ark 7L & Esoteric 808 State A Perfect Circle A Positive Life A-Wave a.r.t.less A&M Records A&R Records Abandoned Communities Abasi Above and Beyond abstract Abstrakce Records AC/DC Ace Trace Ace Tracks Playlists Ace Ventura acid acid house acid jazz acid techno acid trance acoustic Acroplane Recordings Adam Beyer Adam Ellis Adam Freeland Adham Shaikh ADNY Adrian Younge adult contemporary Advanced UFO Phantom Aegri Somnia AEI Music Aes Dana Aesthetical Afgin Afrika Bambaataa Afro-house Afterhours Agoria Aidan Casserly Aira Mitsuki Airwaves Ajana Records Ajna AK1200 Akshan album Aldrin Alex Smoke Alex Theory Alice In Chains Alien Community Alien Project Alio Die All Saints Alpha Wave Movement Alphabet Zoo Alphaxone Altar Records Alter Ego alternative rock Alucidnation Ambelion Ambidextrous ambient ambient dub ambient techno Ambient World Ambientium Ametsub Amon Amarth Amon Tobin Amplexus Anabolic Frolic Anatolya Andrea Parker Andrew Heath Androcell Anduin Andy C anecdotes Aniplex Anjunabeats Annibale Records Anodize Another Fine Day Antares Antendex anthem house Anthony Paul Kerby Anthony Rother Anti-Social Network Anzio Green Aoide Aphasia Records Aphex Twin Apócrýphos Apollo Apollo 440 Apple Records April Records Aqua Aquarellist Aquascape Aquasky Aquila Arcade Architects Of Existence Archives Arctic Hospital Arcturus arena rock Arista Armada Armin van Buuren Arpatle Artifact303 Arts & Crafts As If ASC Ashtech Asia Asian Dub Foundation Astral Engineering Astral Projection Astral Waves Astralwerks AstroPilot AstroPilot Music Asura Asylum Records ATB ATCO Records Atlantic Atlantis atmospheric jungle Atom Heart Atomic Hooligan Atomine Elektrine Atrium Carceri Attic Attoya Audiobulb Records Audion AuroraX Autechre Autistici Autumn Of Communion Auxilary Auxiliary Avantgarde Avatar Records Aveparthe Avicii Axiom Axs Axtone Records Aythar B.G. The Prince Of Rap B°TONG B12 Babygrande Balance Balanced Records Balearic ballad Bålsam Banco de Gaia Bandulu Barker & Baumecker Battle Axe Records battle-rap Bauri Beastie Boys Beat Buzz Records Beat Pharmacy Beatbox Machinery Beats & Pieces bebop Beck Bedouin Soundclash Bedrock Records Beechwood Music Ben Sims Benny Benassi Bent Benz Street US Berlin-School Beto Narme Beyond bhangra Bicep big beat Big Boi Big Dada Recordings Big L Big Life Bill Hamel Bill Laswell Bill Leeb BIlly Idol BineMusic BioMetal Biophon Records Biosphere Bipolar Music BKS Black Hole Recordings black metal black rebel motorcycle club Black Swan Sounds Blanco Y Negro Blasterjaxx Bleep Blend Blood Music Blow Up Blue Amazon Blue Hour Blue Öyster Cult blues blues rock Bluescreen Bluetech BMG Boards Of Canada Bob Dylan Bob Marley Bobina Bogdan Raczynzki Bombay Records Bone Thugs-N-Harmony Boney M Bong Load Records Bonobo Bonzai Boogie Down Productions Booka Shade Boom Boom Satellites Botchit & Scarper Bows Boxed Boys Noize Boysnoize Records BPitch Control braindance Brandt Brauer Frick Brasil & The Gallowbrothers Band breakbeats breakcore breaks Brian Eno Brian Wilson Brick Records Britpop Brodinski broken beat Brooklyn Music Ltd brostep Bryan Adams BT Bubble Buffalo Springfield Bulk Recordings Burial Burned CDs Bursak Records Bush Busta Rhymes Buttertones bvdub C.I.A. Calibre calypso Canibus Canned Resistor Canopy Of Stars Capitol Records Capsula Captain Hollywood Project Captured Digital Carbon Based Lifeforms Caribou Carl B Carl Craig Carlos Ferreira Carol C Caroline Records Carpe Sonum Novum Carpe Sonum Records Castroe Casual Cat Sun CD-Maximum Ceephax Acid Crew Celestial Dragon Records Cell Celtic Centaspike Cevin Fisher Cheb i Sabbah Cheeky Records chemical breaks Chihei Hatakeyama Children Of The Bong chill out chill-out chiptune Chris Duckenfield Chris Fortier Chris Korda Chris Liebing Chris Sheppard Chris Witoski Christmas Christopher Lawrence Chromeo Chronos Chrysalis Ciaran Byrne cinematic soundscapes Circle of Pines Circular Ciro Berenguer Cirrus Cities Last Broadcast City Of Angels CJ Stone Claptone classic house classic rock classical Claude VonStroke Claude Young Clear Label Records Clementz Cleopatra Cloud 9 Club Culture Club Cutz Club Tools Cocoon Recordings Cold Spring Coldcut Coldplay coldwave Colette collagist Columbia Com.Pact Records Coma Eye comedy Compilation Comrie Smith Congo Natty Conjure One Connect.Ohm conscious Control Music Convextion Cooking Vinyl Cor Fijneman Corderoy Cosmic Gate Cosmic Replicant Cosmo Cocktail Cosmos Studios Cottonbelly Council Estate Electronics Council Of Nine Counter Records country country rock Covert Operations Recordings Craig Padilla Craig Richards Crazy Horse Cream Creamfields Creedence Clearwater Revival Crockett's Theme Crosby Stills And Nash Crossing Mind Crosstown Rebels crunk Cryo Chamber Cryobiosis Cryogenic Weekend Cryostasis Crystal Moon Cube Guys Culture Beat Curb Records Current Curve cut'n'paste CYAN Cyan Music Cyber Productions CyberOctave Cyclic Law Cygna Cymphonica Cypher 7 Cypress Hill Cyril Secq Czarface D York D-Bridge D-Fuse D-Topia Entertainment Daar Dacru Records Daddy G Daft Punk Dag Rosenqvist Damian Lazarus Damon Albarn Damon Wild Dan Terminus Dan The Automator Dance 2 Trance Dance Pool Dance With The Dead dancehall Daniel Heatcliff Daniel Lentz Daniel Pemberton Daniel Wanrooy Danny Howells Danny Tenaglia Dao Da Noize Daphni dark ambient dark disco dark psy darkcore darkside darkstep darksynth darkwave Darla Records Darren Emerson Darren McClure Darren Nye DAT Records Databloem dataObscura David Alvarado David Bickley David Bridie David Cordero David Guetta David Morley DDR De-tuned Dead Coast Dead Melodies Deadmau5 Death Grips death metal Death Row Records Decimal Deconstruction Dedicated Deejay Goldfinger Deep Dish Deep Forest deep house deep tech Deeply Rooted House Deepwater Black Deetron Def Jam Recordings Del Tha Funkee Homosapien Delerium Delsin Deltron 3030 Denshi Danshi Depeche Mode Der Dritte Raum Derek Carr Detroit Deviant Records Devin Underwood Devroka Deysn Masiello DFA DGC diametric. Dido Dieselboy Different DigiCube Dillinja Dirk Serries dirty house Dirty South Dirty Vegas Dis Fig disco Disco Gecko disco house Disco Pinata Records disco punk Discover (label) Disky Disques Dreyfus Distant System Distinct'ive Breaks Disturbance Divination DJ 3000 DJ Brian DJ Craze DJ Dag DJ Dan DJ Dean DJ Gonzalo DJ Heather DJ John Kelley DJ John Storm DJ Merlin DJ Mix DJ Moe Sticky DJ Observer DJ Premier DJ Q-Bert DJ Shadow DJ Soul Slinger DJ-Kicks Djen Ajakan Shean DJMag DMC DMC Records Doc Scott Dogon Dogwhistle Dooflex Doom Poets Dopplereffekt Dossier Dousk downtempo dowtempo Dr. Alban Dr. Atmo Dr. Dre Dr. Hook & The Medicine Show Dr. Octagon Dragon Quest dream house dream pop Dreamworks DreamWorks Records Drexciya drill 'n' bass Dronarivm drone Dronny Darko drum 'n' bass DrumNBassArena drumstep drunken review dub Dub Pistols dub techno Dub Trees Dubfire dubstep Dubtribe Sound System DuMonde Dune Dusted Dyadik Dynatron E-Mantra E-Z Rollers Eardream Music Earth Earth Nation Earthling Eastcoast Eastcost Eastern Dub Tactik EastWest Eastworld Eat Static EBM Echodub Ed Rush & Optical Editions EG EDM World Weekly News Ektoplazm Electric Universe electro Electro House Electro Sun electro-funk electro-pop electroclash Electronic Dance Essentials Electronic Music Guide Electrovoya Elektra Elektrolux Ellen Allien em:t EMC update EMI Emiliana Torrini Eminem Emmerichk Emperor Norton Empire enCAPSULAte Encym Engine Recordings Enigma Enmarta Ensiferum Enya EP Epic epic trance EQ Recordings Equal Stones Erased Tapes Records Eric Borgo Erik Vee Erol Alkan Erot Escape Esko Barba Esoteric Reactive Espacio Cielo ethereal Etic Etnica Etnoscope Euphoria euro dance eurodance eurotrance Eurythmics Eve Records Everlast Ewan Pearson Exitab experimental Eye Q Records Ezdanitoff F Communications Fabric Facture Fade Records Faex Optim Faint Faithless Falcon Reekon Fallen False Mirror fanfic Fantastisizer Fantasy Enhancing faru Fatboy Slim Fax +49-69/450464 Fear Factory Fedde Le Grand Fehrplay Feist Fektive Records Felix da Housecat Fennesz Ferry Corsten FFRR Fictivision field recordings Filter Filteria filters Final Fantasy Firescope Five AM Fjäder Flashover Recordings Floating Points Flowers For Bodysnatchers Flowjob Fluke Fluxion Flying Lotus folk Fontana footwork Force Intel Fountain Music Four Tet FPU Frame Frame Of Mind Francis M Gri Franck Vigroux Frank Bretschneider Frankie Bones Frankie Knuckles Frans de Waard Fred Everything freestyle French house Front Line Assembly Frou Frou fsoldigital.com Fugees full-on Fun Factory Function funk future garage Future Sound Of London Futuregrapher futurepop g-funk G-Prod gabber Gabriel Le Mar Gaither Music Group Galaktlan Galati Gang Starr gangsta garage Gareth Davis Gary Martin Gas Gasoline Alley Records Gee Street Geffen Records Gel-Sol Genesis Geometry Combat George Issakidis Gerald Donald Gerd Get Physical Music GGGG ghetto Ghostface Killah Ghostly International Glacial Movements Records glam Gliese 581C glitch Glitch Hop Global Communication Global Underground Globular goa trance Goasia God Body Disconnect God's Groove Gorillaz gospel Gost goth Grammy Awards Gravediggaz Green Bay Wax Green Day Grey Area Greytone Gridlock grime Groove Armada Groove Corporation Grooverider grunge Guru Gustaf Hidlebrand Gusto Records GZA H:U:M H2O Records Haddaway Halgrath happy hardcore hard house hard rock hard techno hard trance hardcore Hardfloor Hardly Art hardstyle Harlequins Enigma Harmless Harmonic 33 Harmonic Resonance Recordings Harold Budd Harthouse Harthouse Mannheim Havoc Hawtin Headphone Hearts Of Space Hed Kandi Hefty Records Helen Marnie Hell Hercules And Love Affair Hernán Cattáneo Herne Hexstatic Hi-Bias Records Hic Sunt Leones Hide And Sequence Hiero Emperium Hieroglyphics High Contrast High Note Records Higher Ground Higher Intelligence Agency Hilyard hip-hop hip-house hipno Hollywood Burns Home Normal Honest Jon's Records Hooj Choons Hope Records horrorcore Hospital Records Hot Chip Hotflush Recordings house Howie B Huey Lewis & The News Human Blue Humanoid Hybrid Hybrid Leisureland Hymen Records Hyperdub Hypertrophy Hypnotic Hypnoxock I Awake I-Cube i! Records I.F. I.F.O.R. I.R.S. Records Iboga Records Icarus Music Ice Cube Ice H2o Records ICE MC IDM Iempamo Ignis Fatum Igorrr Ikjoyce illbient ILUITEQ Imba Imogen Heap Imperial Dancefloor Imploded View In Charge In The Face Of In Trance We Trust Incoming Incubus Indica Records indie rock Indisc Industrial Infastructure New York Infected Mushroom Infinite Guitar influence records Infonet Inhmost Ink Midget Inner Ocean Records Innovative Leisure Records Insane Clown Posse Inspectah Deck Instinct Ambient Instra-Mental Intellitronic Bubble Inter-Modo Interchill Records Internal International Deejays Gigolo Interscope Records Intimate Productions Intuition Recordings ISBA Music Entertainment Ishkur Ishq Island Def Jam Music Group Island Records Islands Of Light Italians Do It Better italo disco italo house Item Caligo J-pop Jack Moss Jackpot Jacob Newman Jafu Jake Stephenson Jam and Spoon Jam El Mar James Blake James Holden James Horner James Lavelle James Murray James Zabiela Jamie Jones Jamie Myerson Jamie Principle Jamiroquai Javelin Ltd. Jay Haze Jay Tripwire Jaydee jazz jazz dance jazzdance jazzstep Jean-Michel Jarre Jeannine Sculz Jefferson Airplane Jerry Goldsmith Jesper Dahlbäck Jesse Rose Jessy Lanza Jimmy Van M Jiri.Ceiver Jive Jive Electro Jliat Jlin JMJ Joel Mull Joey Beltram John '00' Fleming John Acquaviva John Beltran John Digweed John Graham John Kelly John O'Callaghan John Oswald John Shima John Tejada Johnny Cash Johnny Jewel Jon Hester Jonny L Jori Hulkkonen Joris Voorn Jørn Stenzel Josh Christie Josh Wink Journeys By DJ™ LLC Joyful Noise Recordings Juan Atkins juke Jump Cut jump up Jumpin' & Pumpin' jungle Junior Boy's Own Junkie XL Juno Reactor Jupiter 8000 Jurassic 5 Justin Timberlake Ka-Sol Kaico Kay Wilder KDJ Keith Farrugia Ken Ishii Kenji Kawai Kenny Glasgow Keoki Keosz Kerri Chandler Kevin Braheny Kevin Yost Kevorkian Records Khetzal Khooman Khruangbin Ki/oon Kid Koala Kiko Killing Joke Kinder Atom Kinetic Records King Cannibal King Midas Sound King Tubby Kiphi Kitaro Klang Elektronik Klaus Schulze Klik Records KMFDM Koch Records Koichi Sugiyama Kolhoosi 13 Komakino Kompakt Kon Kan Kontor Records Kool Keith Kozo Kraftwelt Kraftwerk Krafty Kuts Kranky krautrock Kriistal Ann Krill.Minima Kris O'Neil Kriztal KRS-One Kruder and Dorfmeister Krusseldorf Krystian Shek Kubinski KuckKuck Kulor Kurupt Kwook L.B. Dub Corp L.S.G. L'usine La Luz Lab 4 Ladytron LaFace Records Lafleche Lamb Lange Lantern Large Records Lars Leonhard Laserlight Digital LateNightTales Latin Laurent Garnier Layer 3 LCD Soundsystem Le Moors Leaf Leama and Moor Lee 'Scratch' Perry Lee Burridge Lee Norris Leftfield Leftfield Records Legacy Legiac Legowelt Lemony Records Leon Bolier Les Disques Du Crépuscule LFO Life Enhancing Audio Linear Labs Lingua Lustra Lionel Weets Liquid Frog Records liquid funk Liquid Sound Design Liquid Stranger Liquid Zen Literon Live live album LL Cool J lo fi Loco Dice Lodsb LoFi Logan Sama Logic Records London acid crew London Classics London Elektricity London Records 90 Ltd London-Sire Records LongWalkShortDock Loop Guru Loreena McKennitt Lorenzo Masotto Lorenzo Montanà loscil Lost Language Lotek Records Loud Records Louderbach Loverboy Lowfish Luaka Bop Lucette Bourdin Luciano Luke Slater Lunarian Records Lustmord M_nus M.A.N.D.Y. M.I.K.E. Mack 10 Madonna Magda Magicwire Magik Muzik Mahiane Mali Malignant Records Mammoth Records Mantacoup Marc Simz Marcel Dettmann Marcel Fengler Marco Carola Marco V Marcus Intalex Mark Farina Mark Norman Mark Pritchard Markus Schulz Marshmello Martin Allin Martin Cooper Martin Nonstatic Märtini Brös Martyn Marvin Gaye Maschine Massimo Vivona Massive Attack Masta Killa Master Margherita Masterboy Matthew Dear Max Graham maximal Maxx MCA MCA Records McProg Meanwhile Meat Loaf Median Project Medicine Label Meditronica Melusine Records Memex Menno de Jong Mercury Merr0w Mesmobeat metal Metal Blade Records Metamatics Method Man Metro Area Metroplex Metropolis MF Doom Miami Bass Miami Beach Force Miami Dub Machine Michael Brook Michael Jackson Michael Mantra Michael Mayer Michael Stearns Mick Chillage micro-house microfunk Microscopics MIG Miguel Migs Mike Saint-Jules Mike Shiver Miktek Mille Plateaux Millennium Records Mind Distortion System Mind Over MIDI mini-CDs minimal minimal tech-house minimalism Ministry Of Sound miscellaneous Misja Helsloot Miss Kittin Miss Moneypenny's Mistical Mixmag Mixmaster Morris Mo Wax Mo-Do MO-DU Moby Model 500 modern classical Modeselektor Mohlao Moist Music Moljebka Pvulse Moodymann Moonshine Morgan Morphic Resonance Morphology Moss Covered Technology Moss Garden Motech Motionfield Motorbass Mount Shrine Move D Moving Shadow Mr. Scruff Mujaji Murk Murmur Mushy Records Music link Music Man Records musique concrete Mutant Sound System Mute MUX Muzik Magazine My Best Friend Mystery Tape Laboratory Mystica Tribe Mystified N-Trance Nacht Plank Nadia Ali Nano Records Napalm Records Nas Nashville Natural Life Essence Natural Midi Nature Sounds Naughty By Nature Nav Bhinder Nebula Nebula Meltdown Nebulae Records Neil Young Nelly Furtado Neo Ouija Neo-Adventures Neogoa Neon Droid Neotantra Neotropic nerdcore Nervous Records Nettwerk Neurobiotic Records neurofunk Neuropa Records New Age New Beat New Jack Swing New Order new wave Nic Fanciulli Nick Höppner Night Hex Night Time Stories Nightmares On Wax Nightwind Records Nimanty Nine Inch Nails Ninja Tune Nirvana nizmusic No Mask Effect Nobuo Uematsu noise Noise Factory Records Nomad Nonesuch Nonplus Records Nookie Nordic Trax Norken Norman Cook Norman Feller North South Northumbria Not Now Music Nothing Records Nova NovaMute NRG Ntone nu-italo nu-jazz nu-metal nu-skool Nuclear Blast Nuclear Blast Entertainment Nulll Nunc Stans Nurse With Wound NXP Nyquist Oasis Ocelot Octagen Offshoot Offshoot Records Ol' Dirty Bastard Olan Mill Old Europa Cafe old school rave Ole Højer Hansen Olga Musik Olien Oliver Lieb Olivier Orand Olsen OM Records Omni Music Omni Trio Omnimotion Omnisonus On Delancey Street One Little Indian Onyx Oophoi Oosh Open Open Canvas Opium Opus III orchestral Original TranceCritic review Origo Sound Orkidea Orla Wren Ornament Ostgut Ton Ott Ottsonic Music Ouragan Out Of The Box OutKast Outmosphere Records Outpost Records Overdream Owl P-Ben Pale Glow Paleowolf Pan Sonic Pantera Pantha Du Prince Paolo Mojo Parental Advisory Parlaphone Part-Sub-Merged Pascal F.E.O.S. Past Inside The Present Patreon Patrick Dream Paul Moelands Paul Oakenfold Paul van Dyk Pendulum Pentatonik Perfect Stranger Perfecto Perturbator Pet Shop Boys Petar Dundov Pete Namlook Pete Tong Peter Andersson Peter Benisch Peter Broderick Peter Gabriel Peter Tosh Phantogram Phonothek Photek Phutureprimitive Phynn PIAS Recordings Pinch Pink Floyd Pioneer Pitch Black PJ Harvey Plaid Planet Dog Planet Earth Recordings Planet Mu Planetary Assault Systems Planetary Consciousness Plastic City Plastikman Platinum Platipus Pleq Plump DJs Plunderphonic Plus 8 Records PM Dawn Poker Flat Recordings Polar Seas Recordings Pole Folder politics Polydor Polytel pop Popular Records Porya Hatami positivesource post-dubstep post-punk power electronics Prince Prince Paul Prins Thomas Priority Records Private Mountain Procs Profondita prog prog metal prog psy prog rock prog-psy progress house Progression progressive breaks progressive house progressive rock progressive trance Prolifica Proper Records Prototype Recordings protoU Pryda psy chill psy dub Psy Spy Records psy trance psy-chill psy-dub psychedelia Psychick Warriors Ov Gaia Psychomanteum Psychonavigation Psychonavigation Records Psycoholic Psykosonik Psysolation Public Enemy Pulse-8 Records punk punk rock Pureuphoria Records Purl Purple Soil Push PWL International Q-Burns Abstract Message Quadrophonia Quality Quango Quantic Quantum Quinlan Road R & S Records R'n'B R&B Ra Rabbit In The Moon Radio Slave Radioactive Radioactive Man Radiohead Rae Raekwon ragga Rainbow Vector raison d'etre Raja Ram Ralf Hildenbeutel Ralph Lawson RAM Records Randal Collier-Ford Random Review Rank 1 rant Rapoon RareNoise Records Ras Command Rascalz Raster-Noton Ratatat Raum Records rave RCA React Rebecca & Nathan Recycle Or Die Red Fog Red Jerry Redman Refracted reggae ReKaB REKIDS remixes Renaissance Renaissance Man Rephlex Reprise Records Republic Records Res Resist Music Restless Records RetroSynther Reverse Alignment Reverse Pulse Rhino Records Rhys Fulber Ricardo Villalobos Richard Durand Richard Stonefield Riley Reinhold Ringo Sheena Rising High Records RnB Roadrunner Records Robert Hood Robert Miles Robert Oleysyck Robert Rich Roc Raida rock rock opera rockabilly rocktronica Roger Sanchez ROIR Rollo Roman Ridder Rough Trade Rub-N-Tug Ruben Garcia Rudy Adrian Ruffhouse Records Rumour Records Running Back Ruptured World Ruthless Records RX-101 Rykodisc RZA S.E.T.I. Saafi Brothers Sabled Sun Sacred Seeds SadGirl Saitoh Tomohiro Sakanaction Salt Tank Salted Music Salvation Music Samim Samora sampling Samurai Red Seal Sanctuary Records Sander van Doorn Sandoz Sandwell District SantAAgostino Saphileaum Sarah McLachlan Sash Sasha Saul Stokes Scandinavian Records Scann-Tec sci-fi Science Scooter Scott Grooves Scott Hardkiss Scott Stubbs Scuba Seán Quinn Seaworthy Segue Sense Sentimony Records Sequential Seraphim Rytm Setrise Seven Davis Jr. Sghor sgnl_fltr Shackleton Shaded Explorations Shaded Explorer Shadow Records Sharam Shawn Francis shoegaze Shpongle Shuta Yasukochi Si Matthews Side Effects SideOneDummy Records Sidereal Signature Records SiJ Silent Season Silent Universe Silentes Silentes Minimal Editions Silicone Soul silly gimmicks Silver Age Simian Mobile Disco Simon Berry Simon Heath Simon Posford Simon Scott Simple Records Sinden Sine Silex single Single Gun Theory Sire Records Company Six Degrees Sixeleven Records Sixtoo ska Skanfrom Skare Skin To Skin Skua Atlantic Slaapwel Records Slam Sleep Research Facility Slinky Music Slowcraft Records Sly and Robbie Smalltown Supersound SME Visual Works Inc. SMTG Limited Snap Sneijder Snoop Dogg Snowy Tension Pole soft rock Soiree Records International Solar Fields Solaris Recordings Solarstone Soleilmoon Recordings Solieb Solieb Digital Solipsism Soliquid Solstice Music Europe Solvent Soma Quality Recordings Songbird Sony Music Entertainment SOS soul Soul Temple Entertainment soul:r Souls Of Mischief Sound Of Ceres Sound Synthesis Soundgarden Sounds From The Ground soundtrack southern rap southern rock space ambient Space Dimension Controller space disco Space Manoeuvres space music space synth Spacetime Continuum Spaghetti Recordings Spank Rock Special D Specta Ciera speed garage Speedy J SPG Music Sphäre Sechs Spicelab Spielerei Spinefarm Records Spiritech spoken word Sport Spotify Suggestions Spotted Peccary Spring Hill SPX Digital Spy vs Spice Squarepusher Squaresoft Stacey Pullen Stanton Warriors Star Trek Stardust Statrax Stay Up Forever Stealth Sonic Recordings Stephanie B Stephen Kroos Stereo Raptor Stereolab Steve Angello Steve Brand Steve Lawler Steve Miller Band Steve Porter Steven Rutter Stijn van Cauter Stimulus Timbre Stone Temple Pilots Stonebridge Stormloop Stray Gators Street Fighter Stuart McLean Studio K7 Stylophonic Sub Focus Subharmonic Sublime Sublime Porte Netlabel Subotika Substance Subtle Shift Suction Records Suduaya Suicide Squeeze SUN Project Sun Station Sunbeam Sunday Best Recordings Sunscreem Suntrip Records Supercar Superstition surf rock Susumu Yokota Sven van Hees Sven Väth SVLBRD Swayzak Sweet Trip swing Switch Swollen Members Sykonee Survey Sylk 130 Symmetry Synaptic Voyager Sync24 Synergy Synkro synth pop synth-pop synthwave System 7 Taboo Tactic Records Take Me To The Hospital Tall Paul Tammy Wynette Tangerine Dream Tau Ceti Taylor Taylor Deupree Tayo tech house Tech Itch Digital Tech Itch Recordings tech-house tech-step tech-trance Technical Itch techno technobass Technoboy Tectonic Telefon Tel Aviv Telstar Terminal Antwerp Terra Ferma Terror Cell Terry Lee Brown Jr Tetsu Inoue Textere Oris The 13th Sign The Angling Loser The B-52's The Beach Boys The Beatles The Black Dog The Boats The Brian Jonestown Massacre The Bug The Chemical Brothers The Circular Ruins The Clash The Council The Cranberries The Crystal Method The Digital Blonde The Dust Brothers The Field The Frozen Vaults The Gentle People The Glimmers The Green Kingdom The Grey Area The Grid The Hacker The Herbaliser The Human League The Irresistible Force The KLF The Micronauts The Misted Muppet The Movement The Music Cartel The Null Corporation The Oak Ridge Boys The Offspring The Orb The Police The Prodigy The Real McCoy The Roots The Sabres Of Paradise The Shamen The Sharp Boys The Sonic Voyagers The Squires The Stills-Young Band The Stray Gators The Tea Party The Tragically Hip The Velvet Underground The Wailers The White Stripes The Winterhouse themes Thievery Corporation Third Contact Third World Tholen Thrive Records Tiefschwarz Tierro Cosmico Tiësto Tiga Tiger & Woods Tijuana Panthers Timbaland Time Life Music Time Warp Timecode Timestalker Tineidae Tipper Tobias Tocadisco Todd Terje Toki Fuko Tom Middleton Tom Tom Club Tomas Jirku Tomita Tommy '86 Tommy Boy Ton T.B. 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