Tuesday, December 10, 2019

Various - Backspin: A Six Degrees Ten Year Anniversary Project (Original TC Review)

Six Degrees: 2007

(2019 Update:
I wonder if 2007 Sykonee would have been so critical of gatekeeping if he'd known that electronic music would blow up to the degree it did half a decade later? My larger point in the pre-amble ramble was pop music needn't be so shunned by the techno underground, but considering the sort of obnoxious bilge that
did break through into America - not to mention the usual slop constantly hitting it high in European charts - my wish for a little more acceptance of popular sounds shouldn't have been taken upon a monkey's paw. And was kind of a moot point anyway where this compilation was concerned. Yeah, the original artists being covered here were generally chart toppers, but the selected songs for covering were hardly their biggest hits. Heck, some of them may not have charted at all.

Also, I'd love to see this concept revisited. Would be interesting to see what the current generation of wordly musicians consider their influences of the past three decades.)



IN BRIEF: The old is new again.

Before I start, I feel I should warn you the following review contains musical philosophizing. If you haven’t the time to indulge in my pseudo-intellectual rambling, then here’s the bottom line regarding this release: it’s good. Really good. Check it out. You won’t regret it!

Alright then? Let’s get into it.

Electronic music, for the most part, is typically regarded as non-mainstream. Aside from brief bursts of trendy pop dance hitting the airwaves, most of it is only enjoyed by a select few (in America, anyway). As a result, a sense of pretentiousness has been bred in its fans. The pursuit of underground purity permeates many scenes, even those who could very easily have crossed over had some events been different. This has led to an outright dismissal of anything with a hint of pop. The assumption is if it’s catchy, it must have been manufactured for a wider audience, thus no longer credible within the realms of the indie. What a load of bull.

Granted, a great deal of pop music is manufactured, with the sole intention of placing in the charts as high on street date as possible. But believing every song that does is ridiculous. Fact is plenty of musicians can hit upon a good song the general public enjoys and, with just the right amount of promotion, become a hit. In this age of Everything-Available-All-The-Time, a single spreading through the internet can secure success far better and credibly than thousands of PR dollars pumped into the industry.

Alas, the gut reaction of scensters to ignore good songs that become popular persists. So here’s an intriguing question: what if these popular songs hadn’t made it, and had initially been performed by obscure indie names like Ojos de Brujo or The Real Tuesday Weld? Would such folk enjoy them in that context then?

Okay, okay. This isn’t really the premise behind Six Degrees Records' new compilation. In actual fact, Backspin is a ten year anniversary project for the eclectic label. However, rather than rounding up a bunch of their biggest hits, Six Degrees instead got members of their roster to do covers of their influential songs. But in doing so, it does raise that question, doesn’t it?

Well, maybe not. Perhaps I was the only one to even think of it. It was something that crossed my mind when I saw songs on here originally written by names like Abba and The Beach Boys. Credible names to a degree, sure, but frankly often dismissed by the underground.

Anyhoo, that’s all beside the point. What matters here is whether these cover versions are worth your attention. In a word, yes.

In more than a word, the mark of a good cover is to take a familiar song and make it your own while still honoring what made the original an enduring tune to begin with. And here Backspin certainly succeeds.

Many of the producers here stick to the original arrangements for the most part, but often throwing their own sound into the mix. So Bob Marely’s Get Up Stand Up turns into a fun bit of latin music courtesy of Ojos de Brujo, Herbie Hancock’s Rockit gets organically jazz-housed up by dZihan & Kamien, and MIDIval PunditZ crank the orchestral arrangements up on Led Zeppelin’s Four Sticks.

Elsewhere though, songs are given completely different re-imaginings. For instance, who’d have ever thought the ABBA italo-ballad The Day Before You Came could have been interpreted as a kind of smokey lounge tune sung by a guy probably wearing a beret? The Real Tuesday Weld did.

Of course, there are plenty of other examples I could dwell on, but part of the fun in this compilation is discovering what surprises these musicians throw at you. Here’s a few tidbits that caught my interest:

- Shrift’s take on God Only Knows really turns this tune into a weepy. The original was so bouncy that I had never even considered the lyrics could be this depressing.

- Toby Marks (Banco de Gaia) seems to still be having fun with his vocoder.

- Spirits In The Material World has notoriously been known to be a difficult song to cover, as the arrangements are deceptively complicated. Good on Karsh Kale to have a go.

- Los Mocosos’ cumbia go at The Bed’s Too Big Without You is a hoot!

So a wrap up then? Backspin is a lot of fun, period. While the wide range of musical types may not be everyone’s cup of tea, the fact they wrap familiar pop in these unique styles should keep even the least adventurous intrigued. Seek it out and get reacquainted with old standbys.

Written by Sykonee for TranceCritic.com, 2007 All rights reserved


ACE TRACKS:
dZihan & Kamien - Rockit
Rara Avis - If 6 Was 9
The Real Tuesday Weld - The Day Before You Came

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